FirstWitch
A movie that not only functions as a solid scarefest but a razor-sharp satire.
Mischa Redfern
I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Brennan Camacho
Mostly, the movie is committed to the value of a good time.
classicalsteve
There is a very short list of classic novels centering on the vampire mythos. Of course the most famous is "Dracula" by Bram Stoker (1897); probably the deepest and most philosophical is "Interview with the Vampire" by Anne Rice (1976); but the most disturbing may be in fact "Salem's Lot" by Stephen King. While Dracula was an ancient monster wreaking havoc on Londoners in late 19th-century Britain, King's tale involves the dark little secrets of a New England town whose residence become ripe fodder for a highly-intelligent demon. The point of King's story I believe is how the unspoken and unexamined behavior of a small town become easy prey to dark forces.The recent rendition of Salem's Lot into a made-for-cable film starring Rob Lowe, Samantha Mathis, Andre Braugher, Donald Sutherland, Rutger Hower and Dan Byrd is a bit closer adaption to King's original story than the television-movie of the 1970's which starred David Soul and James Mason. Looming above the town is an old "haunted mansion", the Marsten House. The House itself is a character like the others, which the more recent adaption exploits a bit further than its 1970's counterpart, although the house is menacing in that adaption as well. In many scenes in this recent adaption, the House looms in the distance, as if watching the events unfold from on-high, a spooky version of the Eyes of Dr. T.J. Eckleburg of Great Gatsby fame.Rob Lowe in a solid performance in the wake of his years on "The West Wing" plays Ben Mears, a native-born of the town Jerusalem's Lot who returns to his place of birth and, as we'll learn, his coming-of-age. Mears has been away from the town for over two decades, nurturing a successful writing career in New York. (Many aspects of Mears ring of Stephen King who was also brought up in a small New England town.) The writer has returned from his hustle and bustle life in the Big Apple to write about the town, and, as it turns out, about incidents which occurred when he was on the verge of adolescents.Aside from the story of the vampires is the parallel story of the corruption of the town, such as a father abusing his daughter, then threatening the local garbage service who employs a crippled man who he believes had been with this daughter. A lower-middle class couple residing in a trailer park are not caring adequately for their baby, and they use blackmail schemes to raise money. Charlie Rhodes is an abusive school bus driver. He enacts "justice" by forcing children he believes are either misbehaving and/or simply doesn't like, to get off his bus and walk home.When Mears returns to Salem at the beginning, he meets Susan Norton (Samantha Mathis), a college graduate who had been corresponding with Mears through emails about her choice of academic studies. (Which is a bit of an upgrade from the original book and original film adaption. Online selling is also discussed.) Mears learns the Marsten House has been bought by two mysterious gentlemen in the antiques trade, Richard Straker (Donald Sutherland), and the mysterious Mr. Barlow who, according to Straker, is constantly on buying trips in Europe. They open a shop in Salem's Lot.Brothers Ralphie and Danny Glick, and their friend Mark Petrie (Dan Byrd), decide to see pictures hidden in the glove compartment of their school bus driver who had been abusing them, possibly as a blackmail scheme. The plan fails and the boys end up running for the lives through the woods near the town. Ralphie Glick disappears and Danny Glick is found by Father Callahan on one of the nearby roads. Danny is in hospital and shortly thereafter is paid a visit by Ralphie, the former making the mistake of a letting his ghostly brother pay him a visit. Later, Danny Glick, floating outside the window of Mark, asks to be invited in.The creation of the vampires spreads like a virus, somewhat akin to Invasion of the Body Snatchers. A few characters realize what's happening, including Mears, Dr. Cody, the schoolteacher Matt Burke, and love interest Susan Norton. They realize the evil is emanating from the Marsten House but they must unravel what's happening before it's too late. There is something strange and sinister about their new resident, Richard Straker. A very well-done and satisfying adaption of Stephen King's classic of mortal good versus supernatural evil. This recent version is a bit more faithful to the original book, including the portrayal of Barlow which is closer to King's original vision than the Nosferatu-like character in the 1970's version.
lathe-of-heaven
I've pretty much given up trying to understand what people here consider good films or find entertaining. Seriously...I was not expecting much because the original 1979 version is a bit of a minor classic in a way. And truthfully, MOST Stephen King adaptations are pretty poorly done. BUT... I was quite amazed at how involving and engaged I was with the way they did the story. It was not done in the same traditional mold as the original mini-series, and it was somewhat 'updated' in some ways which some may consider unnecessary. But, even so, the quality of the writing, acting, and direction were quite good, really. And most surprising was ol' Rob Lowe did a pretty decent job!At first I was kind of put off by both Donald Sutherland and Rutger Hauer playing the parts of Straker and Barlow (mainly because of strong images of James mason and 'Nosferatu' from the original) But, after reflecting on it, I do feel that using them DID work in this updated version, making them seem a bit more contemporary as opposed to the traditional feel of the original version - and I really DO like Rutger Hauer anyway : )So, if you can buy into the updating of the story, mood, and look of the film and you appreciate good writing, acting and execution of the story (which happens RARELY with Stephen King) then you should indeed enjoy this gripping, updated version of the classic story!
SteveResin
Let me start off by saying this isn't terrible. If you're bored there are worse ways of spending 3 hours than watching this. The trouble is, it's not terribly good either. I applaud the producers for attempting to work as much of the book into the screenplay as they could, and the location is excellent, with a decent smattering of special effects to boot. However, the bad far outweighs the good. Let's start with the good points. The location is great, on a par with the 1979 masterpiece, giving a real feeling of small town isolation. And the Marsten house looks suitably creepy and foreboding. The music is good, and the special effects are above average for a TV mini series of it's era. A few of the cast do a great job, James Cromwell is excellent as Father Callahan, Dan Byrd does OK as a shell-shocked Mark, and Julia Blake is a wonderful Eva. That's about it for the good stuff. Onto the bad. The series' biggest failing for me was the decision to drag it into the present. By setting the story in modern times with the internet and mobile phones, the the idea that a small community like this could just collapse under the visit of vampires without any outside help being summoned is ludicrous. Some of the casting choices and changes to the characters are poor. I've enjoyed Rob Lowe in many movies but the role of Ben Mears didn't suit him at all. David Soul brought a lot of passion and intense emotion to his 1979 portrayal, whereas Lowe only has two emotions through the entire series, bored and scared. The use of a narration from Lowe throughout is another bad idea. The character changes are disastrous. Matt Burke is now a gay man for some reason, Doctor Jimmy is a sleazeball who beds one of his married patients, and worse of all Larry Crockett is a child abuser who is sleeping with his daughter, the town 'Goth' Ruthie Crockett. Worse still is the relationship between Ben and Susan. In the book and 79 mini series their gentle romance and meeting of minds made you ache for Ben when Susan is turned. In this series there is zero chemistry between the leads and there is absolutely no romance, save for a few small chats about literature and a possible vacation to New York. When Susan is turned Ben hardly seems bothered and neither do we. The only interesting side character is Dud Rogers, the local hunchback who lives on the town garbage dump, but he is used so fleetingly it's hardly worth it. Another waste is the use of heavyweight actor Donald Sutherland as Straker, who is completely lacking in any menace whatsoever. Rutger Hauer is also wasted as Barlow, taking up about 5 minutes of the total screen time. All in all this is watchable fair, but doesn't warrant repeat viewings. It's neither captivating or remotely scary, which is kind of missing the whole point.
jacco59
This movie was pretty decent, though it did suffer from a relatively low budget. More realistic special effects would have made it more believable. Without the great acting performances though it would have been boring to watch. Rob Lowe does really well as Ben Mears, the writer who returns to the town of Jerusalem's Lot to face his demons, and André Baugher (who by the way also played in The Mist, which is a better Stephen king adaptation than this) also does well as Matt Burke, the literature teacher who becomes involved in the quest to expel the evil from Salem's Lot. One disappointment though was the character of Mark Petrie. It's not as if Dan Bryd doesn't play him well, it's just that he is described totally different in the book (is that right? English isn't my native language). Also the movie skips through some of the best parts of the book relatively fast (I was expecting much, much more from the scene where Mark escapes the Marsten house). I also enjoyed the bits of narration here and there, they weave the story together really well.To conclude:Good:Excellent acting,great story (of course),narration Bad:Screenplay adaptation of the character of Mark Petrie,very obviously fake 'special effects', skipping of scenes that shouldn't be skipped.This movie is worth watching, especially if you're a Stephen King fan. But if you're not, you'll still have a good time. And that, in the end, is what movies are for
