Cristi_Ciopron
Actually a very funny and pleasant movie, with a Dixie setting where the quick and the living dead seem to coexist even by daylight, also with at least a couple of subplots (a puzzle: the zombie wife's will, and of course the cause of her death; and an espionage subplot also, announced by the march of the zombies at the beginning), immensely helped by a good director, Sekely, and three exciting performances, from people who had all the requisites of movie stars: Carradine (who plays a scientist, a physician, not insane but evil), Moreland and Veda Ann Borg (who gave a bit of dignity even to an ingrate role), but the main plot being a zombie tale, done as comedy and also as SF, our chance to visit a not too dazzling but nonetheless intriguing laboratory; in fact I liked it even better than 'Lady in the Death House', and here the storyline seems fast without being rush (though in the later movie that wasn't an error, since the very nature of the subject, the race against a deadline, imposed it, requested it). But Sekely was one of the masters of the genre; here, filming for Monogram. The sense of humor is genuine, and the style, light, in another unpretentious movie. There are a lot of things I enjoy here.The visitors don't seem to realize that some of the servants, in fact Lazarus, are living dead. The lovable black chauffeur gets to see other zombies at work, digging dispassionately, as becoming, in the 1st half of the movie. But the script was good, with most of the dialog being appropriate and well written. So, comedy, zombies, mystery, espionage, SF; and just to make a point: 'Revenge …' isn't a zombie drama with humorous relief, but a comedy, it is a comedy that happens to be about zombies, which is another thing altogether. Now in other words: these aren't zombies from a horror movie, but zombies from a SF (and one overtly political, proceeding with the march of the zombies and following with the espionage subplot). The will's mystery is, anyway, dropped; the mean used to murder the wife is explained, perhaps also the need to do it (as the scientist was getting ready for his getaway), but we can only presume that the widower's pretense of not knowing the dispositions in the will was indeed to gull or disorient his guests.Thank you for reading, if you did.
Uriah43
After hearing about the sudden death of his sister, a man by the name of "Scott Warrington" (Mauritz Hugo) and two friends named "Larry Adams" (Robert Lowery) and "Jeff" (Mantan Moreland) head out to the Louisiana swamps to find out what happened. But first they meet a doctor by the name of "Harvey Keating" (Barry Macollum) who tells them that after examining the body of "Lila von Alterman" (Veda Ann Borg) he is convinced that she did not die of a heart attack like he was originally told by her husband "Dr. Max Heinrich von Alterman" (John Carradine). Dr. Keating suspects she was poisoned. When they get to the house of Dr. von Alterman they find the body of Lila and discover that she is quite dead. Not long afterward her body disappears and they further discover that there are things going on that are extremely unusual and these discoveries could pose a grave threat to the United States. Anyway, rather than detail the rest of the story and possibly spoil the film for those who haven't seen it I will just say that this was a likable film for the most part. One thing I should mention though is that it bears a striking resemblance to a movie made two years earlier called "King of the Zombies". Unlike that movie though this one was made during World War II and features--Nazi swamp zombies! Also included are two attractive actresses named Gale Storm (as "Jennifer Rand") and the aforementioned Veda Ann Borg. Add in some creepiness along with some humor for good measure and this movie manages to entertain fairly well for a B-movie of this type. I rate it as average.
dbborroughs
John Carradine, in one of his occasional starring roles from the 1940's, plays a mad doctor working in the Louisiana swamps on a method of creating zombies for the Nazi cause. In order to perfect his method he's gone so far as to turn his wife into one. Things get complicated when his wife's brother shows up with a detective nd doctor in tow. Worse still is the fact that his zombie bride seems to have a mind of her own.This is a mostly good horror mystery espionage thriller. For most of the films brief running time the film is a clever at and mouse game between the doctor and his guests. The trouble is that in the final fifteen minutes the film goes through so many gyrations of the plot that you'll swear that someone left a reel or two out the film. Its twist upon twist upon nonsensical turn. Its fine in the B movie way the film is constructed, but at the same time it considerably lessens what should have been a better film.Over all this is an amusing film (some nice comedy is provided by the great Mantan Moreland). Its definitely worth checking out if you run across it or can pick it up, as I did in the the bargain bin.
shaun_torpey
Well, I didn't think it was as bad as all that and at 60 minutes, what have you got to lose?! John Carradine is on excellent form, acting with his eyes as if it was a silent film and as for the rest, it's what you'd expect for 1943, black and white and a 'single reeler.' The duration does, in fact, suggest that it could well be a product of Hollywood's war-time propaganda machine as the heroes attempt to thwart a Nazi scientist's attempt at creating the perfect army.An army that won't stop at anything, least of all to question its leaders must be the ideal megalomaniacal construct and one which modern-day leaders probably wish they'd thought of! Sure, it's not Gone With The Wind and it does contain similar racial stereotyping (superbly played and providing some lighter moments) but it remains what must surely be the only cinematic fusion of Haitian voodoo ritual and fascism.I think Hitler would have loved the idea, if only he could have accepted a multi-race force! I feel his loss is cinema history's gain.
