Peter Pan

1960
7.4| 1h40m| en
Details

In this magical tale about the boy who refuses to grow up, Peter Pan and his mischievous fairy sidekick Tinkerbell visit the nursery of Wendy, Michael and John Darling. With a sprinkling of pixie dust, Peter and his new friends fly out the nursery window and over London to Never-Never Land. The children experience many wonderful and exciting adventures with the Lost Boys, Tiger Lily's Indian tribe, and Peter's arch enemy the dastardly pirate Captain Hook.

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Trailers & Clips

Also starring Lynn Fontanne

Reviews

Freaktana A Major Disappointment
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
jeromezaha I loved Mary Martin like I love Julie Andrews. Growing up in the 80s we had two real versions (possibly only two) of peter pan. Walt Disney's original, and Mary Martin play taped "peter pan" with Cyril Ritchard. I had it on VHS, but it seemed so clear like it was filmed in the 80s. Still looks good. "Spoilers": Never seen the "remake" with Cathy Rigby. I watched Christopher walken as hook. Rhythmically talking, but with more actual singing then Kirk.
Hitchcoc I first saw this when I was thirteen years old. I have to admit, it was a bit odd to me then. I mean, who was this middle aged blonde woman playing a boy? It was gratifying to me that my kids played the tape of this over and over because over time I came to realize how well done this was. The great Mary Martin and Cyril Ritchard were worth the price of admission. Granted there are some things that weren't politically correct, especially those relating to Native Americans, but one need only look at the media of the time (especially the classic Westerns) to realize that this shortsightedness and insensitivity was just a part of our country. If you can look past that, watch the performance of Martin, with her eternal optimism and Ritchard, dancing and prancing with that glint in his eye, up to no good. Yes, we can see the wires, and Nana is a dog costume with some small person inside. But the songs and the delightful story will live on.
TheLittleSongbird This and the Cathy Rigby versions are fantastic in their own way, they are both such fun to watch and have a real sense of magic. With personal preference, I'm leaning towards Rigby's for the better flying sequences, being a little more polished, the continuous energy and being a little closer to the book. That is not to knock off Martin's in any way, it has great nostalgic value, the accents are more natural-sounding(pretty much the only real criticism with the Rigby version was how overdone some of the accents were) and does a marginally better job of bringing out the inner child within you. The ending is a little better done here too, it's genuinely heart-rending. The costumes and sets here are beautiful and colourful. The music is lively, charming and hugely memorable, Never Never Land and the poignant Distant Melody being the one that stood out the most(Mysterious Lady was a little pointless but so much fun to watch), and the scoring is lush in orchestration and rich in sound. The script is filled with snappy lines, it's often hilarious especially with Hook and Smee- and with Tiger Lily's priceless "Famous Indian proverb, when in doubt RUUNNNNNNN!"- and it seemed like everybody in the cast thought so, while the choreography is full of energy(like the Rigby version especially with the Pirates and the Indians) and the whole storytelling has a light-hearted charm. The Lost Boys are immensely likable, no sense of nerves at all, the Indians and Tiger Lily are characterful and magnetic dancers and the Pirates are a genuinely rollicking lot. Maureen Bailey is charming and spunky as Wendy, her voice is pleasant and strong if a little too mature-sounding at times. Nana is adorable and this version has one of the cutest Michaels, John is spirited and the narration is wonderfully sincere. Cyril Ritchard and particularly Mary Martin are what you'll remember most about this Peter Pan. Ritchard is both funny and menacing, the funniest parts at their best are hilarious though it's not a performance that is played-for-laughs, there are times like in the capture of the children where Hook is quite dangerous. He also plays Mr Darling, a tradition is for Captain Hook and Mr Darling to be played by the same actor, and he is very convincing at being uptight As Peter, Martin is just wonderful, Cathy Rigby may be more boyish and more athletic but the energy and likability levels between the two actresses are equal. But Martin just edges out Rigby in the singing department(though I still adore Rigby's voice), Martin's voice is just beautiful to listen to but she also brings lilt and emotion to her singing that Rigby doesn't quite do as effectively. Never Never Land is moving, gorgeously sung and not just one of the highlights of the production but also a standout of any individual rendition from any musical seen recently. All in all, a wonderful classic that is more than a nostalgic childhood favourite. 10/10 Bethany Cox
shanfrina Hey Kids!?!...... Even at 60 now, I find this classic TV musical a MUST see!?! It's "TIMELESS," as Barbra would say. If you've NEVER seen it, rent or buy it for the inner child of vous!!! - You KNOW, as a print journalist of 35+ yrs. in la mainstream & gay media (on both coasts), ESPECIALLY 17 with "Billboard Magazine" in L.A., Vegas & the Bflo./Rochester, N.Y. markets, I'm just SAD there's no trailer-to-watch OR music-to-hear!?! Legendary Broadway composer Jerome Robbins?!? You CAN'T get-ANY-better!!! ... Great songs like: "Neverland," "Lullaby" & "I'll Never Grow Up!" Hope YOU haven't. MOIS-never-WILL. "2nd * to the right & straight on 'til morning!" SEE YA THERE!?!