Regression

2016 "Fear always finds its victim"
5.6| 1h46m| R| en
Details

Minnesota, 1990. Detective Bruce Kenner investigates the case of young Angela, who accuses her father, John Gray, of an unspeakable crime. When John unexpectedly and without recollection admits guilt, renowned psychologist Dr. Raines is brought in to help him relive his memories and what they discover unmasks a horrifying nationwide mystery.

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Reviews

Laikals The greatest movie ever made..!
Colibel Terrible acting, screenplay and direction.
Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
barberic-695-574135 A really clever story involving Satanic cults. An unexpected twist gives this movie the edge over other of a similar genre. Well acted especially by Hawke and Watson. Retained for future viewing.
triusart I grew up in a cult. The classic kind from the seventies. And then they disappeared but heavily influenced DC politics. This movie is a close representation of perhaps mass hysteria experienced on all levels of the media and is a good provocation of what it is like to be stuck in a fraudulent system.I give this film the rate of a ten for simply stunning acting, very, very subtle transition from scene to scene, great cinematography, an incredible score and for truly capturing a spirit of mystery and for allowing nonfiction to be fiction or vice versa, to being true to the spirt of a kind of collective mysteria all religious people seem to suffer from and for dealing with a forbidden topic, that is, the one devout Christians most fear. Yes, this film deals with heavy issures but because things like this have happened to others and to me, i cannot say they are not true.Thank you, Ethan, Emma and to Mr. Amenabar.
toddg-473-289818 REGRESSION tells the story of high strung detective Bruce Kenner, played by Ethan Hawke, trying to unravel the mystery behind a suspect accused of child molestation in the small rural community of Hover, MN.The accused father, John Gray, can neither admit nor deny his crime against his daughter, as he cannot fully remember the events. A psychiatrist is brought in to guide the investigation, which quickly becomes complicated and not as it first appears. Several of the characters, including the victim's estranged family members and detective Kenner, all begin experiencing nightmares, brought about by exposure to the horrific events that are described in the psychiatrist's regression therapy sessions. These events center around a sadistic satanic cult and the evil deeds to which their victims are subjected. The nightmares become so intense that is becomes difficult for the characters to separate hallucination from reality.Kudos to writer/director Alejandro Amenabar, from whose hands we can see his tightly controlled craft. He did so many things right in this movie that it more than made up for a couple of slow spots in the script. First, this was a period piece, and the bar for accuracy in period pieces has been raised over the last decade due to TV shows like Mad Men and Boardwalk Empire. Amenabar shows us his vision of 1990 with great attention to detail, including the boxy Chevrolet Caprice cop cars, the tacky furniture and cabinets in Kenner's house, and the micro-cassette recorders and other electronic devices from that era. Amenabar also chooses the side of subtlety as he frightens the audience, using a minimum of blood and gore but leaning heavily on the power of suggestion. This movie leans cerebral over slasher.In the end (here comes the spoiler) we learn that daughter Angela, played by Emma Watson, is making up the accusations against her father as a way to punish him and her family for binding her to her white trash roots with no hope of escaping to a better life. Again, the plot twist is more subtle than earth shattering, but we in the audience don't feel let down by the whole "figment of their imagination" ending present in films like FIGHT CLUB or SPHERE.Lastly, Amenabar's film leaves the audience to form its own conclusions. It doesn't take sides on the religious faith vs. academic science argument, and aptly demonstrates the fallacies of regression therapy without beating us over the head with it.
pozytywny-maniak I'm very surprised by the low score of this movie. Screenplay is good, directing work is very fine, cinematography is well done... There's little wrong with that movie from technical point of view. Hawk played well. Good role. Even Emma Watson did pretty good job. Supporting characters are doing good job as well. Story itself is interesting and movie is doing good job of feeding your paranoia. You are getting to know what's what maybe too soon but nevertheless this is well produced movie. One thing I have agings this movie is very typical liberal-like approach to the matter of faith. Basically all who belief are stupid little people and the atheists/agnostics are the only straight thinking folks around. Cliché. This is not a high-flyer of Alejandro work but it is very decent movie.