Fluentiama Perfect cast and a good story

2hotFeature one of my absolute favorites!

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

gftbiloxi Brigid Berlin was the child every parent fears having. Born in 1939 to media mogul Richard Berlin and his socialite wife Honey, Brigid seemed to be on the fast track to a world of wealth and social registers--but she had a weight problem, and when mother Honey focused upon this Brigid rebelled. It was a rebellion that would ultimately lead her reject her parents, their way of life, and their values as absurdly superficial.In 1964 Brigid met rising artist Andy Warhol, who had a knack for picking up extreme personalities and using them to fuel both his ambitions and inspiration. For once, however, he gave almost as much as he took: Brigid not only developed an arts reputation in her own right, she also managed to remain friends with Warhol until his 1987 death--something that very few people, and particularly those of Warhol's 1960s circle, ever managed.PIE IN THE SKY might best be described as a collage of Brigid Berlin then and now. Released in 2000, the film finds her living in New York, where she has considerable cache in the avant guarde arts world--and obsessing about her weight, her smoking habit, her past, her present, her future--and indeed virtually everything. In fact, the word "obsessing" might be the keynote in her life, which she documents as it unfolds with a degree of relentlessness that is quite astonishing.Yesterday--be it literally yesterday or fifty years ago--is just as intense in Berlin's mind as today, and a good portion of the film is given over to her reflections on her parents, the way of life that she rejected, and the pleasure she took in horrifying the social world throughout her life. She talks about art. She demonstrates her technique, which might be generously described as body painting. Now slim, she breaks her eternal diet to binge on Key Lime pies. She is incredibly compulsive, it is difficult to know whether she is as mad as she is insane, and it is impossible to know how much of the madness or sanity is calculated.What she most certainly is is interesting, and directors Shelly and Vincent Freemont keep the focus unerringly upon their subject throughout. A fascinating look into the life of a woman who was, and in many ways remains, on the cutting edge of both art and life.GFT, Amazon Reviewer

T Y Forget the throwaway title, this documentary about the wayward, moneyed Brigid Berlin is the equal of Terry Zwigoff's Crumb; a similarly troubling yet funny biography.Berlin is astonishing in her obsessiveness and her audacity. She manages to convincingly take credit for many of Warhol's ideas, and demonstrates a sophisticated understanding of what it means to be a media construction whom no one actually knows (a la warhol). Her creative work ethic is a refutation of other artist/poseurs who want to avoid actual thought and/or effort.Personal highlights in the film: Berlin's pained return to the Chelsea hotel and the bankruptcy of trying to revisit the past / The examination of a jam-packed apartment with fastidiously organized Polaroid pictures / The penis book / The tone-for-tone reperformance of lousy, bourgeois parenting lectures / And of course Brigid's failure to resist Key Lime pie, while representing (to her) a major personal failure, is the funniest thing in the whole movie. I was laughing till I hurt.Berlin makes her difficult personality look like a great time, and the only reasonable way to proceed through the absurdities of western culture.

CarPort1 One of the best things about this film is that, unlike many of the Warhol-superstar documentaries, the subject is still alive and participates by actually being interviewed (instead of just archival footage). It is a fascinating, funny, educational, and even touching portrait of one of the lesser known but most fabulous personalities to emerge from the New York scene. In addition to the interviews with Brigid herself, there are some other great current interviews plus the requisite archival footage. I have added this to my collection along with the better known documentaries on Edie, Nico, and of course Warhol himself, plus some of the original films (such as Chelsea Girls).

patrickf One of the many amazing documentaries charting the rise & fall of the satellites in the Warhol constellation ("Edie", "Nico Icon" etc.)This creepily voyeuristic - yet fascinating - film charts Berlin from overweight, unhappy, heiress to spaced-out Warhol "superstar" to aged, compulsive dieter. Blessed (or cursed) with a photographic memory, she relishes the compulsively non-stop retelling of her life as a kind of sordid cleansing (her monologues were used verbatim for the Warhol book "A to B & Back Again" -but really written by Bob Colacello. Be amazed as this elegant New York lady displays her famous "Cock Book" , relives her "tit paintings", opens her cupboards & drawers (where EVERYTHING is labelled !!) & watch her descend into sin by eating Key Lime Pie! (her dream food - her pie in the sky)Food has now replaced drugs as her ultimate taboo. The emotional roller-coaster she goes through is devastating to watch. Warhol often made "friends" with these wounded heiresses, while shamelessly exploiting their eccentricities and vanities for his films and personal entertainment. In the end this is a strangely triumphant story, as she struggles to maintain her personal equilibrium. A must-see.