Inadvands Boring, over-political, tech fuzed mess

CommentsXp Best movie ever!

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Charles Camp An incredibly bizarre film about the dissolution of a marriage told through the lens of the creature/body horror genre. Lots of lofty, philosophical dialogue as well about religion and human nature, though tonally the film goes for outlandishness and, at times, comedy, rather than feeling stuffy and intellectualized. Most of my enjoyment was derived from the unique genre-mashing, very compelling and somewhat experimental camerawork, and the absolutely unhinged performances. The acting in this film is really quite something. If you've ever seen a film by Andrzej Zulawski, you're aware that he directs his actors in a very atypical way and the result is what most would call "overacting." In this film, the absurdity and sheer intensity of the performances works quite well and leads to some truly arresting moments. However, the "heightened" acting style persists in nearly every scene, even those that may not really call for it. I fully realize that this is the style Zulawski is going for, but to my taste it was occasionally off-putting and took me out of the film. Perhaps just a bit more restraint here and there could've magnified the impact of the most volatile moments. It also felt like the film could've done a bit better at escalating the tension as it progressed. It's at full throttle nearly right out of the gate and manages to sustain that nicely, but it comes off feeling a bit one-note by the end. Again, some restraint could've possibly made the proceedings feel more dynamic. Regardless, it's a very unique and notable film with great performances that's very much worth checking out if you're into this sort of thing.Light 4/5

freecine This film is brilliantly chilly, with its grey setting only further highlighting the drably seething alienation of the lead characters. Famously branded a video nasty in the UK, it is really an art-house film, from the time when they were more than just polite prestige cinema, about the breakdown of a marriage and all the bile and hatred and monstrousness that comes when loves breaks down. With an oblique ending that feels fascinating rather than impenetrable, Possession is a slice of European mischief with a gooey, splashy centre.

gallantentry I have heard that this movie cannot be easily explained or made sense of, and yet I find it one of the easiest of all movies of this horror- genre to understand what the writer/director wanted to convey. The hurt; the rage; the jealousy; the monstrosity; the confusion; the violence of adultery in a graphic and painful movie. Every man believes his wife's adultery is a monstrosity that he believes all others cannot fully comprehend because the pain is often so deep and surreal. He sees his wife's actions as bewildering and confusing; as evil and archaic. The madness of unfaithfulness and the effects on the marriage. I have also read that the suicide of the boy at he end was a desperate attempt to give the audience one last shock, but I believe the writer is telling it's viewers that adultery has a traumatic effect on the children..one that should never be minimized. I don't believe even for a second that this movie was over-dramatized or acted. It was all intentional and deliberate. There is no sense to the victims of adultery, but only madness!

webfix-532-741287 I really cannot understand those who rate The Possession so highly. I have just watched it and have been utterly bored throughout. All you see is this couple screaming and shouting at each other, not to mention behaving rather oddly in other ways too. You would not think this was meant to be a "horror" movie; more like a tedious, slow, borefest.