Karry Best movie of this year hands down!

BroadcastChic Excellent, a Must See

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Janis One of the most extraordinary films you will see this year. Take that as you want.

Vonia Samba (2014) Directors: Olivier Nakache & Éric Toledano Watched: 7/29/18 Rating: 6/10 Yes, Samba Like the dance. Funny/heartfelt, Einaudi's aurally awing soundtrack Mitigates poorly paced/unfocused plot. Gainsborough/Sy Are au fait Actors, But Not Very Convincing As two lovers. Compelling illegal immigrant woes, Sincere until deus ex machina. Priceless last scene Will make you Cheer or Dance! Tetractys poems stem from the mathematician Euclid, who considered the number series 1, 2, 3, 4 to have a mystical significance because of its sum of 10. He named it a Tetractys. Thus, these poems follow a 1, 2, 3, 4, 10 syllable format, with additional verses written in an inverted syllable count. #Tetractys #QuadrupleTetractys #PoemReview #French #Immigrants #Soundtrack

eddie_baggins $426 million. The amount of money director's Olivier Nakache & Eric Toledano last film The Intouchables made world-wide upon release in 2011/12. Not a bad haul for a movie that cost around $10 million to make.The thing with the Intouchables was, it was not only a huge box office sensation (particularly in its home country of France) but it was a film that both audiences and critics fawned over so much so that at the time of writing the film holds a steady place within the top 50 of the IMDb Top 250 films of all time. With such success comes expectations however and Nakache and Toledano had their work cut out to make there next project even half of what the Intouchables was, that project was Samba.Let's be frank, Samba neither replicated the box office success or the audience success that the Intouchables found but it's not like Samba is a bad film. Actually it's far from it; it's a likable film that for many reasons just doesn't contain enough spark or chemistry within it to even come close to bringing the feel good feels that came with the Intouchables. Firstly the story at the heart of this drama that has moments of comedy isn't nearly as attention grabbing as the true life tale at the heart of Philippe's and Driss's friendship and the films central romance between Omar Sy's (returning to work with the directors) illegal immigrant Samba and community worker Alice, played by Charlotte Gainsbourg never takes off, the two sharing an uneasy chemistry and Samba instead finds its winning card in other places.Sharing the screen with the always likable Tahar Rahim (an actor you just know will truly breakout one day) as fellow immigrant Wilson, Sy and Rahim find a groove in their on screen companionship that is both funny and at times emotionally resonate and they elevate the film so much so that you wish the film was centred more around these two newly acquainted friends. They deliver the films funniest scenes (a window washing scene in particular) and showcase just what could've been had Samba found more for these two actors to do.A topical film I'm sure for those situated in France and perhaps the world over in light of the recent refugee crisis's hitting the news in the last few months, Samba is a quality film that perhaps unfortunately will always be judged alongside the director's famed predecessor. It's a shame Samba's plot didn't play more to its strengths found in Sy and Rahim's and in the end it's a gently touching tale without being a great one.3 ½ lucky t-shirts out of 5

kosmasp And I'm not talking hot as in physically (though some may argue Omar is hot, which I reckon is not completely wrong), but as in right now, news worthy topic hot. Immigrants are one of the main "issues" in quite a few countries at the moment and it's almost comical to what degree some are arguing on this.This movie on the other hand is intentionally funny and it has good actors to back that story up. Even if you don't buy everything the characters are doing, you can easily empathize with them, if you're willing and open enough, to let those emotions in. The movie has a message in all the entertainment, which can be taken or read or completely ignored. That's up to the viewer. It is a very well made movie though and you can watch it, even without the current events being an obstacle to that form of "entertainment"

mounini I walked out of the cinema with a smile on my face, I was entertained watching this movie. Samba is just like the dance, slick, emotional but also fun. Omar Sy and Charlotte Gainsbourg's rapport on film felt natural and wasn't overplayed all actors on this movie, do it justice. The reality of illegal immigrants is not what this movie is about this movie is about hope through 4 different main characters, Samba, Alice, Wilson and Manu, spotlight is on Samba and Alice, but you get a sense that really it's all about Samba and his survival in the urban jungle. Charlotte Gainsbourg gives a riveting performance, as a tortured soul in need of feeding and nurturing, at times filling the screen with her beauty at others looking so raw and in pain, it's all in her eyes and a gentle pitch in her voice, I don't think her voice has changed much since l'Effrontée ( she was 15 and that was 25 years ago!). Tahar Rahim was also very believable as Wilson, he has fun with this role, but never takes away from Omar Sy, good supporting actor's performance from him. The soundtrack is uplifting with the theme song To Know you is to Love you by Stevie Wonder with Syreeta, the melody punctuates the film throughout and you walk out humming it to yourself. The ending is french it's after all a french movie so no "fluffy, Hollywood,let's all live happily ever after ", cheesy ending for Samba. Just a natural conclusion, a blend of softness and release.