Plantiana Yawn. Poorly Filmed Snooze Fest.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

euroGary 'Rebellion' is an account of events in the French South Pacific territory of New Caledonia. In 1988 a group of indigenous New Caledonians storm a police station in the territory, killing some police officers and taking still more hostage. Events quickly become caught up with the Mitterand v Chirac presidential election and the Parisian police sent to New Caledonia to deal with the situation find the army have taken over the operation - and the military's methods of tying village chiefs to trees and beating up women are turning the local population even more against the French.The military are portrayed as gun-totin' buffoons without a shred of humanity and the politicians as self-serving vote-seeking machines. On the other hand, the police are self-sacrificing good guys and the terrorists family-loving, intelligent, reasonable chaps just one step below sainthood. This is not an unbiased film! It is also difficult for those not versed in French politics of the late 1980s to follow everything, not least because the English-language sub-titles use acronyms instead of the full, descriptive names of various organisations. The close, hand-held camera-work used during the forest battle scenes gives a good feel of how it must be in those confusing, noisy situations - but also makes it difficult for the viewer to follow events. Overall I enjoyed the novelty of a film set in the modern(ish) South Pacific, but this is far from unflawed.

nuijel Rebellion is a good hostage movie. It presents a refreshing balanced view of what taking hostage means, which is not without reminding Dog Day Afternoon. Like it, it depicts real life hostage takers, not as dehumanized machiavellian bad guys, but as relatively ordinary people making bad decisions and the unravelling of violence it unleashes. But where Dog Day Afternoon, as an American movie, focuses on individual responsibility, Rebellion focuses on the reaction of society and its flaws, and this is where I have problems with the movie. I am not very familiar with that particular historical event, but the director, in its eagerness to show that violence could have been avoided, seems to give a bit quickly absolution to the hostage takers. They killed 4 innocent and unarmed policemen? Well, they regret, so it's OK to not surrender and even take more hostages. They make realistic demands, such as: "state officially that we are not terrorists or we kill the hostages" (!!), and intend to exploit their crime mediatically. What can be wrong with that?

PoppyTransfusion This film has a late and very limited release in London, UK. It's a strong film that shows the terrible price people pay for political expediency. In 1988 as the French general elections were looming, a group of activists in New Calendonia affiliated to the FLNK, a rebel group campaigning for the territory's independence from France, storm one of the island's Gendarmeries, killing four of the policemen and taking another 30 hostage. The GIGN, the Gendarmaries' special forces unit, are enlisted to negotiate and secure the hostages release. Unbeknownst to them the prime minister of the time, Jacques Chirac, has sent in 300 soldiers whose aim is to crush the rebellion by FLNK activists. Chirac's actions are suggested to be for his and his party's political ends in the forthcoming election regardless of the longer term consequences. There is a very nice moment where Kassovitz splices archive footage of a televised debate between Chirac and Mitterand (the incumbent president whose post Chirac was gunning for) where they discuss the hostage situation in New Caledonia. Both are talking heads only and Chirac's words are those of an arch liar.Importantly the FLNK are labelled a 'terrorist' group by the French government who, consequently, will not be seen to negotiate or enter into discussions with them. The label terrorist is used too readily by governments and has been cynically exploited since the 9/11 events by many countries to crush dissidence. We witness through this fictional account, told from the point of view of the GIGN's lead officer and main negotiator Phillipe (Kassovitz), how destructive a government's might and the blind allegiance of its military is to people it allegedly represents, like the New Caledonians, who the film emphasises are French citizens. In no uncertain terms the film shows that the Kanaks, the indigenous people in New Caledonia, are decent people with a fine sense of morality and honour. When we meet the rebels their leader, Alphonse Dianou, is eloquent and focused and, unlike some iconic freedom fighters, very sorry for the deaths to the Gendarmeries that were not part of the plan but the result of panic. He and his men seek a peaceful solution and place their trust in Phillipe to obtain that.The lead protagonist Phillipe is a much more complex and dubious character than Dianou or any of the rebels. The film shows the political machinations that thwart his efforts for a peaceful solution based on dialogue and negotiation. Once his own efforts are crushed he pledges himself to his men and to being a 'soldier' and ends up betraying the trust the activists and in particular, Dianou, had placed in him. If the film is meant to engage the viewer to sympathise with Phillipe then it fails in some respects because I despised him for his actions.This is a solid film with an interesting and layered story, great acting, especially from those who play the rebels, and moving. New Calendonia is not a place with which I was familiar but it's on my mental map now. They are due to vote next year, 26 years since the events of the film, on independence. Good luck to them. I hope they gain their independence if that is what the vote returns. The French interest in the territory has been for the nickel and nothing more. Dianou has a powerful speech about the conversion of the world into money and the legacy that bequeaths. What little we see of the Kanak culture shows quite clearly that people can live happily without a system based upon money rather than goods or services.

GUENOT PHILIPPE This is the best Mathieu Kasssovitz' picture up now. This one, he thought about it since a while now. He did not make it only to pay his bills. It will remain his masterpiece. Nothing to do with BABYLON AD, that was not his actual work. Every movie lover knows that.This very one tells in details everything about the famous and bloody affair of the Ouvea cave, which occurred in May 1988, where the french army elite troops annihilated the local rebels - the Kanaks - who had taken a bunch of soldiers as hostages. This film is awesome because we don't find here any good soldiers vs bad rebels or bad soldiers vs good rebels scheme. The real ugly ones are ONLY the politicians who ordered the slaughter of the rebels, despite the hostages' lives!!! And only to serve their own politics purposes, power purposes. Because the close presidential elections. When you think of this movie, even long after seeing it, you may feel dizzy. You may puke on yourself. I am not proud to be a french citizen after watching this real gem.