ManiakJiggy
This is How Movies Should Be Made
Exoticalot
People are voting emotionally.
Billie Morin
This movie feels like it was made purely to piss off people who want good shows
Marva-nova
Amazing worth wacthing. So good. Biased but well made with many good points.
finetunes
One of my requirements for most movies is at least one likable character. Not this movie. To boot, there was more than the average number in a movie that were unlikable. Luckily, those negatives were offset partially because many of the unlikable characters died off. Yay! There are good twists, not that the twists weren't predictable but there was more than 2 options to every twist incident, so guessing was like a multiple choice question. The movie was slow for a horror movie, excruciating in some scenes. There were an inordinate amount of people in the forest considering it was closed/off limits to the public. Do all the cars in Israel have a hard time starting, including police cars? Due to the being set in a forest, no studio sets, no CDI, a large budget was not required to make the movie, so not so much good money was thrown after bad. In general the movie was extremely, irritating. In the hands of the right director it could have been an excellent black comedy.
thesar-2
It's not just an unlucky day when a hockey-masked killer shows up for work.I usually don't do too much research before seeing movies and following, writing my reviews; I like to go in as cold as possible and have the review all from my experience. But, while looking for something else, I stumbled upon the fact: this was Israel's first horror movie. Wow. First swing and the rookie hit a grand slam.I did know this was a slasher movie going in and the movie sure starts that way. Lately, I've noticed, most (intelligent) filmmakers who want to carry on my favorite horror subgenre: the Slasher and even more specifically, the Slasher-in-the-Woods, have been adding enormous twists and subplots to spice up the decades old formula. This Rabies film has to be taking that fresh start to the extreme max.As stated, this movie starts off with the Slasher-in-the-Woods tropes but quickly evolves into probably more than half a dozen subplots and characters all over the same wooded area and all with their own issues. Really bad issues. It would be one thing just to label each as stereotypical characters and simply state their conflicts and motives, but these two filmmakers, simultaneous directors and writers: Aharon Keshales, Navot Papushado, adhere to my favorite movie experience: Show, Don't Tell.I felt each and every person's plight and drive to achieve their goal. I also felt very little innocence here
in any of them. That, within itself, isn't usually a good thing – when there's barely a good character in film to root for, but I still felt for them and wanted, well, for some of them to reach their goals.To state the two movies this truly reminded me of would be too much of a spoiler, but I enormously recommend any horror fan, Slasher-lover or not, to see this. Heck, any movie fan that can tolerate some extreme gore at times due to the overall fantastic storytelling, make-up and acting.***Final thoughts: This is the spoiler-zone, so stop reading if you hate spoilers as much as I do. You've been warned. The two movies I saw here most in my mind was Very Bad Things and definitely, a 100% serious Tucker and Dale vs Evil. If you liked those movies, namely the latter, you'll probably like the dead-serious take on them here.
dschmeding
This movie was praised from its festival premieres and I was looking forward to a different horror movie with comedy elements. Man, was I disappointed.I give "Rabies" one thing... and that is that it sure is different. I guess it tries to be exactly that because the movie has nothing but one basic idea. Take horror movie clichés and turn them upside down. Kind of like "Tucker&Dale vs. evil" but minus the comedy.There is a killer here but he never manages to kill anyone. Instead everyone else in this damned forest ends up killing themselves or each other by accident and misunderstandings. Now that would make for a funny roller-coaster plot but "Rabies" goes for a strange slow pacing with barely any jokes, light moments or suspense. The atmosphere is rather dark and there is little gore which is another plus for "Rabies" because its not much but its done professional and without CG.Basically you got 4 guys and 4 girls stumbling through a forest that inexplicably is laced with land mines and a killer who instead of killing takes a 70minute nap. When 2 cops appear to help it goes downward because one of them has serious issues and sets off a downward spiral which has only one survivor... Hint: Its not a girl like in all the french horror movies.I have not laughed once until the end. You basically get one dialog with a family arriving on a wrong turn. And that has quite some laughs to end the movie on plus the survivor which you could expect in a movie that turns the expectable upside down. But I had to suffer through 80 minutes of boredom that was only eased by 1 landmine, 1 creative gore scene and basic setup of the film"Rabies" is a really strange movie that had so much going for it... its a shame they didn't really know where they were going in the end. In the middle of the movie i was close to pressing the stop button because nothing was happening.
Bloodwank
Israel's fist horror film, and it's quite a doozy. Not only that, but one of the more unconventional, genre bending efforts I've seen in the genre for a while which comes across especially impressive for not just first time directors but a first time country. I won't go into the plot too much as its a film that one ought to discover for themselves, but a look at the characters is in order. We have Ofer and Tali, who ran away from home only to run afoul of evil in an abandoned nature reserve. Then there's Menashe, surveyor of said reserve and next to get drawn into it. Next come four young tennis players on the way to a game but are waylaid by an accident and finally Danny and Yuval, two cops who come to investigate said accident. Once all the characters are set up, the film gets moving, a black comedy of confusion, strained friendships and mounting anger, plot dependent entirely on character and emotions that spiral inexorably out of control. It all comes down to human nature and breaking points and its rather good to see in the film that peoples actions and reactions in the film feel realistic, whether the odd moment of deliberate malice organic to a character or mostly just desperate and unthinking violent reaction to a problem the film really has something to say underneath the chuckles or the bloodshed. The film is pretty amusing in a largely deadpan manner and the humour is nicely mixed in with the horror even as the tension slowly mounts and things become towards the end rather affecting. There isn't all that much gore but what's there is decent, nice little gruesome jolts achieved with quality practical FX work. It as all the more effect for audience identification with the characters, all of whom are well portrayed. Special mentions for Danny Geva as horny sleaze-ball rich kid cop Yuval, Ania Bukstein as a girl with some Sapphic attraction to a friend going on and Ofer Shechter as a jokester whose assurance and easy manner is sorely tested by affairs. The film could have done with more constant tension I think, with early scenes before everyone gets entangled lacking much of a spark to them, and also towards the end slightly overdoes its emotional farewells, but its solid going all the way and even gave me things to think about afterwards. A fine start for a new entry into the world of horror, definitely worth a look.