Console best movie i've ever seen.

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

NEON POLTERGEIST I don't Believe I've ever seen such bad strip dancing ever. I would like to Think that If you make a story involving strippers there would be actual good choreographers on set and more genuine dancing. Here you have like childish hot topic wannabe Girls trying to pull of some sexy dancing but its not, Even the intro is like the most Hollywood's b grade you can come up with. Silicon tits, ugly ass tattoo, the acting is c grade. OK I often enjoy really cheap b horrors to if they got a sense of style. nothing here is good.

Jim McLennan There have been films about zombies before. Hell, there have been films about strippers fending off zombies before (the subtly named Zombie Strippers, for example). But this one adds, of all things, baseball into the mix, so with three of my favourite things included, how could it go wrong? Okay, I was pretty much already sold at zombies. Or strippers.Anyway, this takes place on the last night of business at a small-town strip-club which is about to be sold. It runs under the watchful eye of manager Blue Jean (Walker), a former ace pitcher who handles the girls and deals with troublesome customers, while also wrangling her kid brother and personal life. These, however, are trivial concerns, compared to tonight's main issue. A bunch of workers at the nearby mine show up, ostensibly to celebrate one of their number's birthday. However, one of their number was exposed to a mysterious, unpleasant black ooze seeping up from the ground, and is feeling increasingly ill as a result.You don't have to be psychic to figure out where this is all going, and there aren't many surprises in the plot – except perhaps the story of why Blue Jean drives around a police-issue motorcycle (frequently referenced during the film, finally explained in a scene inserted into the end credits). It's still a remarkable amount of fun, an unrepentantly trashy romp that embraces both nudity and violence with equal enthusiasm. The first half is mostly about the flesh, as we get to know the patrons and, in particular, get up close and personal with the staff of the establishment. Certainly raunchy stuff, culminating in one stripper giving the whole front row a golden shower. (Nothing like that ever happened in the Canadian strip-clubs I went to, but that was back in 1998!) However, I should stress, the script and direction still put the effort in to create decent characters. Blue Jean, in particular, is a great bad-ass, but the rest have their quirks and foibles which make them seem more like real people, rather than just lightly-clad zombie snacks. Which brings us neatly to the second half of the film, where the carnage kicks in, and since the monsters here are damn near unstoppable, they require appropriately heavy-duty opposition. Things are artfully constructed to work within the single location, and this, along with a brisk pace, should distract the viewer from tricky questions like, "Why doesn't everyone just leave?" It's certainly a sharp change from Schelenz's debut feature, Skew, a found footage film which relied on atmosphere for almost all of its impact. This is far less thoughtful – and doesn't give a damn either, being more than happy to function as a pipeline for copious quantities of the three B's beloved by Joe-Bob Briggs: blood, breasts and beasts. Though here, we can perhaps add "baseball", since according to Schelenz, "the structure of the film itself is revealed like a 9-inning ball game." I've now seen the film on multiple occasions, and I'm still not sure if he's serious. Guess I'll just have to watch it again – and, this time, try to be less distracted by the other three B's

Michael Ledo You can't go wrong with strippers and zombies, or near zombies in this case. The setting is a small town strip club with strippers far too pretty and too many to be believable (three dancers maximum, one has to look like me in a dress). Filmed in Vancouver (where the last coal mine had shut down a year ago) a group of Hispanic coal miners make their way into the bar.The first 30 minutes or so establish character and allow us to watch the strippers, with one golden shower spray they could have omitted. Eventually our miners turn into ? and an issue arises on how to kill something that keeps coming back to life.I found the dialogue to be more crude and adolescent than funny. They had a running gag of "Don't call me BJ" which wasn't funny the first time they used it or the tenth time. Seriously, if you find someone killed at a club, the first action would be to shut down and call the police unless you killed them...and you might want to go outside and call them.The film also had good dialogue that worked when they weren't attempting to be crass. 3 stars minimum for anything stripper and zombie.Guide: F-word. lap dance. Nudity (Momona Komagata, Wren Walker, Nikki Wallin, Victoria Gomez, + a couple more. Just about everyone in the film had a credited body double)

desireedeere I didn't know what to expect going into this...yes, it's low budget but i give the filmmakers cred for pulling off what they did. It is just a lot of fun. I've seen a couple stripper-horror type movies and they are just bad. Peelers actually has a story line and it flows well. You get to know the characters and while they aren't necessarily going to win any academy awards, they do decent performances. It's definitely a different take on the zombie genre while still endearing itself to the genre in many ways. There are definitely some over-the-top antics but who doesn't love that/expect that in a horror film? The main character, Blue Jean is just awesome. While I'm sure many women will take one look at this film and get their feminist panties tied into a bunch, they should overlook their biases and give it a chance because Blue Jean (Wren Walker) kicks butt, takes names and plays ball. SHe's not a damsel in distress but rather a woman who takes charge, is smart, plays sports and leads. It is sure is nice to see. Anyway, don't let the low budget aspects of this film ruin the pure fun it is to behold. Had a blast watching it.