Pressure

2015 "Hold your breath"
5.6| 1h31m| R| en
Details

Four divers are stuck deep underwater in a vessel after a freak storm destroys their ship. Will they survive?

Director

Producted By

Isle of Man Film

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Reviews

BootDigest Such a frustrating disappointment
Stometer Save your money for something good and enjoyable
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
semielco I was very pleased - much more than I anticipated - by this piece of cinema. The basic premise has been done before, of course, but the idea of applying it to the world of saturation diving teams is a good one. We all depend to some extent on these people but how many of us are aware of the work they do or the intense levels of teamwork required to live their life? This film opens our eyes to something little-known.The concept is supported by a fine script, realistic development of both situation and character and excellent camerawork. The film creates a genuine feeling of being drawn into a normally closed environment, but with enough use of technical references and the like to remind us that this a life which is alien to most of us.The actors do a very fine job of portraying a mix of hope and despair, confidence and frailty, friendship and tension. Its an beautiful job all round. This is a very human and touching piece of filmmaking.
Wizard-8 "Pressure" is neither a great movie nor a bad movie; there are both some good things about it as well as some not so great things. First, the good things. Director Ron Scalpello does manage to generate a good taste of what it must be like to be down in the ocean in a cramped, cold and dark environment, and he manages to handle what had to be limited funds to make a movie that doesn't come across as cheap. Also, he makes the movie click along at a good pace so there are no slow or boring spots.Now, the not so good things. While Scalpello makes a good-looking movie, he does stumble in on aspect: There really isn't a high level of tension or suspense despite the fact the characters are facing possible death in just a few hours. In fairness, some of this may have been to the way the characters are scripted. The characters for the most part act alike and are not terribly interesting. They also seem to take their predicament much better than you'd think. I realize they are professionals, but some sign of human weakness would have helped considerably. To sum up, I've seen better... but I've also seen worse. Wait to watch it until you can see it for free on a slow Sunday when you can't find anything better to watch.
eryui This movie is not terrible, it's empty. It is a low budget one, where not much happens and the little that happens is stretched into an hour and a half of length. It seems more a movie for television then for the cinema. You do not enter into the role of any character and there are no major twists and is also fairly predictable. With a little more development it would be more interesting.However, while not completely boring and while having a minimum of (uninteresting) suspense, I can not recommend it, unless you've just nothing else to see.The real nice thing to watch here is the movie poster.5/10
Steve Pulaski "Pressure" concerns a group of men (Danny Huston, Matthew Goode, Joe Cole, and Ian Pirie), who are submerged in the depths of the Indian Ocean in a small submarine to replace an oil pipeline. However, once their submarine malfunctions, the crew are separated from their base and stuck in the deep waters with no connection to their base and oxygen levels running dangerously low. To survive, the men must conserve their energy and their air in hopes that a rescue team hasn't completely abandoned them in the ocean."Pressure" is one of the first films in quite sometime to have the gall to take place in one setting, effectively trapping the audience, much like the characters, in a tight, claustrophobic space, giving the audience the feeling of helplessness and peril. The great thing about these films is they open rely on tension and character development being that the setting isn't changing, so new environments and interactions aren't always being set up. The downside to this, however, is that when films to choose to focus on stunted dialog and lax character development, these films generally begin to become uninteresting.Such a thing happens with "Pressure;" we have four characters, two of which played by veteran actors, and not a shred of human interest to be found. The characters predominately speak in stunted expressions about wanting to be rescued or argue amongst themselves, and when we do begin to learn about their own personal histories, there's little in the way of conversational realism to attach us.The film does feature some very nice effects work, specifically on the water and the atmosphere engulfing the ship. The waters are a lighter indigo-color, murky and unrelenting, and scenes when some of the men venture out of the submarine in attempt to swim to shore really exploit the capable effects work in this film. Director Ron Scalpello also manages to create some discernible intensity with the film by having medium-length, extreme close-ups on the faces of the trapped men inside the submarine. While "Pressure" make lack narratively, and have little to grip one in terms of human interest, there's at least a commendable focus on the aesthetics in an attempt to try and create a tense setting.Above all, however, the real bother is a serious lack of any character to root for or invest in, which makes "Pressure"'s slender runtime of eighty-eight minutes rather grueling to sit through. The characters are almost entirely vapid, the tension is sporadic and sometimes wholly ineffective, the pace finds itself simultaneously working in a slowburn and a slam-bang manner, and the overall impact is middling to say the least.