Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

bonnierae I'm Tacey Robbins' cousin, but that isn't the reason I'm giving this movie the highest rating I can. It compares very favorably to Drive-In type movies of the same era, and was filmed on about one-tenth the budget. It's fun to watch on a number of levels: A great look at mid-1960's culture, a pretty good thriller-type story line, and Tacey Robbins' great voice. And she's pretty easy on the eyes, too! People interested in seeing this movie should be aware that John Carradine does not appear in it. Bits and pieces of "Psycho-A-Go-Go" were cannibalized over the years and randomly spliced into several other movies. This film was, in fact, lost completely until the company Troma took the trouble to edit it back to what it looked like when originally released in 1965.

Uriah43 This film is clearly dated to an interesting time in American history. Notice the hairstyles on both the men and the women and the type of cars everybody drove. You don't see those anymore. At any rate, the reason I bring these things up is because I think that in order to understand or enjoy this film a person has to appreciate the time-frame in which it was made. Whether it's the songs by "Linda Clark" (Tacey Robbins) or the nightclub atmosphere, there is something in this movie that probably makes no sense unless you've seen it firsthand. Now, don't get me wrong, this film is not a very good picture. Other than the performance of Roy Morton (as the psycho "Joe Corey") and the presence of the "go-go dancers" at the very beginning, I found most of the film to be quite routine and dull. Even so, this film exemplifies what a B-movie looked like back in the mid-60's and that's the standard by which it should be judged. So, people who see it now might think it's a lousy movie compared to films of today. And it probably is if you compare it today's standards. But I think we need to keep things in perspective. In short, while this movie is probably a bit below average, it isn't as bad as the score most people have given it. Neither is this movie one that will suit everyone's taste. For that reason I recommend it only for those who can understand and appreciate films from this period and are willing to make allowances.

bensonmum2 A jewel heist is going just about as planned until the loot ends up in the back of a pick-up truck. Unaware of what he's carrying, the unsuspecting driver of the truck takes the fortune in jewels home with him. His young daughter finds the treasure and stuffs it into her doll. Unfortunately for this suburban family, one of the robbers is also a killer and he'll do anything to get his hands on the jewels.I'd be stretching the truth if I said Psycho a Go-Go was a good movie. It's got far too many problems to be "good". Spotty acting, giant plot holes, bad editing, and poor sound are among the many problems you'll find in the movie. But the film's biggest weakness can be traced directly to its director – Al Adamson. Adamson is responsible for some of the worst, albeit entertaining, movies made in the 60s and 70s. In Psycho a Go-Go, Adamson's biggest sin is losing focus of what's going on. Too often, he lets the movie grind to a halt before going on to the next set-piece. Stronger direction and better pacing would have made a world of difference in the movie.But the movie isn't without its strong points. Chief among them (and I'm not really sure how to put this), the film is just whacked-out enough to be fun despite itself. From the go-go dancers at the beginning, cool music choices, a coherent and interesting plot (yes, an Al Adamson movie with a plot I found interesting), and a prolonged chase through the snow, Psycho a Go-Go is at least worth a watch. There are also a couple of songs performed by Tacey Robbins with The Vendells that are almost worth the price of admission alone. The opening number, My L.A., is especially catchy. Finally, even though I called the acting spotty, the movie is not without at least one standout performance. Roy Morton plays the menacing killer to perfection.

phxhusky I am the son, yes the son of Tacey Robbins. I have to tell you that I thought it was a miracle that Al and Tacey pulled off this movie. They had $2000, and a bunch of contributers who wanted to see Al's movie career and Tacey's singing career blossom. It took months to shoot it, and in my opinion, it was the perfect "C" movie for the cheese/sleeze era. It had a super cheezy plot, and wonderful music to accompany it. Remember, it was supposed to be a spoof on Go-Go girls who drove men crazy. Well, even the songs were meant to be spoofs and the whole idea is to make it fun and "cult-serious". YES, the acting wasn't perfect, and of course the movie was not without potholes, but I am telling you, as far as the movies of the time, Tacey and Al did a great job putting it all together and making it "campy" and goofy like it was intended. If you take this movie serious, you are wasting your time watching it, or you are some moron who just graduated from the New York School of Movie Ratings and need to find a new job.