Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Raetsonwe Redundant and unnecessary.

Comwayon A Disappointing Continuation

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

richardvetro I'll keep this short and sweet. I was expecting a lot worse. For a "B" movie with a lot of skin, there wasn't as much nudity as I thought there would be. The story was pretty cheesy. The acting made me laugh at serious moments. But surprisingly, I felt quite satisfied with the ending of the movie. I think it did a better job of telling and end a story compared to several multi-million dollar blockbusters with great story's and shit endings.. I would watch this again.

Scott LeBrun "Reform School Girls" is a deliciously exaggerated entry in the Women In Prison genre. It's all very campy material that the majority of the actors, to their credit, actually play quite straight. The winks start with the fact that its writer / director Tom DeSimone, had previously made another classic, "The Concrete Jungle". Here, DeSimone, cast, and crew clearly have a ball with the trashy 'n' flashy story. Linda Carol plays Jenny, a newcomer to a reform school named Pridemore Juvenile Facility, who mixes it up with both the overbearing head matron Edna (corpulent, big haired Pat Ast, who's an absolute riot) and swaggering top dog convict Charlie (punk rocker Wendy O. Williams, perfectly suited to the role). Also among the main cast is the B movie goddess Sybil Danning, adding to the in- joke tone of the movie seeing that she plays the ruthless warden here and had already played a convict in the earlier "Chained Heat". Ast, Williams, and Danning are a superb trio and make this fun to watch. Carol, by comparison, by playing a more or less decent person (although tough enough to try standing up to the antagonists), comes off as less entertaining. Ast delights in the over the top nature of Edna, setting a stuffed animal on fire and stomping the life out of a real one. DeSimone delivers enough shower scenes / nudity / sex, melodrama, and violence to keep fans content. The sometimes hilarious script features some choice and quotable dialogue. The soundtrack is absolutely kick ass, with Williams singing such ditties as the anthemic "It's My Life" and the title track. The supporting cast aren't slouches, either; Charlotte McGinnis is the concerned Dr. Norton, Sherri Stoner the young innocent Lisa, Denise Gordy the sassy Claudia, Laurie Schwartz the spunky Nicky, and two "Friday the 13th" franchise alumni, Tiffany Helm ("A New Beginning") and Darcy DeMoss ("Jason Lives") play Charlie's flunkies. The movie progresses agreeably through various sordid episodes before coming to a rousing conclusion. In any event, one element you have to appreciate about this sort of thing is the hotness factor of the inmates. It's not exactly boring at any moment, either. There are certainly no complaints from this viewer. Eight out of 10.

ferbs54 "Reform School Girls" (1986) is a highly entertaining, completely over the top, necessarily derivative contribution to the Women In Prison (WIP) subgenre. Featuring flamboyant performances by butterface favorite Wendy O. Williams (despite the fact that Wendy was 37 when she essayed this teenage role, and looked exactly the same as when she fronted for the Plasmatics), as well as Warhol veteran Pat Ast, the story here nevertheless centers around Linda Carol's Jennifer, who is sent to the "graybar hotel" after abetting her boyfriend in an armed robbery attempt. She immediately runs afoul of Wendy's Charlie Chambliss, the toughest chick in the "school" (the place really seems more like a prison than a school, it must be said), as well as Pat's grotesque head matron, Edna Dawson. The film dishes out all the familiar WIP set pieces, such as shower scenes, catfights, a prison break, several riots, and a very uptight warden, here portrayed by cult actress Sybil Danning, underutilized in this particular role. Entertaining as this whole spoof is, and despite the often very funny lines, I couldn't help thinking that the film that "Reform School Girls" seems to be mainly patterned after, the 1950 Eleanor Parker vehicle "Caged," is infinitely preferable in every department. The monstrous matron played by Hope Emerson in that earlier film makes even Edna's rants of "complete control" seem tame in comparison, and good as Linda Carol is, she's no Eleanor Parker! I suppose it all comes down to whether you're in the mood for an entertaining spoof or a more realistic--and thus more harrowing--WIP experience.

Coventry Myself and a mate promptly decided to watch "Reform School Girls" upon seeing the trailer that advised all intellectual viewers – and I quote – to keep their criticism for themselves...or else we'll nail your tongues to the floor. Subsequently the trailer showed a lot of footage of attractive girls showering and guaranteed there was plenty more where that came from. And they're right, too! This greatest trailer ever also perfectly captures the tone of the film, as it's a demented tongue-in-cheek bad girls penitentiary exploitation flick that definitely shouldn't be taken too seriously. My best guess would be that writer/director Tom DeSimone is a pleasantly deranged and sleaze-obsessed guy that single-handedly wanted to bring homage to all "Women in Prison" movies at once. The lead warden (played by no one less than Sybil Danning) looks an awful lot like Dyanne Thorne when she gave image to Ilsa, the She Wolf of the SS and several of the other supportive characters appear to be pure stereotypes as well. There's the sadistic, corpulent and massively lesbian guard, the kinky S&M leader of the dorm (that looks about three times as old as the other inmates), the vulnerable who shouldn't be there and – of course – the tough black chicks. There's only one man popping up in the film and naturally he's a legitimate bastard. Tons of nudity and outrageous cat-fights make this a very textbook example of politically incorrect 80's exploitation, but it sure it a lot of fun to watch. Only the Italian directors deliver movies of this kind that are even better.