RoboCop

1987 "Part man, part machine, all cop."
7.6| 1h42m| R| en
Details

In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.

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Reviews

Jeanskynebu the audience applauded
Lucybespro It is a performances centric movie
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
julian kennedy Robocop: Robocop is the story of a Corporation (OCP) creating a cyborg cop to reduce crime so they can rebuild Detroit. It is also a satirical look twenty minutes into the future that predicts our world with a scary accuracy that few movies have ever come close to.The Good: Everything. The practical effects are spot on. The movie is a quotable as a Monty Python piece. Kurtwood Smith is one of the best villains of the eighties. Ed 209 needs his own movie. All the little things are done right.To illustrate there is a scene earlier on when a trauma team is taking care of the titular hero. The dialog and actors seem so realistic that it seems like something out of a documentary. Turns out director Verhoeven simply got an actual trauma team on the set and had them do their stuff with no script.The film is also tightly scripted and filmed with nary a wasted scene. Humor is sprinkled throughout keeping the tone light with all the ultra-violence.The Bad: Peter Weller is a tad stiff before he becomes Robocop. The last bit (that Hans Gruber dive) is the rare special effects failure in a movie that is spot on with its practical effects.Conclusion: People who were not adults when this first came out may have no idea how prescient this film really was. Facial recognition technology, fighting in Acapulco, the bankruptcy of Detroit, the return of gas-guzzling cars, Fox News, the government handing over responsibilities to large private corporations. These were all science fiction in 1987. That list above barely scratches the surface.Paul Verhoeven mixes satire and action at a level few have matched since. He would return to this style of film with the equally (though not as gritty)brilliant Starship Troopers a few years later. Robocop is that rare eighties film that seems to only get better with time.
jaxenross Not too bad for an action film like this, I mean it isn't considered as kick-a** as the Transformer films - but has a heart. I thought the action sequences and bits of graphic violence were top-notch - after all, these were the real action flicks of the 1980s - and the production design including the use of matte paintings & practical effects really stood out for most of the film; even if was chessy at times.There could've been some confusing plotpoints in the film - such as the missile weapon for arbitrary extermination - but they're easily tied up (which I did appreciate). An A1 little flick, but not as passable as The Terminator. Speaking of which, I'd buy that for a dollar!
XweAponX What was remarkable about this film, is that it was one of the very last times we had ever seen Ray Harryhausen style stop motion animation used in a feature film. The odd look was because they had to use Rear Projection. This film reflects all of the glory of 70's and 80's practical special effects. Everything we see here is on camera. The Computer displays were all done on Amiga.The ED-209 appears to utilize the top half of a Sennheiser Microphone as a "Radiator Grill", I'd recognize the shape anywhere. Phil Tippet's animation is ingenious, giving unwarranted life to the 209's.What makes this film are the small details, "I'll buy that for a Dollar" (Originally from "The Marching Morons" by CM Kornbluth, which was later the basis for "Idiocracy"), the little News clips, the phoney ads what are not too far fetched. These little bits were used well in the 22-episode TV RoboCop TV show from 1994.And Rob Bottin's brilliant design of the RoboCop "suit". As far as the actors, I didn't know who Peter Weller was. But he was perfect for the role. There is a "good" buisinessman, Miguel Ferrer, contrasted with the Bad Guy Ronny Cox, who Verhoeven also used in Total Recall. Kurtwood Smith and Ray Wise, who always show up in Star Trek things, were over the top crooks. The Kid who drives the van, played by Paul McCrane, was the guy in the X-Files that could walk away after a head-ectomy. In this film, the Old Man of Omni Consumer Products, played by Dan O'Herlihy is a lot more like the kindly old man who owns a company, this changes in the under rated Robocop 2, in which Irvin Kirschner does a good job of imitating Verhoeven's directorial style.Overall, this one film served as a Template that was used in 2 sequels, 2 TV Shows, and one TV Mini Series of various quality. It's great to revisit these, it shows a wholly different way of doing things than what is used today. Also, anachronisms. Many of the things we see in these films, even though they are depicting the future, don't really exist anymore. Cameras that use Film. Computers that use Disks, and even today, Optical disks are not used much, it's all flash drives and SDcards. Telephones. Even Pay Phones, when was the last time you saw a Pay Phone on a street corner? And cars: The huge 6000 SUX, an over the top parody of so many huge Ford cars in the 80's. And we don't even see many of those cars anymore, everything is an SUV now. In some ways, the world was a much simpler place, even in the movies from that time.
Uriah43 This film begins in a dystopian future with the city of Detroit faced with a horrendous crime wave coupled with massive unemployment. As the story unfolds a cop by the name of "Ajax J. Murphy" (Peter Weller) is reassigned from one precinct within the city to the most difficult and crime-ridden area of all. To make things even worse a big corporation known as "OCP" has essentially taken over control of the police department and virtually dictate all policy and procedures. So when Murphy get shot and killed in the line-of-duty they take his body and transform him into a cyborg which gives him increased strength and gun accuracy but at the cost of a complete loss of memory. Also included in his transformation is a secret protocol known as the "4th directive" intended to benefit those within OCP. Although there isn't anything Murphy can do about this his memory begins to return to a limited degree when his partner "Officer Anne Lewis" (Nancy Allen) attempts to remind him of certain events just prior to his being killed. In the meantime, however, office politics within the corporation begin to become a bigger problem to Murphy than the armed criminals out on the street. Now rather than reveal any more I will just say that I remember watching this movie when it first came out and I continue to enjoy it to this day. Of course, it suffers a bit due to the passage of time but that is only to be expected. In any case, I encourage those interested in a movie of this type to check it out and I have rated it accordingly. Above average.