Project: Kill

1976 "The Only Way Out Is Death!"
3.7| 1h30m| en
Details

A former government assassin flees a mind-control program in the Philippines, pursued by his ex-partner, the local police and Asian gangsters.

Director

Producted By

Mid-America Pictures

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Reviews

ScoobyMint Disappointment for a huge fan!
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Yazmin Close shines in drama with strong language, adult themes.
lemon_magic There's a vaguely interesting storyline with a tragic overtone in this little film - if you were generous, you could even call it "Ludlum-esque" - and the two lead actors have done good work elsewhere, but any promise "Project Kill" might have is buried from the opening credits under laughable execution and cheap, shoddy direction and production values. I don't have the problem some viewers do with Leslie Nielsen as an dramatic hero, because I remember him from "Forbidden Planet". And Gary Lockwood was good in "2001" and even played the dashing lead in a light-weight fantasy film called "The Magic Sword". But this film proves that these two actors are really only as good as their screen-play and director let them be - they're badly miscast as secret agent "killing machines". Lockwood, in particular, just can't seem to get with the program - half of the time, he doesn't seem to know what to do with his arms. Nancy Kwan is OK - although she is so skinny and frail looking that it's kind of hard to see her as a sex object, and the other female "lead" is annoying, shrill and unappealing. (I admit that the lines her character has to speak don't help her cause.) Oddly, the acting in some of the minor parts is a lot better, or at least more suitable for the story. Victor Diaz hams it up nicely as the chief gangster, and the guy playing Inspector Cruz is actually a pleasure to watch - here's a character actor who knows what he's doing on camera. And some of the extras and gangster thugs mug pretty well for the camera. Also, when they get shot, they really get into the whole "death throes" thing. As for the fight scenes - it's as if someone associated with this movie watched the action sequences from "Mannix" and "Star Trek" and took notes...but they then lost their notes and tried to reproduce every thing from memory five years later. Nielsen and Lockwood are actually in pretty good shape for older male actors from that era, and Nielsen in particular is pretty buff with his shirt off - but they aren't fighters and they look silly and stiff trying to mix it up with the bad guys and with each other. There are a couple takes that don't completely such; for instance - there's a scene where Nielsen charges a door and shoots a bad guy through the door and back-fists another one out the window - that one was decent. Lockwood sucker punches a couple of thugs in a bar and hits one with piece of furniture, and that's decently done. But that's about it. There are some nice, pretty shots of scenery, and one or two decent shots of Nielsen looking forlorn and lost, but for the most part, the movie is completely static and boring; even the sound and vocals are muddy and muffled. Sound design is one of the most underrated, but important, aspects to a quality film, and this one was obviously recorded on the cheap, which costs it another star. Did I mention that the plot makes no sense? That there are holes in it you could drive a truck through? That most of the dialog completely misfires? I only paid a buck to see this (it's a reissue from Digiview Productions) and I watched with a couple of glasses of nice wine late one night after everyone else had gone to bed, but I wasn't sleepy...I was looking for a time-killer, and that's what I got. Poor Gary Lockwood. I hope he recovered from this.
rjvspurs I have seen many movies throughout my life just like the next guy. This was something special. Project Kill is the worst movie I have ever seen. I actually bought this movie because of the comments made on this website and thought to myself that it can't be THAT bad. Boy was I wrong about that. This movie was rated R back in 1977 and after viewing it, I have yet to find out why. Just a few things that made this film horrible include: The dialogue has inflections that don't make sense where they are placed, the "fight" scenes are so fake I almost started throwing things at the TV, and Nancy Kwan's role in this gem is absolutely pointless. This movie is so bad, I just had to force myself to laugh during some parts to avoid an aneurysm. Godspeed to those who want to subject themselves to this torture.
Tom Willett (yonhope) Hi, Everyone, One way to make a movie build as it progresses, is to start with a very boring scene. Leslie Neilsen begins his role here by narrating a training film. We can instantly see he ain't the swiftest. The problem is, it is not a comedy. It's funny sometimes but never a comedy.The director must be given most of the blame. The cast is OK. Gary Lockwood and Leslie Neilsen should change their roles. Leslie would make a better pursuer. Maybe Nancy Kwan and Gary should change roles. Nancy would be more believable in the fight scenes than Gary.The actors appear to be doing their own stunt fighting. They look confused. They seem to be trying to remember their choreography while the opponents wait to be punched.The acting borders on awful. Sometimes it crosses that border. The writing is conventional. You have a super secret agency of the government that is made up of well armed men. They are all very stupid. They have $300,000 to play with that they had hidden somewhere. They film some of their exploits for training purposes, but the films are all too dark to see what is going on.My guess is that Leslie Neilsen and Gary Lockwood and Nancy Kwan have never got together to celebrate the release of this stinker.I almost forgot. There is a song in the movie. The girl who sang it was the one who should have been chased and Karate chopped. Actually maybe the song writer should have been the villain.Compare the beginning speech of George C. Scott in Patton with Leslie Neilsen's speech at the beginning of this movie. George C. Scott had a passion and the words to fit that passion. Leslie Neilsen sounds like a boxer being interviewed after a bout where he was unable to find a neutral corner.If you want a turkey for Thanksgiving, this might be it. This is the bird that didn't quite make it over the cuckoo's nest.Tom Willett
Queer-qatfm It's a pretty heinous film that features a man in a wicker wheelchair, Leslie Neilson's scarred chest, plenty of very ugly Filipinos, horribly set up karate sequences, and people who look like they are waiting for others to finish their lines so they can begin.I think the plot is like this. Two guys, one being Leslie Neilson, are at odds since one wants out of this Project Control. Basically people are shooting up to become superstrong? Well Leslie Neilson gets mixed up with some Filipino gangs who don't like either one of the Americans. There is a side romance too. Makes little sense really.I'm sure Leslie would love for you to forget that he was in this one, but sadly like the movie says: "The only way out is DEATH."Watchability: 2 out of 10 MST3K quality: 7 out of 10

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