Rijndri Load of rubbish!!

Konterr Brilliant and touching

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

wdavisterry Rebecca Saire and Patrick Ryecart and quite interesting as the leads. Saire gives a very good interpretation of Juliet and owns her scenes. She is beautiful, and her costumes are affective. Wearing clothing patterned after authentic period costumes adds a lot. She looks a little like Elsa Lanchester in "Bride of Frankenstein" in the heavy full-length dress of the day. Ryecart uses a more contemporary style, along the lines of England in the era of the Beatles and the Stones while remaining intellectually honest. It is unusual now to have a Romeo not be a teen-dream. Saire and Ryecart have some, not a lot of, chemistry. What the actors accomplish is to bring to the fore some of the questions in the plot. Why do they think springing their marriage on their families in the middle of a vendetta will not be received with horror? Or why doesn't Friar Lawrence see the likely outcome? They try to out-Machiavellian the rulers of a renaissance Italian city-state and the outcome is also predicable. The play is not the romantic tragedy it is reputed to be.Perhaps the production values could have been better if it had not been filmed in the style of a 1970s BBC program. Too many crane shots. The sets are variable. Very good background music in the credits and the musicians in the party scene are playing authentic instruments.This performance is from the first two seasons of BBC Shakespeare and is shows the original purpose which seemed to be to sell the package to school libraries from class discussion. Later they did more original interpretations of the plays and some of the actors in this are in the later plays; Ryecart, Michael Hordern, and Vernon Dobtcheff are the ones I saw.

Alain English Easily the best known of all the Shakespeare plays, it has been seriously let down here. Shoddy direction, stagnant studio work and erratic performances spoil a fine tragedy.In the town of Verona, the Capulets and the Montagues have been feuding for centuries but tragedy is imminent when Romeo (Patrick Rycart), a Montague, falls in love with Juliet (Rebecca Saire), a Capulet. Bloodshed soon erupts...The studio work, especially in daytime scenes, seriously stagnates the energy of the play. It's a story that, with it's energy, deserves to be shot outdoors. Coupled with this the costumes are hideous, with too many tights and ludicrous codpieces. The stage fighting looks horrendous, with far too much stretching and running around to be engaging.Patrick Ryecart is too lightweight to be a truly effective Romeo. He manages the character's intensity when the plot gets going but his stately accent and bland, often inexpressive eyes limit his range. It is very hard for the audience to relate to this Romeo. Rebecca Saire is too youthful to be a good Juliet - she captures the character's naiveté but a little more sassiness would have been welcome.The supporting roles don't fare much better. Joseph O'Connor's Friar Laurence is fine but too many of his best lines have been cut. Anthony Andrews' Mercutio belongs on stage and not on camera. He gurns and gesticulates excessively and looks rather ridiculous as a result. Alan Rickman, underplaying his role, has virtually no presence as Tybalt. He did develop an edge and intensity to deliver some fine screen performances in later years, but that isn't in evidence here. The Prince can be a fine role with his brief appearances but actor Lawrence Naismith fails to give the part any authority on camera. Only Micheal Hordern, in probably his best role in this series, comes out of this with any dignity. His Capulet is well-played and a joy to watch.See one of the other versions of this story instead.

Andy Croft I am bias as I am Shakespeares biggest fan and not a big critic on the various performances because I find every adaptation I see I enjoy because of the variety. Which I think Shakespeare himself would also enjoy the wide different attempts at his works. Who knows what is the correct way to performance these classics. I enjoyed seeing Alan Rickman in hid first TV role. I love the Geilgud voice and his presence. If you are a true Shakespeare fan leave your eyes open and your opinions wide as I truly believe the great man himself would do exactly that 400 years on.I like all the BBC Shakespeare collection.Well done the Beeb !

Nozz At times I wasn't sure if this was Romeo and Juliet or Dudley Do-Right and Juliet. Sometimes Romeo seemed wooden, sometimes awkward, sometimes trying woodenly to be awkward. He seemed much older than Juliet, too, which would be interesting if it were part of the play but it isn't.Much more affecting were Juliet herself, the Nurse, and old Capulet. Some of the staging was notably well handled, including the whole Capulet ballroom scene. I couldn't help comparing Mercutio and Friar Laurence unfavorably with their Zeffirelli counterparts.It was nice to get more of the dialogue than some other film versions preserve, but on the other hand some of the cuts took away familiar lines and such cuts are always jarring.