Beystiman
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Cassandra
Story: It's very simple but honestly that is fine.
Leofwine_draca
The 1979 Sonny Chiba flick G. I. SAMURAI is one of my favourite films of all time. I never get tired of watching its modern-soldiers-vs-samurai premise, so when I heard about this semi-sequel I was delighted. Now, let's get one thing cleared up: this isn't a straight sequel at all. I won't spoil the events of the original film, but this film poses things differently, a 'what if?' scenario instead of the concrete ending of the initial movie. It then subsequently focuses on another squad of soldiers sent into the past on a special rescue mission.SAMURAI COMMANDO has nowhere near the quality of the first film. If the 1979 movie was an action film through and through, this one's pure science fiction as it looks at the morals and consequences of tampering with history. It's also more squarely B-movie style, with lots of cheesy and explosive special effects and emoting. It has a cast giving the film their all, and in the second half particularly it picks up the pace and runs with it, delivering an effective race-against-the-clock climax. It may not be high art, but it is entertaining.
K_Todorov
A name like "Samurai Commando Mission 1549" does create an obvious expectation of a movie produced with cheese, written with cheese and directed with cheese. By cheese I of course mean low budget b-movie quality. Strangely enough "Samurai Commando" is nothing like that. And even stranger, it's actually pretty good, considering you value straight entertainment dazzled with a light but pleasant plot about time travel. I know I liked it."Samurai Commando Mission 1549" is the second movie adaptation of a novel written by Ryo Hanmura. The first being the campy and fun, 1979 "G.I. Samurai". Starring cult favorite action star Sonny Chiba. Notably, the two movies have very little in common besides their basic plot-outline. A small squadron of the Japanese Self Deffense Force including vehicles are sucked into a time-warp and find themselves in the middle of the Senguko period. A very bloody era when Japan was torn by countless battles between power-hungry warlords. Seeing as they have no apparent way of returning home the men of the SDF taskforce decide to do their best and adapt to this time. And by adapt I do mean exploit their superior military equipment so that they could dominate Japan. This is as close as the two adaptation get from one another. "Samurai Commando Mission 1549"'s main group of characters are actually the rescue team sent to find/stop the missing squadron. It seems their tinkering in the past has made the present a bit more unstable and it's up to these men (and woman) to save the modern world from disappearing.Granted, yes the story does get a bit melodramatic at some points, but is still surprisingly well written. Plot holes are kept to a minimum, characters are good, nothing all that impressive but not detracting either. Their motivations are well fleshed-out, dialog is acceptable, lack of backgrounds does hurt the overall quality though. Also one other essential ingredient is missing, Sonny Chiba. Not that the actors here did their jobs bad or anything, but the absence of Chiba's charismatic presence becomes quite evident once you've seen the original movie.Another surprise was the quality of the visual effects. Which I honestly thought, would've come straight from a 80s sci-fi flick. Costumes looked really good and authentic. Some pretty good CGI animation was used for some of the more complex scenes involving vehicles and explosions. And talking about explosions, that is something we have plenty of in "Samurai Commando Mission 1549" and director Masaaki Tezuka does a good job at distributing it in equal measures throughout the movie, while keeping the best for last. There is some blood here, but no vast amounts of gore or arterial fountains (sorry guys). Action scenes are decently directed, choreography is good but not phenomenal. "Samurai Commando Mission 1549" is a pretty average but fun movie, that can easily be mistaken for a b-movie cheese-fest (I know I did). And for that I guess we have to thank the English translator team seeing as how the original Japanese title doesn't really translate as anything close to "Samurai Commando Mission 1549". Still it's not a complete waste of time even if you did expect campy fun, and if you've got 90 minutes to lose, there's no reason not to watch it.
lawtoo
This movie is at best a good pastime. Its script is commonplace and everything is par for the course. It won't take long before you know the whole plot. But who cares if all you want is a mere pastime during holiday. Still, team spirit and personal sacrifice are pervasive(some are quite unnecessary). That couldn't draw a lot of tears, though. The back-to-the-past scenes are by no means hi-tech; they are tacky ---- just some flashes, smoke, and twisted faces of the actors. And here they are: the year 1594!! That said, the message ---Why at war if we can be at peace?--- is still the crux , which we are unable to achieve even nowadays. Maybe ,we are less barbaric than before, but that hunger for power and dominance is still deep-seated in the minds of die-hard aggressors.
Syd Mori
Sengoku jieitai 1549 (a.k.a. "Samurai Commando Mission 1549") is a rewriting of the 1979 piece starring "Sonny Chiba" and produced by the same Kadokawa company. An SDF (Self-Defense Force) unit is blown back to 1549, the age of warring states, where its leader Matoba (Takeshi Kaga) decides to live as warrior. Two years later, SDF finds out what happened, and sends a rescue team consisting of Kashima (Yosuke Eguchi), Matoba's ex- lieutenant and now retired, joining the team as "observer", and Kanzaki (Ms. Kyoka Suzuki) who was responsible for that accident. Black holes are erupting. They have only 74 hours to "do something" about Matoba who they found out had feigned himself as Nobunaga (a historical figure who came close to unifying Japan) who wanted to "change future" with his SDF technology. Defeated, Kashima's group finds an ally in a kid called Tosuke, who was later to become the historical figure who unified Japan, and the real Nobunaga who had been with them from 2005. Compared to the 1979 Sengoku, where the SDF unit's only course was "fight to death", the 2005 Sengoku is quite positive in approach. It depicts how the characters did their best in living instead of dying and this includes Matoba despite his sinister scheme. Yosuke Eguchi, very tall, has starred in TV dramas playing wide- ranging roles. Veterans Takeshi Kaga and Kyoka Suzuki provide solid acting. The film marks departure from conventional jidaigeki (films set in samurai days). The cast is an example; another example is non-use of the Kyoto theatrical combatants. These have succeeded in making the film a pure entertainment piece, without the traditional fetters and samurai BS like "dying to live". Notes & explanations (added 6/30/'05)1) "Sengoku jieitai 1549" is going to be one of the "trilogy" (or more) based on novels written by Harutoshi Fukui, with the other two being "Lorelei: The Witch of the Pacific Ocean" (2005) and the upcoming "AEGIS", though these three films were directed, produced and distributed by different entities. It is not a remake of the 1979 Sengoku but more Fukui's original, inspired, perhaps, by the 1979 movie. 2) "Kyoto theatrical combatants": These are a group of stunt men called "ta'te" who belong to (Toei Company's) Kyoto studio. They are experts at getting killed in jidaigeki samurai dramas. Most jidaigeki dramas and films rely on them to save choreography time and money. But the result is that you always see the same people getting killed in different dramas and movies. By the time "Sonny" (Shin'ichi) Chiba starred in the 1979 "Sengoku", he disliked this idea, and had formed JAC (Japan Action Club). The principal members then included Etsuko Shihomi, who's starred in some "Hissatsu ken / Sister Street Fighter" series (1974-1975)(and also in "Shanhai bansukingu" (1984) and "Nidaime wa Christian" (1985) in which she doesn't kick anybody). I suppose the producers of "Sengoku jieitai 1549" agreed with Chiba in not using these stunt men. Using them would've made the film "another of those jidaigeki".
