NekoHomey Purely Joyful Movie!

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Horst in Translation ([email protected]) "Pearl" is a 20016 animated short film that runs for six minutes only. The director is Patrick Osborne, already an Oscar winner for "Feast" and he scored another nomination with his most recent work here. I am not really impressed though. I think the music was decent, maybe also because it very much reminded me of Keane's "Somewhere Only We Know". The first half had a nicely atmospheric touch on it and it felt like a decent father-daughter tale and you wanted to be with them. Or not, do you would not destroy their intimate connection. But when the film in the second half turns into basically the daughter and her friends and how they climb the charts, then it was ultimately very forgettable. The inclusions of the dad in the second half felt pretty forced and same can be said about the coming-of-age story there and the arguments. This also made it pretty difficult to look past the really mediocre animation and it baffles me this won several Annie Awards. It is one of the two weaker Oscar nominees from that year, maybe even the weakest and it was not deserving of any of the awards recognition it received. Quite a shame. I hope Osborne steps things up again with his next work.

Hellmant 'PEARL': Five Stars (Out of Five)A 6-minute Oscar nominated animated short film. This one is about a young girl, and her father, that chase their dreams by traveling across the country in a hatchback (which they also live in at times). It was directed by Patrick Osborne; who also directed 2014's Oscar winning animated short 'FEAST' (from Disney), which is also fantastic. This is my favorite Oscar nominated short film of 2017. It's so beautifully told, and the music is really emotional and powerful too. The film is kind of like a musical, or a long music video even; but it still tells a fascinating story, about love and family. It's a really powerful short, and it's shockingly touching too. I loved it.Watch our movie review show 'MOVIE TALK' at: https://youtu.be/jPkZ6fs4g1c

MartinHafer This short film played for me like a long television commercial for some car. The entire film was set within this one car and in it you see a man and his daughter age over two decades. It's extremely sentimental and clearly is the type thing that is meant to tug at your heart. But there is a certain familiarity about sort of theme and the animation quality was severely lacking. The filmmakers chose to use cel shading (a popular style a decade or more ago in many video games) but it's not even good cel shading. The overall effort looks like a nice student film and again I was left wondering how the short was nominated for such an important award. There's absolutely nothing to dislike about the film but nothing to inspire or transcendent about it either. Of all the nominees this year, most are a rather sad lot. I predict "Piper" will take home the Oscar and if it doesn't, I will try to update my review.

boblipton I just saw PEARL in the Oscar-Nominated Animated Short show and I thought this story of a girl who goes through teen-aged rebellion against her loving dad was a pleasantly put together short cartoon set to a song. The insistence of setting every shot around a hatchback car may strike the viewer as a bit odd, as if the late Abbas Kiarostami had taken up cartooning. That, however, is why it will likely win the Academy Award.Although I saw it in flat-screen, and thought it good, the Academy voters won't see it that way. Instead, they will have seen it wearing headsets that make it an immersive 3-D experience from the front right seat of that hatchback and found it possibly the first such movie to use the techniques effectively. That may well win it the Oscar, and if so, it will deserve it....but it will remain a mystery to those who didn't see it that way.