Powder Keg

2001
7.5| 0h14m| en
Details

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

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Reviews

Nonureva Really Surprised!
Smartorhypo Highly Overrated But Still Good
ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Chodewick Tears could not be held back when viewing this BMW film. The first film was a groundbreaking car chase by the "master" John Frankenheimer. The second was probably the most beautiful car chase ever filmed by Crouching Tiger and Ice Storm filmmaker Ang Lee. The third didn't really effect me as much as the others but it still held it's place. The Guy Richie fourth film was just downright hilarious, I have never seen Madonna utilized in... that way.Now I am brought to this film, done by Alejandro Gonzalez Inaritu, famous for his breakthrough film "Amores Perros" which I also had the pleasure of viewing. If you have not seen this movie I highly recommend it due to the fact that it leaves you feeling three different emotions for three different vignettes. A movie hasn't moved me in that way in a long time."Powder Keg" follows The Driver, played by Clive Owen who is always portrayed in the other films as a hard-boiled merc with a soft side somewhere. In this film, his soft side is his care for human life. He knows his passenger may be dying from a gun shot wound but he doesn't want him to because he believes his passenger is key to preserving human life. On the flipside, his dying passenger believes that his sole purpose in life, as a war photographer, has been to photograph death. He believes he has never saved anyone and his pictures do nothing more but "Sell a few more papers"Without ruining any of the actions that take place in the second half of these 8 minutes, I assure you that in these 8 minutes you will feel more intensity, hatred, sadness, and fear than in any other 8 minutes of watching a film. At a point I felt the same intensity of watching a "certain" scene from "The Deer Hunter", at points, this film shares the same mood of the "The Deer Hunter" and "Amores Perros", but at the same time creates it's own mood. This film will start you with open eyes and leave you with eyes of tears. There is nothing bad I can say about this movie because it was never cheesy, never dragging, and never melo-dramatic. And if you are moved deeply by this film I highly recommend "Amores Perros" which is done in the same style.I conclude by giving credit where credit is due. I am sure it is not news when I state that Clive Owen is an amazing actor. In this film he delivers his best performance. The reasoning behind this being his best performance is that his eyes contain so much emotion that you can feel exactly what he is. Also that is a great job on Inaritu's part being able to capture that emotion. An all around amazing 8 minutes. Required viewing. 10/10
Scott S. Powder Keg has been promoted heavily on cable. The trailer for the very short film is excellent. The irony of the format of the very short film is that the trailer runs for about 1/10 the time of the whole film!More is left out of the film than is in it. We are shown the short tale of a photojournalist who escapes from a horrific massacre; we aren't shown how he does it. We don't know what war this is, it is a stand-in for all of those nameless skirmishes in Latin America. Clive Owen of the PBS Mystery series Second Sight stars as the 'Driver'. We don't know anything about him as well. It's really difficult to make an effective short film, but director Alejandro Inarritu does a very good job. Yes, we've seen the plot before (though not so truncated), but the cinematography is grainy, jerky, and alive. You get a sense of the menace and desperation of the people of this unnamed place in fast glances out the window of the, yes, BMW. Recommended.
poetryqn Much more than a car commercial, Powder Keg explodes with energy, intelligence and heart. A powerful statement on war and our response to it, this film short packs more punch than most major studio releases. Clive Owen and Stellan Skarsgard prove once again that these two actors do not know how to give a bad performance. Well worth watching for film and car buffs, alike.
SirAlanSmithee Powder Keg concludes the BMW short film series "The Hire" by adding a very human element to the enigmatic and elusive series title character played by Clive Owen. Director/co-writer Alejandro González Iñárritu departs from the pattern established by the previous 4 directors and makes the driver more of a background character, focusing instead on a war photographer who, after snapping a shocking series of photographs, is on the run and grievously injured. He takes the time to reflect on his life and what he's done-or not done-with it, and why he started taking pictures in the first place. Stellan Skarsgård does a wonderful job as the photographer, and manages to communicate volumes just as much with what he doesn't say as with what he does. Clive Owen has the opportunity to portray a different side to the driver then in the previous films, allowing his normally unflappable character to have an emotional moment beyond what we've seen. The moment at the end of the film between himself and the woman played by Lois Smith is made more pronounced by his inability to effectively communicate his thoughts and feelings, and his abrupt exit punctuates that perfectly.Iñárritu directs this short perfectly, using hand-held 16MM cameras to capture a grainy, almost documentary-like feel to the film, and over-exposure for certain shots adds the right amount of dramatic flair to the film.All in all, my only regret with this film is that it's the last one in this excellent series. BMW should be highly commended for allowing what could have been little more than overblown and expensive commercials to be short films in which the centerpiece vehicles sometimes took a back-seat to the characters and their stories instead. I hope to see another series like this again soon.