Pure

2009
6.9| 1h40m| en
Details

Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart’s 'Requiem' at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves to be a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity.

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Film i Väst

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Reviews

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
erdmannmartin Unfortunately, the film is rather schematic and a bit flat from the story. Both main characters are over the top. The good and the bad, the victim of falling in love and the icy power-man. You do not need to watch a movie about that, you can do social research ...The intention to understand Kirkegaard as an invitation to kill, I think also very questionable.Unfortunately, the film also has problems with the music and the cuts. It is told by Mozart and at the same time you hear romantic music, not by Mozart. Rachmaninov borrows the female protagonist from the library and then listens to Mozart (clarinet concerto). Also, pieces of music are interrupted to the pictures.Overall, this film is not a challenge and suffers from some essential shortcomings.
shelama Alicia Vikander's is stunning. Her highly intuitive, effortless and evocative acting talent reminds me in some ways of Jennifer Lawrence in "Winter's Bone." Or Frida Hallgren or Helen Sjöholm in "As It Is in Heaven" (Så som i himmelen).I could have imagined the movie going in several different directions –– and I did, and wondered throughout. For a more "feel good" experience, I might have preferred a couple of them. Still, it's an intriguing and thought-provoking little movie and well worth the time and effort. Some pretty big lose ends notwithstanding.Good acting throughout.Bravo!
jputte Well, the script might raise some questions at some points but this doesn't really matter. The intensity, the power and credibility of Alicia Vikanders' performance in this movie blows away the story lines. The sober direction of the movie underlines her performance. One of the best performances I've seen in the last years. The script is touching many subjects such as poverty, coming-to-age and gender issues, without digging deep in any of them. It is the acting which gives the depth of the emotion to this movie. When she is asked to dance in front of the conductor in a most humiliating way, the scene is so painful that the buildup to the climax feels almost logical emotionally. This is not about ethics, but during the movie, you get dragged into the wild emotions of Katarina. And this is to me the essence of the movie: a young wild women fighting her way through a very troubled life. I don't think the director intends to ask our approval or even sympathy, but wants us to take a journey on the emotional roller-coaster of Katarina, so brilliantly performed by Alicia Vikander. Simply breathtaking.
johan-364 It's hard to criticize somebody's good intentions. But in this case I'll make an exception. This film is not very good. When you receive some of the highest awards from the Swedish film academy, you expect something spectacular. You don't find it in this film. Written, produced and directed by women, this film is meant to express an honest depiction from a female perspective. You don't find that either. Instead we get a very naive and dated (i.e. unoriginal) story that tells us that men are pigs that abuse and exploit women. Really, I didn't know that... The worst part is the extremely unoriginal screenplay that includes such Swedish classics such as: suicide, alcoholism, prostitution, depression, working class misery, nudity and melancholia.If this was the BEST screenplay that year, I'd love to see the worst ones.The writer's intentions might be sincere but far from original and very, very naive.Perhaps this was meant to be a children's movie?Or maybe it was all just a dream.I don't want to rant, but could somebody please show these creatives some good political female oriented movies? Norma Rae, Network, The Piano....Or perhaps the writer's intention is to say that a young woman, who feels upset after having had an affair with a married man, and being left by him, and unjustly terminated (from her trial employment), has the right to KILL that man (pig, oppressor) - and get away with it.Perhaps this movie is genius after all.Or maybe not.