Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

FrogGlace In other words,this film is a surreal ride.

Salubfoto It's an amazing and heartbreaking story.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

gavin6942 A vampire lures beautiful young women dressed as clowns to his castle in Europe.How many movies have both clowns and vampires? How about clowns with guns? French clowns with guns? And that is only five minutes into a film that has some of the sexiest women Jean Rollin has featured exhibiting his own brand of eroticism (some of which clearly borders on rape).Being from Rollin, are we surprised that this film faced censorship? The scene where Mireille Dargent is whips Marie-Pierre Castel has two versions. As does the scene where Castel and Dargent make love and the scene where Dargent is being chased by the man. I suppose that two questions can be asked: should we have a director change his vision for decency? And, is there any real purpose to having the women be nude? I will not answer either one.I would say this film is overall better and more finely constructed than "The Nude Vampire", and has far more cohesion than "Rape of the Vampire". I mean, this one actually has a clear set of heroines and a plot!

Markmainwaring So its another pretentious art / exploitation film from Jean Rollin.I still found lots to enjoy. From the wonderful locations to the beautiful women. Its story does not make that much sense, but thats part of the charm of these films. Given the right budget and script I always thought Rollin could make a brilliant film. As it is this is full of brilliant imagery.The script is not up to much but fan of Euro horror will love. It should not be ignored and is probably better than anything coming out of Hollywood at the moment...So why not give something different a go.

Matt Moses One of Rollin's best, although lacking the stylish gaudiness of his earlier masterpieces. However, considered as the work of an impressively productive director with about as many misses as hits, this film holds a high ranking in his oeuvre. He starts smash dab in the middle of obviously complicated unexplained criminal events, with the two female protagonists done up in ludicrous clown costumes. After the death of their fellow fugitive, they set fire to their car and wander off into the woods. Dark, young beauty Mireille Dargent stumbles into an open grave and ends up covered in opened dirt as nearby Marie-Pierre Castle watches, too scared to speak. Once unearthed, she and her friend find a seemingly abandoned castle with a decomposing body in the basement. Some uninspired vampires bring the girls to their dungeon of depravity. Dying vamp Philippe Gasté, the last of his kind in great need to make more with the help of vamp pal Anne-Dominique Toussaint, gives them a wee bite. They're somewhat uncertain about this idea of slowing turning into the blood-sucking undead, but things head in unexpected directions from here in typical Rollin style, if typical can be described as such. Although many of Rollin's women find themselves thrust unexpectedly into a world of evil, a close inspection of their characters from the beginning suggest a previous loss of innocence. Rollin's women do not succumb to these influences - indeed, they generally escape from their perilous situations - but it's important to remember that this sort of behavior may well not be old hat to them. Requiem uses extremely effective pacing, which many mistake as boring. Some extremely long takes contain little distinguishable action, denying the audience a passive film experience. This style of filmmaking instead demands total audience involvement, with only occasional instances of the glossy seduction suggested by the film's pretext. Rollin's decision to spend so much screen time on seemingly aimless wandering evokes a misguided spiritual quest, with obvious sexual connotations in the form of vampires. The experimental score by Pierre Raph, who worked with Rollin on the notorious Démoniaques, compliments this uncertain, possibly confused journey. In stark contrast to these rather profound elements stands the unnecessarily graphic sexual torture that goes on the castle's dungeon. This goes to an unnecessary extreme - I can't, for example, imagine anyone enjoying the image of a bat nestling in a woman's vagina. However, movies do need a target audience and Rollin could easily have chosen a worse genre into which to work his ideas. After this film, Toussaint began her career as a producer.. Dargent and Castle, prototypical Rollin girls, appeared in several other of his films.

Anyanwu This film was rated higher by others than I would have thought. Vampires usually do a lot of biting and blood sucking. There was more erotic virgin handling and molestation than biting and the like in this one. The use of silence in the film gave it a surreal quality. The whole movie was dream-like. The lure of the victims was not captured. The chase and seduction is the best thing about vampires but those subtleties were lost here. But, I must admit, the film did remind me of Vampyros Lesbos and, to a lesser extent, Suspiria. I must state that vampire films do not have to be bloody etc. But a little blood at the bite would have been welcomed. Not a bad watch if you seek those who walk at night.