Red Nights

2009
5.5| 1h38m| en
Details

A woman acquires a box with a seal made of white jade, it is rumored that the box belonged to the first Chinese emperor. She journeys to Hong Kong in an attempt to sell the artifact.

Director

Producted By

The French Connection

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Trailers & Clips

Also starring Carole Brana

Reviews

Scanialara You won't be disappointed!
Hottoceame The Age of Commercialism
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
kellyeugene Just saw it..still puzzled by some details. First: the opening..the innocent young girl is put into the vacuum bed-enjoys the sensation-then is killed with the jade claws. this seems irrelevant to the main plot. anyway-the Frenchwoman who steals the box-shot twice and somehow recovers..how is that? finally, the ending devolves into a Jacky Chan type of slapstick. still, enjoyable..in and odd sort of way.
gridoon2018 When I finished watching "Red Nights", I did something that I very rarely (maybe once a year, if that) do: I threw the DVD in the trash can. I just did not want to have this movie as part of my collection anymore. It is made with a certain sense of style, the performances are competent, the culture mix (France - Hong Kong) is intriguing and at first the film appears to be creatively kinky. But as it goes on you're beginning to realize that there is really no plot and no point here - it's just an exercise in cruel, sadomasochistic violence. Characters to whom you've invested viewing time get unceremoniously dispatched for nothing more than shock value, and the film devolves into a cat-and-mouse game about the survival of the sickest. For torture porn fans only. * out of 4.
Joe-146 I don't believe I'm spoiling anything by saying the violence in this film is extremely graphic.I'm very ambivalent about this film. It is very ambitious, and technically exquisite. The sound and visuals are stunning, and it is a rich dish for the senses. That said, there is a fair amount of extremely graphic violence, which, while I marveled at the technical skill of the filmmakers at creating these images, I found them quite over the top for my tastes. This is an individual taste issue. If you thought "Silence of the Lambs" had too much Hannibal & Clarise and not enough Buffalo Bill, then maybe you would enjoy Red Nights more.I had no trouble following the plot, but I wonder if another rewrite or two may have smoothed the overall story a bit. In some ways, it seemed like rather disjointed scenes from a bigger story. The end of the film, seemed more like the end of a scene. I didn't get any sense of the story being wrapped up. It could have just as easily continued, yet did not have any kind of dangling end that hinted at a sequel. It just seemed that the filmmakers shot as much of the story as they wanted to and stopped.Maybe I totally missed the point of the film. I found it a rich audiovisual experience, but never really got wrapped up in the narrative. That said, the cast is superb and completely inhabited their characters.If you don't have an problem with the graphic violence, you may enjoy the cinematic experience of this film. It's likely you have not seen anything quite like it. But if you're looking for a captivating story line, you may go away somewhat restless.I notice the film was shot - appropriately enough - with a RED camera. If not for the nature of some of the images, it would make an excellent technical demo.
stevenusking I just watched it in Fantasporto Film Festival 2011. Wow! The relations between the women are stunningly wicked and the images of the film are beautifully disturbing. Killing people softly but till death do they part! It is such a revolutionary film, never seen anything like it before! If you watch it with a conservative mind and try to put it in any existing frame of genres in cinema, you will be lost. Because this movie is obvious an exploration of new sensations in cinema. A challenge in moral and an escape in reality, this movie is a crossover of love and death, modern and ancient, beauty and fear. Try to watch it with an open mind and you will be surprised how it drills in your heart. Love it!!!