Phonearl Good start, but then it gets ruined

Matialth Good concept, poorly executed.

ShangLuda Admirable film.

Fairaher The film makes a home in your brain and the only cure is to see it again.

MBunge This low budget suspense thriller is a great example of what more low budget filmmakers should strive for. Throttle is a solid idea underlying a well thought out story and brought to life by a capable cast and crew. It's got just enough sizzle to hold the audience's attention and just enough substance to make them care about how things turn out. It's neither self-indulgent nor self-referential and it doesn't try too hard. This is a good and solid piece of entertainment.Tom Weaver (Grayson McCouch) works at a financial company. He seems to have a great job and a beautiful wife named Molly (Amy Locane). It's not all that it seems, though. Tom thinks his wife is cheating on him and he's about to conspire with his smarmy co-worker Gavin (Adrian Paul) on a scheme to steal 10 million dollars and transfer it into offshore accounts. Tom and Gavin meet one night at their offices to pull off the scam and seemingly succeed. But then Tom finds himself trapped in the bottom level of the building's underground parking garage, pursued by a man in a souped-up black truck who wants to kill Tom and anyone else who gets in his way.It wouldn't be far off to say this movie is like Duel in a parking garage. However, Throttle does not make the classic mistake of being nothing but a clever concept. Good stories generally have secondary conflicts and relationships woven through and around the concept, in this case it being Tom's relationship with Molly and his inner conflict over the criminal act he's committed. Those elements not only flesh out the film so it's more than a guy running hither and yon in fear of his life, they also give you a reason to care about the guy and whether or not he gets killed. Too many movies simply assume the audience's interest in their main character and never give you any reason to identify with him or root for her to succeed.Throttle also looks very good. In fairness, this isn't all that cheap a production as low budget filmmaking goes. There's more stunt work and destruction here than could be paid for with a couple of credit cards. But no matter how much money you have and no matter what level of skill you possess, you can always make things look good by working within your limitations. This film has just a few action sequences and the rest is good camera placement and sharp editing. A lot of the shots are pretty basic, but they're arranged and executed with talent and vision. Visuals don't have to be complex to be compelling. These filmmakers take maximum advantage of their parking garage setting and something as ordinary as bright light to create some impressive imagery.Now, it's not like the movie is perfect. It indulges in too many flashbacks, particularly ones that remind us of stuff previously shown in the film. The killer also has way too much motivation and spends too much time explaining it all. There's also an unnecessary does of extra drama squeezed into the conclusion.Throttle is an exciting and scary tale told with a little intelligence and a lot of craft. The people who made this movie are people who should make movies for a living. You can't say that about many low budget filmmakers.

quinnox-1 This was surprisingly good for a low budget thriller until you find out who the driver of the Black Truck is, then it all falls apart. It then becomes even sillier with a so bad its funny ending. It has the obvious influence of the classic movie "Duel" as inspiration. An absurd twist happens when the big reveal of who the villain is and his motivations are explained that basically ruins the movie because of how ludicrous it all is. But until then it's not bad at all and had some good action scenes and suspense build up.The acting was pretty good actually. There are some choppy moments in the movie when the main hero has flashbacks, and one especially takes a long time when he is at some office party. These scenes were very poorly done and unnecessarily interrupted the tension of the main plot of a man stalked in an underground parking garage by a menacing black truck.

No One Why is it that when you use a phrase such as "worthy successor" you sound like a 'Lord of the Rings' fan??? 'Throttle' (or 'No Way Up' as its been released in Australia) doesn't answer this question, but it does provide 90 minutes of good, wholesome entertainment.Part remake, part tribute, 'No Way Up' shifts the action away from the empty expanse of the highway to an cramped, claustrophobia of an underground car park. Dennis Weaver, our intrepid, glasses-wearing traveling salesman is replace with Tom Weaver, our intrepid, suit-wearing junior executive; his Valiant with a Jaguar. The menacing truck from the original film is replaced with the 21st century equivalent - a 4WD (or 'SUV' or 'generic Jeep' or whatever).The story remains very much the same: simple premise (a man being stalked by a maniac in a truck), simple execution (the maniac in a truck stalks the man :P). I quite enjoyed 'Duel'. It stands as one of the better "faceless man in a truck stalking hapless person" (we really need a name for that genre) films, and 'No Way Up' is about on the same level. The little in-references to the original film were a nice touch (including a scene with a Dennis Weaver-look-alive and a very familiar looking Valiant :P), and at least show the director appreciates the source material.A good, enjoyable film, certainly on par with the original and a step above some of the other films of its ilk (ie. 'Octane', 'Roadkill' and 'Black Cadillac' but not quite as good as say 'Dead End'). A must see for fans of the original, though it is best to keep an open mind. I don't usually like remakes, but this film is more of a "tribute" than anything else. Six stars.

JoeytheBrit This is one of those movies that presents itself as a kind of homage to an earlier classic while really just amounting to little more than a rehash of the original's central theme. As you watch you can almost imagine the full extent of the writer's thought processes: I'll make Duel. In an underground car park.And that's it.The references to Spielberg's early 70s TV flick are too blatant to be missed - at one point a Dennis Weaver lookalike casts a baleful glance in our hero's direction as he drives past in a red car identical to the one Weaver drove in Duel, and the main character's name is also Weaver. He's a good guy who has flirted with badness in the form of a $10 million business scam with his crooked boss before pulling out at the last minute. Our hero is lantern-jawed and handsome in that bland and plastic style beloved of daytime soap TV producers, and possesses all the initiative of a paper cup.The movie presents us with an array of possible culprits as we watch Weaver being chased for reasons unknown around the car park by a huge truck with a bank of floodlights mounted on its cabin roof : could it be the new security guard with the attitude? The (possibly) cheating wife? The friendly security guard? The slimy boss? The jealous would-be lover? All that is certain is that, whoever it is, their reasons will in no way justify the laborious manner in which they pursue their quarry. The truck's driver seems to alternate between wanting to mash the hapless Weaver into the tarmac and merely toying with him for no good reason. And the engine of their vehicle has some kind of silent mode which means its victims (and the viewer)never hear it approaching until escape from its path is impossible.The acting ranges from barely adequate to mind-blowingly awful, and the attempts at mystery and tension are woefully poor. The dialogue is also incredibly dull. Give this one a miss.