Thehibikiew Not even bad in a good way

JinRoz For all the hype it got I was expecting a lot more!

Stevecorp Don't listen to the negative reviews

FrogGlace In other words,this film is a surreal ride.

lorutmc I guess it's no-brainer as far as eye-candy goes (Tanya Roberts) but let's not forget Rufus Swart!!! I recall seeing this in 2006 (whilst pregnant) and actually getting out of bed to google Rufus. Gorgeous! Born in South Africa, he had a beautiful accent and was earnest and compelling to watch. You can imagine my creeped-out-ness when I discovered he had died in real life - close to 10 years prior.Anyway, upon finding that out, I went about attempting to buy up his catalogue. Not a great film, but being a fan of the ANGELS I thought I'd check it out. Worth it for Rufus alone...

mrmichaeltroper Starting off this *is* the writing of an oft-favoured 1980's B-grade fan, so I am in no way writing this to compete with previous reviewers or take some imagined review 'injustice' into my own hands.I appreciate the plot line as a particularly classic one and with its means to expand on whatever drama or storyline unfolds the end result is what you get. Its the whole 'put in an overseas jail' thing. Yes, 'purgatory'. So my comments are really relative to people who like me who enjoy a little cheesiness. No you wouldn't see Meryl Streep in a movie like this one and thats what gives its character.Take bits and pieces from the movie. For me they are dazzling scenes occurring by the minute. No matter what they say it all seems to wind up funny to me. No matter what the musical soundtrack is, it always manages to impress vintage cheese upon me. I am about to write up some quotes so check them out. Thy might give you an idea of what you're in for.Yes. The 80's were this bad. Awesome

lost-in-limbo Peace Corps Carly and Melanie are leaving the African country Umlanga, but when they're pulled over by the authorities. The hitcher-hiker they picked up, happened to be carrying drugs. The two ladies are falsely convicted of smuggling drugs too. So the judge, sentences the pair to eleven years to the penitentiary known as Purgatory. When they get there, Carly soon discovers that showing fear and aggression is a big mistake and only backfires. The abuse going on behind the scenes sticks to the warden and the guards taking advantage of the inmates sexually. After their first encounter, Melanie cracks insistently. Carly becomes the warden's favourite and is forced to work in a brothel. While, her mother is doing her best to get her daughter out, despite finding it hard getting help from the American embassy.Tanya Roberts (who's basically wasted) is the main draw card to this highly dank, lewd and by-the-numbers women-in-prison exploitation fodder. Well there's plenty of leering shots on Tanya Roberts (who wears some skimpy outfits and naively whimpers a lot over her innocence), but it really does utilize the lustful sexual attraction that's brewing. However, while it's sordidly suggested, it falls mostly into the implied bracket. It's pretty weak and tame in what you see and there's very little sleaze and flesh. Too much jilted dialogues involving whining or long-winded speeches with political interference has a certain seriousness about it, which just drowns out the fun that could've been and only aggravates. It doesn't quite ignite until the last fifteen minutes, but even then the action is amateurishly staged and the final big bang (the usual break out with some explosions and sweet revenge) lacks zing. Obvious plotting in the material doesn't help the stuffy pacing either. The look of the film comes across like a jagged TV episode, but it cooks up a gritty, dour and harsh atmosphere despite not entirely illustrating it. Director Ami Artzi does an systematic job, but can succumb to lazy touches, just like the conclusion. Free-willed camera-work can get murky with one or two unusual handled POV shots and the broodingly over dramatic music score is totally mishandled. The voluptuously stunning Roberts has trouble holding the film together in the lead role, but however it's a gusty performance. Clare Marshall provides much added spark as the mother Ruth Arnold. The performances aren't terrible, just extremely plain and shell-like.A visually enticing Roberts and couple of unintentional chuckles can be found in this free-risk, below-average cheapjack "WIP" exploitation staple. Tanya Roberts' fans will eat it up, but I don't know about others.

S. J. Lewis Pick almost any "Women In Prison" movie where some young lovelies are unjustly thrown behind bars and then abused by the warden, the guards, the other prisoners....That's this movie. Still, it has a young, lovely and long-legged Tanya Roberts as one of the hapless prisoners. There's a little bit of nudity here and there, and a lot of explosions at the end. You've seen it before.