Micah Lloyd
Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Sabah Hensley
This is a dark and sometimes deeply uncomfortable drama
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
TheLittleSongbird
While Quartet may be a lesser Merchant-Ivory film and is no Room with a View, Howard's End of Remains of the Day, it still has a lot to recommend it. It's not great and could have been better, but is decent.Quartet for starters is beautifully made, as always the costumes and sets are amazingly sumptuous, is lit with a luminous atmosphere and shot with the usual exquisite charm. It's hauntingly scored too, and there is some intelligent scripting too that does have some poignancy and explores the contrast between upper class lifestyles and moral corruption suitably subtly. James Ivory directs with an appropriate amount of restraint, and there is some good acting here. Maggie Smith relishes her juicy character and her performance along with the production values is the best thing about the film. Anthony Higgins is sympathetic enough too.Alan Bates' character could have been much better realised though, Bates succeeds in being charismatic but he is not intimidating or nuanced enough, Heidler is very one-dimensional and a character you feel nothing for from the get go. Isabelle Adjani is attractive but somewhat too cold and immature, which doesn't make the character's fear resonate. The dialogue is good here, but a better job could have been done with the characters, for they felt sketchily developed and their motivations rushed and unclear. Merchant and Ivory productions are always deliberately paced, but in their very best work the characters and their situations are really compelling and drive the story effectively, unfortunately because that was an aspect that Quartet was (for me) lacking in the pacing did feel a bit lagging and dull.Overall, lesser Merchant-Ivory but a decent watch. 6/10 Bethany Cox
djpass
Jean Rhys wrote this novel about her relationship with the then prominent writer Ford Madox Ford. While a young woman's husband is in prison, she is taken in by a writer and his wife, becoming the man's mistress. It was not a happy affair, but at least Rhys got her revenge with this story.
Oblomov_81
It's hard to say exactly why "Quartet" fails. There are certainly some good things to be said; Maggie Smith gives her character just the right mix of not-too-subtle cynicism and self-loathing, and the photography by Pierre Lhomme does a fine job of complementing the surroundings. But there is something missing. The Merchant-Ivory-Jhabvala trio have always invested their stories with a strong compassion for their characters, lending a quiet urgency to the tone. Yet there is little of that feeling here.
The desperation of Isabelle Adjani's Marya simply does not ring clear, perhaps because her emotions are kept at a distance from the viewer when they should be brought to the forefront of the story. Marya views Heidler (Alan Bates) as a dominating force, but her fears and his intimidation never develop into anything effective. Bates is an actor who can always be depended on to provide a good performance, but his character is not given enough weight to dominate the screen when he should. In films such as `Howards End' and `The Remains of the Day,' the emotional conflicts between the characters drive the story and keep the (attentive) viewer involved; here, the conflicts do not spurn enough interest because the motivations of those involved are not very clear. The overall effect of "Quartet" is very cold and somber, with few, if any, memorable results.
cestmoi
That this was seen on a first visit to Paris at the Pathe Hautefeuille in the 6th may color the memory, but there it is. The sad Woolcott figure played by Bates is desperate (as is his Maggie Smith [BRILLIANT!] wife, a sad and cynical lady) and has an eye for new flesh. (This is pure Noel Harrison (Rex's boy) "new flesh to carve," as in his Young Girl cut.) The Woolcottioan figure is paunchy, unattractive, hungry, but with some social clout, and skincrawling. Maggie's character aids and abets. What's her line? One wonders if the satyr is in fact impotent. Cinematography, music, story line, cast...over reasonable expectations. Desperate story from a sad and deserate writer, Rhys, a suicide, I seem to recall. Ivory did this? Harder than the usual soft stuff the boyos do. Wondeful. Buy it.
