Radioactive Dreams

1986 "Meet Phillip and Marlowe, the post-nuclear private eyes. They're looking for good times and fast women. Their first case could be the world's last."
5.5| 1h38m| R| en
Details

After an atomic war Phillip Hammer and Marlowe Chandler have spent 15 years on their own in an bunker, stuffed with junk from the 40s and old detective novels. Now, 19 years old, they leave their shelter to find a world full of mutants, freaks and cannibals. They become famous detectives in the struggle for the two keys that could fire the last nuclear weapon.

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Reviews

Harockerce What a beautiful movie!
Softwing Most undeservingly overhyped movie of all time??
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Frank Markland John Stockwell and Michael Dudikoff star as two private dicks who emerge from a fallout shelter in the future after the bomb has dropped, once there we witness our two heroes fight mutants, midgets, cannibal hippies and a terrorist group, they've also grown up on 50's style literature and music so their whole "Gee whiz" attitude contradicts the mean world outside. Radioactive Dreams starts out on a promising note. The beginning which finds George Kennedy and Don Murray grabbing two kids and putting them in a fallout shelter while black and white footage of the atom bomb dropping is admittedly a stylish start. Unfortunately all of this goes sour when the premise kicks in and we witness Stockwell and Dudikoff adjust to the overblown horizons. Everything is over the top, things are somewhat pretentious (especially when Stockwell narrates) and worst of all everything is boring. Michael Dudikoff who would become a B.movie level star after American Ninja, really grates the nerves as his over the top shrieking never approaches the funny but always is annoying. Indeed you pick any Dudikoff movie on the video shelf and chances are you will not find a performance of his that reaches this level of bad. Stockwell is also very bad, but he's a veteran of terrible movies and his presence always guarantees badness. (See City Limits, which is even worse than this) Also there is no action which is the only way one can handle such a movie premise, after all it's about two sleuths who save the world, give us some action! Sadly Pyun treats this as a drama and induces slumber on the audience forced to witness this travesty.So what you have is Dudikoff's worst performance, Stockwell in his comfort zone and George Kennedy at his most embarrassed. The ending is somewhat diverting but once again this is a movie that has a great first act and nothing but sheer boredom after. The movie is somewhat bizarre but really this is strictly for die hard Dudikoff fans, who've watched American Ninja 4 too many times. While my advice to Dudikoff's most curious fans,is to stick with Avenging Force, American Ninja, The Silencer and American Ninja 2 after all those at least offer action.* out of 4-(Bad)
Son_of_Mansfield His name is Albert Pyun and his movies are crap. The ideas for his movies sound cool in a B movie way, but they never deliver. Captain America, Cyborg, Mean Guns, Adrenalin, Brain Smasher, Dangerously Close, and Radioactive Dreams have all caused me pain more than any other director. I have not seen any Ed Wood movies, but I imagine that they will be similar. Radioactive Dreams is relentlessly annoying. If you thought that the word Focker was used too many times in Meet The Parents, wait until Marlowe repeats "we are slick dicks!" for the tenth time. I have always hated the use of period slang and this movie uses 50's, 60's, 70's and 80's slang in it's horde of cliched characters from four decades. Notice that movies that used a lot of slang that were made during these decades are now either unintentionally funny or unbelievably inferior. There was a hope in me during the movie that Michael Dudikoff would die a horrible death. He is honestly that annoying. John Stockwell appears to have no spine in both this and Dangerously Close. His voice is whinny. No matter what I say, you will see it if you want to, but I can not imagine an intelligent person that would consider this a good movie.
[email protected] As a young buck I was an extra in this film in LA. There were so many extras and no real coordination, we didn't know when the camera was rolling and when it wasn't. Shooting seemed to go on forever without a break, so when you got tired you just walked off the set and went home.We knew when making it that it would go direct to video. It was actually released, and played at my local theater for about two days before it was yanked. I had never before seen a movie taken out of the theater that quickly.I'm still looking for the video just for nostalgia. I'm glad there are some people out there who can enjoy for something.
MichaelM24 The only thing I really liked about this movie is Michael Dudikoff. This was his first (and, until about BOUNTY HUNTERS nearly eleven years later, only) turn at comedy, and he proved he definitely has what it takes play a comedic role. He and John Stockwell play two teens who have grown to maturity inside a bomb shelter with nothing but Philip Marlowe novels, and when they finally set foot out into the post-nuke future, encounter everything from a mysterious woman to some really ugly creatures. I really had no idea what was happening in this movie. I just liked watching Dudikoff do comedy for a change (his teenage girl-like reaction to discovering that a giant creature hanging from the ceiling is alive is hysterical) and show off some cool dance moves at the end. Of interest to only Dudikoff fans, and even they might be disappointed outside of him.