Intcatinfo A Masterpiece!

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Maleeha Vincent It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

mpolans Interesting to see some of the comments here, questioning how realistic the movie is. The movie is an excellent depiction of the very techniques used by the very real-life WWII German interrogator, Hanns-Joachim Scharff. Scharff, who originally wasn't even supposed to be an interrogator, found the traditional ideas of using brutality distasteful and ineffective. The methods shown in the movie, such as making small talk, pretending to know all the details, a change of scenery, etc are all very well-documented, and are still recognized interrogation approaches taught to this day. Incidentally, Scharff (who's notoriety I can only suspect inspired this training film) emigrated to the U.S. after the war and became a big time mosaic artist; some of his artwork can be seen on Disney properties.

Col_Hessler I had heard of this film over the years, and finally got to see it today. This is a clever use of film for training American flyers to clam up if they are captured. Our flyboys end up in the clutches of the clever Germans, who use all kinds non-violent means to soften up the unsuspecting GI's to give up info on an upcoming raid.Others have commented on the Germans using torture to get information, but it is known now that Herman Goering, who made sure the Luftwaffe kept shot down flyers, would not allow that. Lloyd Nolan's opening and closing lines are terrific. He gives the lesson it's exclamation point very well. I give it an 8 out of 10. Look for it to come on again and record it if you have to, just to get a glimpse of WWII film-making.

gordon-125 Dear All,Please read "The Interrogator," by Raymond F. Toliver. Toliver tells the true story of Hanns Joachim Scharff, one of the Luftwaffe's best P.O.W. interrogators. Sheer psychological tricks let him extract loads of information from his "guests." He tortured nobody because he did not need to do so. Years after the war, in the United States, some of these same men threw a party for him, despite the fact that several had felt severe remorse over having inadvertently disclosed so much.How successfully a viewer of "Resisting Enemy Interrogation" could have withheld information from Scharff, I cannot say.Sincerely,Gordon F. Corbett

coltrane679 Thanks to TCM for giving us an opportunity to see this gem. Made by the Army Air Force's famous First Movie Unit well into the war (1944), this is one of their most polished efforts. It has a simple, but effective narrative: a US air crew of 5 is downed by the Nazis, who use every trick in the book (short of torture) to pump information out of them: ingratiation, intimidation, deceit and psychological welfare. None of the downed fliers means to co-operate with the enemy, but each in his own way contributes some information to their clever Nazis captors, which is then pieced together by the Nazi commanding officer, somewhat flamboyantly portrayed by Carl Esmond. The consequences are disaster.The point of the film as a training device (forcefully driven home by Lloyd Nolan in the closing sequence) was that ANY information, no matter how innocent or trivial seeming on its face, could complete the jigsaw puzzle for Nazi intelligence services. All that should EVER be revealed to ANYONE outside your own crew once you were captured was name, rank and serial number. A simple lesson, you would suppose, but for 70 minutes (rather lengthy by the genre's standards, I think) the point is expertly honed by a fairly effective little drama.In addition to Nolan, the other "big name" actor here is a young Arthur Kennedy, who appeared in many excellent films over the following quarter century.