Redwarmin
This movie is the proof that the world is becoming a sick and dumb place
SpuffyWeb
Sadly Over-hyped
Fluentiama
Perfect cast and a good story
Livestonth
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
mario_c
ZAVET is not for sure Emir Kusturica's masterpiece, as this excellent director has better movies like UNDERGROUND or BLACK CAT WHITE CAT, however it's a nice film and it certainly uses plenty of Kusturica's typical elements/ideas. It's a tale between fantasy and reality and it's a positive feature. The plot is always around a main topic: "a countryman grandfather asks to his grandson to go to the city sell their cow and get a wife, because he will soon die and leave him alone in the world". But next to this main topic many funny characters will appear, like a persistent pretender to an old teacher, a flying man came out from a circus, gypsy mad thieves and a pair of brothers that knock down everything
And with those funny characters, funny scenes will also appear, of course! It has the typical characters and scenarios Kusturica likes to use and also the type of humor that makes him a different and special director. The last 10 minutes are really intense, weird and funny at the same time, and are just the proof of that! Not being a masterpiece it's a nice film of a master
I score it 8/10.
dhalmagean
I find it very funny and also profound the following idea showed by the 2 brothers that worked in constructions. One brother was passionate by the Americans way of demolitions using controlled explosions to lay down huge buildings. He used to study tapes with demolitions by explosions in USA. He was enchanted by they. He liked it very much: how big demolition experts are the Americans :)And than, after this study, we can see his choice in destroying the house: use his strong head as a ram, hanging on a crane which was used to hit him against the wall. It is so hilarious.I couldn't stop laughing.
alek-kelly
For those of you who are not aware with the theme that Kusturica continues to explore intermittently in his films--the Western assault on traditional Serbian values--it will be impossible for you to understand his narratives. This continuous theme, expressed through fantasy and outrageous comedy as its vehicle, is one that Kusturica has elected to mandate. Since his fantastic work and Magnum Opus 'Underground', Kusturica's films' 'Black Cat White Cat', 'Life is a Miracle', and recently with 'Promise Me This', his slapstick, carnivalistic style underscores the 'westernization' of Balkan culture, its ambivalent arrival and assault on the traditional idiom. In the case of 'Promise Me This', the paradoxical world of city (urban space) and village (traditional idiom) space are contrasted. The world of the city reflects western attributes that have ensconced the spatial and temporal setting; organized crime, sexual exploitation, a ruptured sense of identity and vehement disregard for traditional values--as expressed toward the young kid--villager. The end of the film further exemplifies this notion as we observe a funeral mass and wedding on a one-way dirt road. They are on a collision coarse; appropriately, the wedding, which represents the lifeline and pulse of the village, i.e. traditional values, are about to collide with the funeral mourners, exemplifying the death of tradition within this context. Yet Kusturica brilliantly examines this theme through his own unique, stylistic singularity. With his outrageous and flamboyant style serving as a vehicle in its portrayal.
Gokielig
I started to watch this movie with great expectation although I had some fears too. In my opinion Kusturica together with Almodovar is among the most creative directors in Europe. Movies like Time of the Gypsies, Underground, Black Cat, White Cat are so rich, so imaginative that I don't hesitate to call them masterpieces. That's the reason why I was expectant. I was afraid because Life is a Miracle though still being quite a fascinating work already showed some signs of artistic crisis. I had at times impression that the director started to lack ideas which resulted in self-citing.Zavet was even more disappointing. It is well watchable still, has some really good moments but never comes to the point of truth, never reaches the poetical heights and freshness of Kusturica's above mentioned masterworks. what was surprising for me that even humor in this movie is quite flat. At times you feel that you are supposed to laugh but it is not funny at all. For example that flying guy from the circus canon. In the beginning it was somehow promising, I even had reminiscences of the red balloon from Arizona Dreams but after all there was no development and the end of the episode was unconvincing.Zavet can still be enjoyable experience, especially for Kusturica's fans and indeed it is well worth watching as it is a hotchpotch of the director's hallmark elements but those seeking high artistic inspiration probably won't be satisfied