Pound of Flesh

2011
3.2| 1h37m| R| en
Details

Noah Melville, a popular college professor and confirmed sensualist, provides scholarships for gorgeous college girls through an escort service, whose satisfied clients include the chairman of the school board, the chief of police, and even the mayor of their idyllic college town. When a young woman's dead body is found near the campus, the moralistic new detective in town, Patrick Kelly, investigates, leading him to the professor. Exposed, Noah must leave his devoted wife and daughter and flee the law. Kelly, for his own reasons, takes the law into his own hands to bring Noah to justice. Their deadly showdown has a surprising result.

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Reviews

Laikals The greatest movie ever made..!
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
sonztwin-398-717004 I had the misfortune of coming upon this crap movie tonight on a free weekend on DirecTV on Showtime. If this is some kind of courtesy freebie, I'd like to pay to NOT watch this. Only one word is needed in describing this movie: ABOMINABLE!! But seeing how IMDb requires a minimum of 10 lines, let me just add that this movie is so bad, so clearly poorly directed, that I came close to puking.Malcolm McDowell must see this as his SECOND most shameful cinematic achievement. Timonthy Bottoms? Really? It sinks from low to abysmal as the minutes pass.COME ON, MAN!PLEASE: do yourself a favor - don't waste any time on this drivel.
Don McKenzie It would be very easy to sneer at this film. There are certainly flaws enough, but one should remember that a number of people spent a number of months creating a film which is not pornography, an action epic or teen horror extravaganza. More to the point, it is not an "art house" film either, so, in my book, some folk had faith in it and it deserves more than a shrug.The positives: Malcolm McDowell – an actor who has specialised in off-the-wall roles from Anderson's anti-establishment films and Kubrick's "Clockwork Orange" , to the earnest, wife-loving Shakespeare lecturer who is also, with the best of intentions, a pimp.His classes of nubile young students, who would, in the normal course of events, be screwing spotty undergraduates, are actually occasionally screwing very wealthy, if elderly, men in exchange for scholarships. Is this a problem? It depends on your point of view, and this gives the film its saving interest.The opening shots leave one in no doubt that this is a film aimed at a "mature" audience. Things go wrong in a way which ensures that we drop into Professor Noah Melville's world at a point when it is about to unravel (His name is a rather forced amalgam of American literature and the Bible).McDowell is an actor. He carries and almost saves the film. His Melville neither tastes his own wares nor benefits financially. He merely harnesses the "summer seeming lust" to get his students free education. Unfortunately not all of his clients are as high-minded.Enter the negatives. The film loses its grip and spins into the bushes. A detective (Macfadyen), a cliché of the misunderstood divorced cop with food in one hand and a faint glint in the eye when he remembers why he joined the force before disillusionment and a justified killing, bumbles through a script Shakespeare could not save. If ever a character was created by a committee, this is it. His partner I shall not name because she will want to forget this film, as will several young women whose talents do not stretch to acting. It is a great pity that a thought-provoking idea was allowed to die on the altar of cast budget.Does the film make one think? Yes, but mainly about how much better it could have been. The director has tried to span too large a ravine between an intelligent college human interest story like Educating Rita, and a poor man's Lethal Weapon. I'm afraid the film falls into the sad category of "nice try".
missismiggins I liked Malcolm Mc Dowell, but even he could not save this movie from itself.The plot almost could have worked, it could have been an interesting story, however, it FAILED.The acting, if that what it was by all but McDowell was atrocious, Elizabeth Rodriguez and Angus Macfadyen were absolutely terrible - The script however played no small part in their downfall.Do yourself a favour, remember Malcolm in better times, like IF and No.1 Gangster, not in this trash.I was almost interested when it began, it looked a little different to begin with, but as the movie progresses, it becomes more and more ridiculous......did it go straight to DVD?
Lisa Lisa Perhaps they relied to much on more well known actors, or having more funding than the average independent film, but this movie was horrible. Bad acting, shallow characters, botchy story line thrown together haphazardly. The "F" word flying constantly to force some sense of tension and angst. I was in misery the entire movie, but sat in the middle of the theater and hated to get up and leave disrupting others viewing of the film. It was like a poorly crafted, tediously drawn out CSI. CSI is 100% better in every way. What a waste of funds to create such junk. Feed starving kids in the world instead. Create a scholarship for desperate female students.