Diagonaldi Very well executed

Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

mark.waltz With some of the most laughably bad dialog I've ever heard in a big screen film, this is perhaps the nadir in the career of everybody involved. Even Liza Minnelli's most sympathetic fans will be tempted to laugh out loud as she prepares to visit a client looking as she just got off stage at the Palace Theater. Of course, she's not a cabaret or concert performer; She's involved in the world's oldest profession, and I'm not talking about carpentry. Liza talks non-stop in this, and her character of Della (as in street walker) is dumber than a box of her signature hair style. If that doesn't give away who she is here, that's really enough to make you feel sorry for her, because it is obvious that she is being paid to humiliate herself. When Liza starts mentioning Broadway shows she was in, all gay men may be in camp heaven, but the rest of the audience is cringing. To add into the camp, Dionne Warwick is tossed in a pointless cameo as Liza's madame. There's a very violent opening where Liza's hooker goes to see her client and ends up at the wrong door, then is shot at and later stabbed. Certainly no lucky lady in this one, reunited with both Burt Reynolds and Robby Benson from that 1975 comedy that was critically panned but made a small profit. This is a complete disaster, and I'm sure that if Gene Hackman was offered a part in this, he was glad he turned it down after reading the reviews. Burt is the fired cop who protects Liza after her attack, and Benson and Bernie Casey are his old pals who aide him to keep Liza safe. The setting here is Chicago, although I bet most of the location footage was stock Chicago shots with Burt and Liza tossed in. The funniest moment has Liza walking nervously through a very "Studio 54" like dance club surrounded by every element of society you can imagine. I bet the extras on this set have dozens of stories to tell!There are some films that you have to watch through to realize how bad they are and others which tell you from the start. "Rent a Cop" is one of the later, perhaps not a disaster for Burt's career, having moments that just reek of ludicrousness. Along with the unfairly maligned "Arthur II", this practically killed Liza's film career. She is not at all believable as a hooker like Jane Fonda was in "Klute", Kathleen Turner was in "Crime of Passion", and fellow musical diva Barbra Streisand was in "Nuts", released at the same time as this. Liza was of course going through all sorts of problems, and seems at times to talk nonstop continuously to work through them. As a cult fan of "Lucky Lady", I can say that it has great moments in spite of being mediocre, but after seeing (and hearing) Liza in this, I wish I could change the title to "Mute Lady".

Ron Broadfoot In 1981, Burt Reynolds did a movie called SHARKEY'S MACHINE. He played a cop who is demoted to the vice squad after a shootout with a drug dealer results in several deaths. In RENT-A-COP, he plays a cop who is reduced to working as a security guard when a masked killer botches a drug bust and kills his fellow police officers. In the former movie, Burt watches a hooker, played by Rachel Ward, whom he hopes will help him nab a crimelord. In the latter movie, a hooker, played by Liza Minnelli, joins forces with Burt to track down the killer. Both of these movies co-starred Bernie Casey. The plots of both movies seem familiar, and Liza is not really believable as a hooker, but RENT-A-COP is just one of those Eighties movies that is far more fun to watch on TV rather than the big screen.

gridoon A low-rent, cheaply made police thriller that's kept bearable by some fair humorous bits, the nice chemistry between the two leads and, especially, by James Remar's satisfying turn as a narcissistic, psychopathic (and, naturally, indestructible) villain. Obviously a low-quality picture, both visually and dramatically, with a rather resigned Burt, but not unwatchable. (**)

Die beste Freundin This disgusting combination of violence and cheap jokes has to be avoided, unless you are a devoted Liza Minnelli fan... like me. Liza has this very personal acting style (a nervous kind of energy) you either love or hate. I think it´s great, and it almost turns trash like Rent-a-cop into something watchable. For the real Liza experience, watch ´Sterile Cuckoo´ or ´Cabaret´.