Please Believe Me

1950
5.7| 1h27m| NR| en
Details

A woman in London unexpectedly inherits a Texas ranching fortune, and takes a transatlantic voyage to collect her fortune, not suspecting two men aboard both plan on winning her hand before she reaches America. One is a gambler interested in her money, and the other, a rich man looking for a wife. The rich man's friend, meanwhile, believes the heiress is actually a gold-digger.

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Reviews

Nonureva Really Surprised!
Tetrady not as good as all the hype
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Freeman This film is so real. It treats its characters with so much care and sensitivity.
HotToastyRag In the same vein of Tom, Dick, and Harry and Three Guys Named Mike, this romantic comedy pairs a moderately attractive female lead with three flawed suitors, leaving the audience to groan when the credits roll after she's chosen the wrong man. Even if you love Deborah Kerr, Please Believe Me isn't the best movie to rent. She was terribly miscast; this should have been another vehicle for Jane Wyman, or Barbara Stanwyck in her Ball of Fire phase.Deborah Kerr has inherited a Texas ranch, and while on the boat from England to America, three men pursue her. Robert Walker is a gold digger, Peter Lawford is a womanizer, and Mark Stevens is just a jerk. None of the characters are sympathetic, and the second half of the movie involves everyone in an uninteresting side plot about gambling. Since the first half wasn't that great to begin with, it's even more of a letdown. This really isn't that great of a movie, so if you want to watch Deborah Kerr in a comedy, rent The Grass is Greener instead.
Boba_Fett1138 What's this movie really about? Who are all those characters? What do they want? This movie truly confuses me.The movie is filled with many characters who are all after one thing; money. They think they can get it from the British Alison Kirbe (Deborah Kerr) who just inherited a livestock ranch in Texas. They all try to win her love for different reason but all money involved. After a while it starts to get extremely confusing who all those characters are, who is with who and what do they want exactly. Terence, Matthew, Jeremy, Vincent, Lucky Reilly, I mean who are all those people? They all look and act so much alike! Who's good, who's bad and for what man does Alison Kirbe eventually fall for and just why him? This movie gives me an headache just thinking about it! At the end the movie become even more confusing when everybody apparently start to scam each other, for whatever reason. The movie had reached a point at that time that I couldn't even care less what was going on and happening to the characters. Guess the writer thought he was really being clever by putting as many plot twists as possible in the movie. It just doesn't work and makes things extremely confusing to follow. But also the entire execution of the script is below average. The movie doesn't always flow well and it seemed that director Norman Taurog also had no idea what he was shooting. The sequences are just put together after each other but it doesn't make one big well flowing whole piece. And apparently this was supposed to be a comedy but for a comedy this movie surely does lack some laughs or even humor for that matter. Are the situations supposed to be funny? Are the characters supposed to be funny? Is the dialog supposed to be humorous? Fact is that the movie only just mildly entertains at points.The movie gets also restrained by its settings. Its for most part set aboard a ship. It provides the movie with all of the usual sequences and settings and therefor also becomes rather formulaic. Not a recommendable movie, unless you want an headache.4/10http://bobafett1138.blogspot.com/
moonspinner55 Deborah Kerr plays no-nonsense British lass who inherits a ranch from her Texas pen-pal and sails for the States; aboard ship, she is wooed by three bachelors: a lawyer, a millionaire playboy, and a con-artist. Sleek, genteel comedy plays like a blue-haired drawing-room farce. Kerr chirps along happily, but there's really no character here for her--just the outline of one (we can't even be sure what she did for a living back in London). Although there are no big laughs, amiable second-banana James Whitmore steals all his scenes with little effort. Extremely minor offering, one of the very last from famed producer Val Lewton, and perhaps just glossy enough to engage Kerr's fans. ** from ****
edwagreen Just goes to show you when people are under contract.A stellar cast of Deborah Kerr, Robert Walker, Peter Lawford, and Mark Stevens are put into this absolute classic stinker.Seems that during World War 11, Kerr met an old U.S. soldier who leaves her farmland that's an absolute piece of junk-just like this movie.Walker is a con-artist who thinks that Kerr has landed a lot of money and tries to woo her. On board the board, there's Lawford with his 14 million and his lawyer Stevens. Walker has his crony, James Whitmore, who is the only funny person in this.Scenes include a tie scene which is utterly ridiculous. Naturally, Walker is being financed to fleece Kerr by hoodlum J. Carrol Naish.The film becomes even more ridiculous when it's discovered that Kerr's land is worthless. Having run up debt, she tries to sell the hotel rug and of course winds up with one of our gallant 3.A weak plot is further done in by poor writing. Norman Taurog, a great director, who won the Oscar for directing "Skippy" years before is straddled with his mess. He probably needed that dog to help out with this clinker.