Proof

2005 "The biggest risk in life is not taking one."
6.7| 1h41m| PG-13| en
Details

Catherine is a woman in her late twenties who is strongly devoted to her father, Robert, a brilliant and well-known mathematician whose grip on reality is beginning to slip away. As Robert descends into madness, Catherine begins to wonder if she may have inherited her father's mental illness along with his mathematical genius.

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Reviews

Actuakers One of my all time favorites.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
raquelzepeda As usual, Paltrow brilliantly draws you into the story. Needless to say, all of the actors in the film deliver this regalement well, making you feel each and every emotion. While the tale itself is sad because it deals with the death of a loved one, there is a happy ending.When someone close dies, it does drag you through so many emotions brought on by the numerous contradictions in their lives. Facing up to these challenges makes us all either better or worse. After watching this film you might figure out or wonder which road it really is that you've chosen.
Dcamplisson It has a great cast, Hopkins especially. However ....I kept waiting to see the characters break out of their middle class academic cocoon and touch the real world. But instead the film droned out through a silo of white privileged dullards who all seemed to have their heads up their Pi hole. I feel asleep twice and had to rewind and saw Paltrow ( skinny blonde) yelling about vegetarianism and jojoba etc. then I was sorry I had rewound. The kind of bland text continued with a series of first world problems and concerns that don't seem to connect with reality. Paltows concerns about her mental health seem quite justified as her behaviour is inexplicable but it's hard to tell when the character only interacts with people who are all rather academic and mathematicians who apparently (according to Jake) live on drugs because they are ( warning, another first world problem alert) afraid that their creativity peas at age 23. Boo hoo. I couldn't help wondering if this play featured peeps who had real jobs and lives would their concerns not be more real worldly.
Chris L Getting together a talented cast (Gyllenhaal and the ageless Anthony Hopkins) to create such an insipid and boring movie... what a waste ! And to think that the scenario is adapted from a play, one doesn't want to imagine what it must be like. The script clearly lacks depth, there is not much going on with the characters who are dreadfully superficial and under-exploited. The lines are robotic, the actors are badly directed, the mise-en-scène is flat and the cheap pseudo intellectualism and melodramaticism oozing from this scenario are cringe-worthy. At the end you just feel you've been going in circles and lost 1h30 watching this completely uninteresting movie.
Desertman84 Proof is a movie that has themes on genius and madness wherein a woman struggles to come to terms with the potentially dangerous legacy of her late father.It stars Gwyneth Paltrow, Anthony Hopkins, Jake Gyllenhaal, and Hope Davis. It was written by Rebecca Miller, which was based on David Auburn's Pulitzer Prize-winning play of the same title. John Madden directed the said feature. Catherine is a woman in her late twenties who is strongly devoted to her father, Robert, a brilliant and well-known mathematician. While Robert's skill in the world of numbers still appears to be strong, his grip on reality begins to slip away, and as he descends into madness, she begins to wonder if she may have inherited her father's mental illness along with his mathematical genius. After his father's passing, she is confronted by Hal, a gifted but zealous student of Robert's who wants to look through the late man's notes in hopes of finding his last great work. While she is hesitant to look too deeply into her father's work for fear of what it might suggest about her own future, she allows him to do so, and when one notebook reveals a mathematical proof of potentially historic proportions, it sets off shock waves in more ways than one.Intense and compelling, it is an absorbing film that shows the intricacies of the human mind are as complex as a mathematical equation. It is an extraordinary play adaptation about matters of scholarship and the heart, about the true authorship of a mathematical proof and the passions that coil around it. The play, with all of its key surprises and biting exchanges intact, is up there on the screen. But given the depth and fascinating pull of Auburn's writing, that's a good thing as themes of trust, the depth of filial responsibility and concerns about genetic inheritances are explored with intelligence.Added to that,it explores issues of love, trust and family wonderfully through the inner life and ironic wit of Catherine.Paltrow and Hopkins give exceptional performances in a film that intelligently tackles the territory between madness and genius. Davis and Gyllenhaal complete a dream cast. Overall,Proof now joins 1984's Amadeus, 1985's made-for-television version of Death of a Salesman and 1988's Dangerous Liaisons on the list of the best modern movie adaptations in recent years.