Jeanskynebu
the audience applauded
Inclubabu
Plot so thin, it passes unnoticed.
Phonearl
Good start, but then it gets ruined
Bob
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Tweed-Chap
A glorious hypnotic travelogue through the industrial landscapes of Britain. Beautifully shot with a static camera, and gently narrated by Paul Schofield; who would have thought that scenes of lorries driving into distribution centres could be so visually charming?The journey begins in Reading and ends in Newcastle upon Tyne with stops at travel lodges, shopping centres and factories mixed with the occasional cultural or historic location. It's also an excellent snapshot of the political climate of the time.We never get to see Robinson or the narrator on their journey, but by the end of the film we feel as though we've learnt a bit about them along with a side of Britain we usually try to ignore.
Polaris_DiB
In sort of the tradition of Sans Soleil, a narrator and a mysterious, unshown character wander around London searching for what they already expect to find: lack of absolution and a post-modern depression. There's more of a narrative thread in this one than Chris Marker's epic travelogue, but many of the concerns are the same: the way space, time, memory, history, and geography are collapsed and immutable when viewed from the perspective of an erring camera. Robinson wants to be a spy, but James Bond is a Western fiction more disturbing than its happy endings. They want to visit Sherlock forest, but it's closed off by private property. Most architecture (Keiller is an architect) and photography is extremely rectilinear, and nowhere the two characters stay are very comfortable. Such speaks to the isolation of a spectator of London, a space not built linearly or really quite as open to tourism as other large city centers.The story here is quite blink-and-you'll-miss-it. Robinson in Space is a visual essay that is familiar with academia and theory, and yet I've read too many responses to this that complain about it being an insufficient tour guide. Be aware that this is not a map of London (in the theoretical sense), but a deconstruction of it. People interested in discovering more about the mainstream culture and history of London are better off renting something else.--PolarisDiB
gray4
This is a lovely film, narrated perfectly by Paul Scofield. Robinson and the narrator take seven tours of the English provinces, emulating Defoe's tours two centuries ago. You never see the travellers but they discover an awful lot about England that you probably never wanted to know - but are never boring. The superbly shot scenes of a changing industrial landscape are largely still - frozen in the 1990s and already remarkably dated, so that the film is already nostalgic, though only seven years old at the time of viewing. The commentary gives a detached perspective on England's industrial decline, as well as the occasional - and odd - glimpse into Robinson's private life and the mysterious company employing them to make these journeys on what might be a weird form of industrial espionage. The overall effect is to provide a strikingly different perspective on landscape, history and those who travel through them - a great success and all too short at 80 minutes.
Mansilla
Robinson in Space is a contemporary interpretation of the wanderings of Daniel Defoe around Britain. Robinson and his Companion travel around to places of industrial note, both past and present. In this sense it is travelogue, but it is so much more.The Commentary notes major developments in the country, and makes dry comment on the state of the nation and its Industry. This film visits both the empty Warehouses of Manchester and the New factories of the Midlands. It can almost be regarded as an essay on Britain in the mid 1990's.Many have described this film as egocentric and boring, and I can see why. It is shot almost entirely as stills, there is no acting, and there are no characters beyond the commentary. However to me this was a refreshing piece of film making. It was incredibly well observed, and comes pretty close to defining what it is to live in this country. I suspect, however, that for anyone who lives outside the UK this will just be boring, you have to be able to relate to the places on the screen.However, if this appeals even slightly take the opportunity to see this film, before its forgotten. I loved it, and I will never forget it.