GetPapa Far from Perfect, Far from Terrible

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

breakdownthatfilm-blogspot-com For foreign actors, hitting it big in a Hollywood film is a big deal. If one can be popular in movies among their own country and universally, that boosts a career a long way. Having more than one country backing an actor makes it much more likely to be successful. A good example of this would be Jean-Claude Van Damme. After Bloodsport (1988) was released, Van Damme's credibility began to skyrocket. However when it comes to foreign made films, the appearance or starring of popular Hollywood actors are not as frequent. This is mainly because the filmmakers involved are foreign and cannot communicate with other actors from another country. Occasionally a foreign made film will be made with English speaking actors, but the filming crew will remain foreign. With that said, it is hard to say how much power the crew has to release their production on a wider scale. This film was all in English yet the release was all in Europe. It's obvious that English is spoken in foreign countries but wouldn't the native language be more appropriate? Strange.Written and directed by Charles Finch, the story follows depressed rock star Menrou (Christopher Lambert) being a bum on a local beach. One day he discovers a jar at the bottom of the ocean, which turns out to have a beautiful Genie named China (Diane Lane). Hoping to make his life better, China tries to turn Menrou's life around. Meanwhile, Menrou's ex-manager Willy (J.C. Quinn) wants Menrou to get back into the business. Seems simple enough to comprehend, yet there are several things wrong with it. Charles Finch's debut as a writer and director was for this feature and it shows. The few characters that appear throughout the movie are largely undefined with any clarity. Menrou is only depressed because his brother Jimmy (Joaquim de Almeida) got jealous of his fame. After a night of arguing, Jimmy rides off and gets into a fatal accident. Aside from this event, Menrou isn't clear as to why he doesn't do anything with his life. China is revealed to be an amateur genie and isn't quite sure of her powers. How is that she isn't sure yet knows she's a genie?The subplot dealing with Menrou's manager is also wasted. At first Willy claims Menrou will return. Then he starts talking to Peter (Francesco Quinn) and Lisa (Claudia Ohana) a neighbor of Menrou's to try and get him back. This goes nowhere though and it doesn't get resolved either. Even with that said, the actors seem to be trying to a point. Christopher Lambert has his occasional moment of camp where he has that short laugh. Half the time though Lambert looks as though he's living it up. Diane Lane as China is nice even though she comes across as bit naive. She tends to take things too literal. This makes her look clueless at points. All other actors are okay but nothing to really talk about. As a fantasy drama, the tone sticks close to the genre. The drama drummed up by Menrou and China are noteworthy for that. There are also times that come across more comical than it should have because of how silly the characters are written. Charles Finch is known for writing Bad Girls (1994) and The Dentist (1996). As of now though he has been more a producer than anything else.Francesco Quinn as Peter and Claudia Ohana as Lisa would have been interesting if they were developed more. It almost seems like at one point Lisa was jealous of Menrou but it's never taken anywhere. The same could be said for Peter who looks like he had feelings for China, but again not advancement in that department. When it comes to the visual effects within the film, there's not too many. When China first appears, she comes out of the jar, rays of light emit from the it. Unfortunately they are not that great looking. Of course in 1988 CGI was still in development so that's understood, but the optical effects used look dated. There's also a scene where China and Menrou visit a small pond where tiny lights appear. China ends up calling them dreams; really they look like fluorescent lightning bugs. Other than that, not much else is digitally rendered. The set design to each scene doesn't look high end either, but they do have tangible properties to them. They are physical props and sets so that's a plus.The camera-work was another bonus. Luciano Tovoli as director of photography had some pretty shots, as much as the budget seemed limited. A lot the scenes filmed throughout the movie are around the beach terrain. Shots of the ocean, sandy beaches or the stony terrain of the city are all welcome because they are different from the normal mainstream settings. Tovoli was also the cinematographer for Suspiria (1977) and Titus (1999). Music wise, a man named Danny B. Besquet composed the film score. This would only be his second and final score in his career. For the scenes with instrumental music, the instruments heard are guitar and synths. Most of the time it fits but this happens far less than the insertion of 1980s pop music. This is okay at times but sometimes when it appears, it gets cut awkwardly when transitioning. Since this movie was so limited in its release and the composer to the score has barely made a name for himself, expecting a legitimate release of the music should not be expected. It's just ehhh,...not worth it.Aside from nice scenery, okay music and actors that seem to be trying, there isn't a whole lot to be impressed with. The characters aren't truly defined in their motivations and the effects are dated. It's not that engaging.

laidback_15_53 I usually don't categorize a moving as boring. I am not big on action flicks and my senses do not need to be stimulated during a movie. In fact I enjoy a good rational logical dialogue and story line. Unfortunately, this movie has none of those characteristics. Diane Lane is the only saving grace in this movie and even her beauty cannot save it. Terrible overbearing music equals the moronic dialogue and acting. None of the actors actually connect with each other and as a result the movie does not connect with the audience. I guess the scenes where the townspeople are marching somewhere were suppose to add to the story but it seems that they were inserted just to fill space. The scenes appeared choppy and incoherent. There were some nice shots of the ocean and the beach which were beautiful.

green4tom I kind of liked it. It's a nice movie about a guy who's really depressed about losing his friend (I thought it was his brother?), and gets a newly minted genie who's everything he or any other nice guy could have asked for in a girlfriend, to get him out of his blues and set him on the path toward life and love again. Diane Lane is gorgeous, very buxom, and very sweet, loving, and innocently childlike--very different from the role she had just done in THE BIG TOWN. Lambert is convincing as a rock star turned depressed beach bum, slowly coming back to life again, but with all his "jerky" neurotic defenses, which ALMOST screw everything up for the two of them.The scene with her being created by the magic pot (no, contrary to another review that used to be on the IMDb, she couldn't have lived there for thousands of years, because, unlike Jeannie's bottle, it's got nothing to cover it up, and it's been on the ocean floor for a long time, so she would have drowned), slowly forming out of smoke, is really erotic--as is Lane's and Lambert's love scenes together (this makes it a cut above "I Dream of Jeannie,"--the second night she's with him, she asks him "Is it time to make love" with her yet? And they do! And it's great!) Now, let's talk about the BAD NEWS. The BAD NEWS is that the movie was made during a time when popular music--especially, theme music for movies--had reached a new and all time LOW! Cheesy, stupid, sleazy-sentimental disco-beaten TRASH, most of which I was very glad I had a remote control Fast Forward button to skip through--along with most of the supporting actors' "acting" (Bleecch!) They can't do anything about the bad acting of the bit actors, but. . If they ever make a DVD out of this (and I certainly hope they do!), I hope they will reedit it and at least create a whole new musical score, this time purely made up of classical and folk acoustic Italian guitar music. Yes, I know it was made in 1989, but we can't we just pretend it was made in 1969--a year after Zefferelli's ROMEO AND JULIET, who wonderful score was Nino Rota? If only they could have cloned that Man, and kept Him alive for the next couple of centuries! And made it mandatory that every romantic musical would have to let Him do the composing!

Milhaud The main character is an ex-rock star. He stopped singing when his brother died in an accident - probably a suicide. He feels guilty. One day, on the beach, he finds a vase. A female genie comes out of it and offers him three wishes. The only thing he can wish is that his brother come back. But that's impossible.The whole movie is built around the theme of being able to live again when someone near you has died. The message is profound and interesting, but the theme is not really new, and I can't say that it is renewed or made poignant in this static film.However, one must say that the Charles Finch knows how to catch beautiful images : throughout the film, he shoots many great natural scenes and numerous extraordinary tight frames (Christopher Lambert is downright photogenic), also playing with the fabulous light of Italy.