Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Lucybespro
It is a performances centric movie
Taha Avalos
The best films of this genre always show a path and provide a takeaway for being a better person.
namashi_1
An adaption of the 1995 Hollywood Film Above Suspicion, 'Right Yaaa Wrong' is A Good Effort by Writer-Director Neeraj Pathak, that despite a slow first-hour, turns into an engrossing thriller in its second-hour. This one's a surprise from 2010!'Right Yaaa Wrong' Synopsis: A decorated and disabled Police Officer becomes a suspect in a double homicide, after his officer friend has his doubts. 'Right Yaaa Wrong' is initially slow & also dull. The Real Thrills set in its second-hour, when the cat and mouse game begins between its two leading characters. And its interesting to watch the mystery unfold, as the sequences are thoroughly gripping. Even the culmination, is well-done. In short, 'Right Yaaa Wrong' gets it Right in its second-hour!Pathak's Writing takes time to come to the point, but once it does get there, it arrests your attention well. Pathak's Direction, on the other-hand, could've been better. The narrative has a old school vibe to it, which, certainly, could've been refreshed. Performance-Wise: Sunny Deol is in fine form. He's restrained here & enacts the man in question, with conviction. Irrfan Khan is the trump-card. The terrific actor is sensational, portraying his part with power. Konkona Sen Sharma is okay, while Eesha Koppikhar is first-rate. Govind Namdeo & Suhasini Mulay are passable.On the whole, 'Right Yaaa Wrong' is a good watch.
Tejas Nair
I was expecting more of a blown-off haphazard film from the cast & the makers. It turned out to be a surprise package.Sunny Deol is very good, so is Irrfan Khan & Eesha Khoppikar. Supporting cast is all right. Now, even though the screenplay slides into hackery, the plot stays strong throughout. It may seem made-up, but the suspense gradually increases. Kinda predictable stuff, it moves on a swift pace in the second half, governing & ridiculing human rights & questioning the power of doing what's right. In the end, it is left to the viewers to decide what is wrong & what is right.BOTTOM LINE: A weak filmmaking makes this a good attempt. Recommended!Can be watched with a typical Indian family? NOForeplay/Mouth-Kiss: Strong | Violence: Critical | Gore: Strong | Sex/Porn: No | Smoking/Drugs: No | Alcohol: Mediocre
creedreaper
First off since this was a low-budgeted kind of movie I had prepare myself to watch half of it and turn it off if I didn't liked it. Well surprisingly I was really hooked especially from beginning. Keep in mind this movie was shot and made almost 4-5 years ago and was released this time I'm assuming director might had issues. So don't expect the acting to be so current, but still it was quite commendable. It's always a treat to watch Sunny Deol as he is the most underrated actor in bollywood but I have always loved his acting and yet again in this movie he was brilliant. As most of you are already aware how good Irfan Khan is, and it was a surprise to see Konkona Sen Sharma in this movie too. It's a great mystery thriller, after many years this movie reminded me of Kasoor very much which was my favorite movie. It's a great popcorn flick so don't miss it!
ashter
Sunny seems to get it right this time. He underplays his part beautifully. But it is Irrfan who lights fire in water and emerges the scene-stealer. He is excellent all through the second hour. Konkona stages an entry in the post-interval portions and makes a stunning impact in the courtroom sequences. Eesha Koppikhar is first-rate. Arav Chowdharry Sunny's brother enacts his part with conviction. Come to think of it, a plot like RIGHT YAAA WRONG is not easy to pen and narrate. The conflict between two thick friends and how they find themselves on the opposite sides of the law ought to be handled with gloves. Most importantly, when the tension reaches its peak, the culmination has to be razor-sharp and concurrently, justify both the sides' point of view. Fortunately, RIGHT YAAA WRONG hits the right note. On the whole, RIGHT YAAA WRONG is a powerful thriller, with a knockout second half. However, the film faces strong opposition from two quarters .
