Hellen I like the storyline of this show,it attract me so much

Spoonixel Amateur movie with Big budget

Keira Brennan The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

mtrburrows As someone who considers Pulp Fiction to be one of the best movies ever made, I was looking forward to seeing a movie made by the same writer/director about a group of criminals playing off each other after a heist gone wrong. And when the Dogs are arguing, stressing out, fighting in that werehouse, you can truly see the roots of Tarantino's style, because anything that takes place in that warehouse truly had me hooked. Me White and Mr Pink are definitely the standouts, with both actors giving a brilliant performance and their squabbles feeling realistic and tense. However, the film begins to lose steam once the story begins to flash back, showing dull and uninteresting scenes that feel as if they were only included to get the picture to an hour and a half. These sequences truly drags the movie down as the conversations aren't nearly as compelling, and feel unneeded as they hardly shed any light on the current situation that couldn't have been told through the chafacgers in the werehouse. Ultimately, Reservoir Dogs is passable, and a decent first effort for the genius that is Quentin Tarantino, but it pales in comparison to his later works, as I feel there's nothing here that memorable or interesting.

MarcMampel Good job, that was crazy. I enjoyed too much with the game that Quentinusually likes to play. Now you are having fun like the moment of dance and then, PAM!, you have a cut ear. This contrast is shocking!

joycetyler95 I won't hold back by saying at first this film is very confusing to the average viewer. The unconventional timeline and the many aliases used by the main characters make the film difficult to follow at times; however, this does not take away from the simple brilliance of Tarantino's first feature-film. In the opening scene we are introduced to a group of men in a diner, each with their own personal quirks and unique personalities. Steve Buscemi's character, "Mr.Pink", delivers a long rant about tipping at restaurants that sets the tone as one that is unusual, yet relatable in its own right. After the attempted bank robbery we are informed one of the men in the group is a police informant, but the mystery of who remains unclear. As the timeline jumps back and forth, we come to know more about each character and their backgrounds. With each character's connection to the ultimate heist revealed, it actually becomes more unclear who the informant is, for it seems any of them could potentially be the one.When the mystery is finally revealed, I was simply left speechless by the revelation of who the informant ultimately was. Tarantino's ability to provide clues throughout the film, while simultaneously distract the viewer from the answer that was evident all along, is truly intelligent writing. After watching the film a second time, I was able to notice more of the plot's subtle hints and clues, which made me appreciate the film to an even higher degree. I have watched all of Tarantino's films so far and I personally find this to be my favorite so far. I believe this film catapulted Tarantino into the brilliant storyteller that he is today. At the same time however, this film feels unique from his others in that it is simple and straightforward without the often unnecessary plot background. However at the at the same time, it is the film's unpredictability and realness that speaks volumes. While there is many scenes with violent acts and heavy dialogue, it never seems over the top or exaggerated. This is ultimately a timeless film, that I believe will continue to influence many films to come.

cinemajesty Movie Review: "Reservoir Dogs" (1992)Relentlessly in its 95-Minute-Editorial-Format extensively cut-to-close-perfection by the director's close-encounters editor Sally Menke (1953-2010), in benificiary 35mm cinematography by Andrzej Sekula, comes already the early fulfillment for feature debutante Quentin Tarantino, at age 28, getting lucky by presenting a pushy draft of the screenplay, co-written with "A Band Apart" companion Roger Avary, in industry-influential actor Harvey Keitel, also-playing the lead as mid-town sharp-to-overthrown character of Mr. White, who builds close ties with independent Hollywood producer Lawrence Bender, who then again equally benefits from Tarantino's ingenious combination techniques of past-tense motion picture beats reflecting "Nouvelle Vague" of Truffaut / Godard owned 1960s and "New Hollywood" enfant terribles as Sam Peckinpah's directions for "Straw Dogs" starring Dustin Hoffman (1971) and the action-thriller "Bring Me The Head Of Alfredo Garcia" (1974).This movie, marking one of the most receivable low-budget - realized with just 1.2 Million-Dollar production expenses - scenes of non-stop talking ultra-cleverly build characters, including Michael Madsen as Mr. Blonde, Tim Roth as Mr. Orange and a show-stealing Mr. Pink due to playing-defector actor Steve Buscemi, which performing beats could only be topped by a lucky striking appearance as Garland "The Marietta Mangler" Greene in the unlikely but major entertaining action-movie "Con Air" starring Nicolas Cage of Summer 1997, when Tarantino utilizes signature-defying explosions of violence in deep blood-reds on black suits and white shirts in a neutral-conflicting warehouse exploitation, when the plot constantly thickens in favors for twisting flashbacks and intermingling of narratives brought to a young director's perfection in "Palme d'Or" as Best Screenplay Academy-Awarded recognitions for improving successions with "Pulp Fiction" (1994) of a depth-reaching, substance-digging collector of national and world cinema.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)