TrueJoshNight Truly Dreadful Film

Inclubabu Plot so thin, it passes unnoticed.

Ceticultsot Beautiful, moving film.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Opalville I have always loved this classic tale of two cool, starry-eyed, cross-country, long-legged distance runners, tragically hailing from opposite sides of the border town track and bar, who manage to break free and sprint halfway to mingle and drool over vodka and KY jelly-filled donuts before making a mad lovers' dash through customs whilst en route to Denmark to consummate their same-sex, syringe-friendly, lesbian marriage. This film fondly reminded me of my own modestly unhappy youth growing up in the outskirts of rural Kashmir country with Brenda, a olympic champion skeet shooter, my ex-former lover, and dedicated but untrustworthy carefree confidante, in a seedy neighborhood where our loyalties were constantly challenged, torn, undermined, and resurrected, only to have the cycle repeat itself like a never-ending perpetual monthly calendar. While Personal Best makes little chronological or other sense, any attempt to introduce a plot would inexorably distract attention from its sensually accurate detailed depictions of the morbidly anorexic female form. Gynecologically speaking, I found this movie to be quite a workout, with my quadriceps twitching in tandem with the characters,' eventually achieving a harmonious, sedentary, fleeting, runners' high. So high, in point of fact, that I levitated slowly out of my stadium theatre seat and joined the Buddha perched on a wall above to share a moment of clarity, whereupon my pacemaker and chronographic watch simultaneously and momentarily stopped ticking. Thank you for this movie!

Aussie Stud Mariel Hemingway stars in what is perhaps the most defining film of her career, a vehicle that displays her acting talents at what is probably her own 'personal best'.In "PERSONAL BEST", Mariel is Chris Cahill, a young and attractive bi-sexual athlete competing at the Olympic Team Trials for the 1980 Olympic Games to be held in Los Angeles. Her character is defined as somewhat naive, but she is guided through her sexuality phase with the help of Tory Skinner (wonderfully played by Patrice Donnelly). Whether the two characters are lesbian or not is beside the point, what "PERSONAL BEST" tries to deal with is the hardship of having a relationship at a trying time in your life. In this case, both Chris and Tory are competing for a place in the Olympic Team and they both help each other emotionally and physically to achieve their goals.The two girls both deal with sexual confusion which distracts them on and off the field. Their coach is played by Scott Glenn who plays a hard and despicable character who 'pushes' them too hard to achieve their personal best."PERSONAL BEST" is filled with unnecessary nudity including countless scenes inside a sauna where you get to see young female athletes baring all. There are also several explicit sex scenes involving Chris and Tory which would probably not be suitable for younger children. One questionable scene involves Chris and a male athlete/temporary love interest in a bizarre toilet scene that has absolutely nothing to do with the movie - but other than that, the rest of the film is quite inspirational.When the movie isn't trying to be serious, there are some comedic moments including a scene where Chris asks Tory to 'pull her finger'. Another thing "PERSONAL BEST" successfully achieves is building a story around a 'lesbian relationship' without delving into silly stereo-types and cliché's that spoiled other films of the same time (ie. "WINDOWS" and "THE LONELY LADY").When it all boils down to it, what drove Chris and Tory to achieve their personal best was not endless training and their physical attributes, but their love and friendship for each other which was something that would probably last forever. "PERSONAL BEST" is a film about athletics and it is also a love story.Yes, Mariel Hemingway has starred in a lot of trash (ie. "LIPSTICK", "SUPERMAN IV: THE QUEST FOR PEACE", "BAD MOON") - but it is "PERSONAL BEST" which I remember her the most for. Patrice Connelly was also a very good actress, but she has since retired from acting after appearing in only two films. This movie brought back a lot of memories about the 70's and the 80's and how innocent love could be in times that weren't so troubled.I highly recommend this film, not just for sports enthusiasts, but for also those who are seeking a romantic love story.My rating - 8 out of 10

Robert J. Maxwell I saw this film in its first release, then again a few nights ago on cable and it affirmed my first impression that this was one of a scant handful of good sports movies. The shots of San Louis Obispo are evocative, for one thing, giving us not just the apricot sand of the dunes but the whoosh of cars on a distant freeway and the chill of the light fog. Mariel Hemingway, never noted for her acting range, becomes noticeably stronger as the movie progresses. The attractions and tensions within the team are neatly delineated in a naturalistic style by director Towne. What seems bothersome to many commentators is the "exploitation" of females through gratuitous nudity and all the rest of that specious argument. Of course there is female nudity and an abundance of finely toned suntanned flesh, often moving around ballistically in slow motion. It is after all a movie about a team of women athletes. And contrary to popular belief there doesn't seem to be a vas deferens between male and female competitors. And we should consult Leni Riefenstal on how to avoid slow motion. Much of the nudity is locker-room casual. (And there is casual male nudity too.) That which has sexual associations seems appropriate in a story of a love affair between team members and contributes to our understanding of how such an affair could develop.The guy, by the way, is no eleventh-hour hero brought in at the last minute to save the heroine from the catastrophe of lesbianism. He's no dashing Rhett Butler. He's simply another figure, not overly bright, and manipulable. He and the heroine don't ride into the sunset together. The complaints about exploitation seem misdirected. This is a film for adults, a story of love, dedication, and competition, nicely written, directed, photographed, scored, and acted. Zealots in the gay community have an abundance of other targets for their anger. It would have been nice to see more of Patrice Donnely in other films, because she was quite good, especially for an ex-athlete.

filmfan1313 I wish to argue against the fact that the film exploits the bodies of women. It is true that the movie was billed, in pressbook releases, as a sports movie featuring toned, "sexual" female bodies (not an exact quote). In this way, the makers may have attempted to make a film that was pleasurable to the male viewer. I do not argue that.I do say that the end result was a film that handled the sexual situations very well, without exploitation. You have to consider at the time this film was made, 1982, it was (arguably) the first film to have an open lesbian relationship on the screen. The only real way a film could be generally accepted by the public, at that time, would be by containing some sexual content to please the male viewer. Too many feminist groups have identified with the powerful female figures inherent in this movie to really argue that the film exploits women. I believe that it IDENTIFIES women, and how they see each other.I thought it was an excellent film, that made an excellent social statement of the times. Yes, it is sexist by today's standards... but watching it looking for the sexism ruins the entire experience of the movie. It is a movie in which to enjoy the characters more than the story, because the characters are so vivid.