Solemplex To me, this movie is perfection.

Btexxamar I like Black Panther, but I didn't like this movie.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

The Movie Diorama The only reason this film gained traction was due to Cameron having his name attached as executive producer. Remove that, and I doubt many would've seen this, proving that a glorified name drop is still a tangible marketing technique. Alas, this cave diving expedition becomes washed up rather rapidly, descending into a spiral of predictable clichés. Based on co-writer Wight's own experience, an expedition exploring an underwater cave system goes awry after an unpredictable cyclone floods the hollow. Transforming what looked like a made-for-TV documentary into a made-for-TV disaster survival film. It's unfortunate that the monotonous acting, dull expendable characters, obvious green screen, predictable plot and impersonal screenplay resulted in a low quality film that has all the aesthetic appeal of a TV release. The cinematic scope is only upheld by the breathtaking underwater sequences, where O'Loughlin's cinematography really shines amidst the murky depths. A few scenes of tension as individuals burrow through tight passageways or attempt to flee the flooding caverns, but it's not enough to overcome the incredibly obvious flaws that have not made the film age well. The disposable crew reek of stupidity. When a renowned cave diving expert commands "you need to wear the wet suit" and you reluctantly reply "I'm not putting it on", well your life expectancy has diminished substantially. "Don't use the knife", she uses the knife. "Don't shine your torch at her", he shines the torch at her. I understand the heightened state of mind, but these lines of advice should've been adhered to and consequently result in characters that you don't relate to. Actions have consequences. Also thrown into the mix is a clichéd collapsed father and son relationship that, whilst provide some emotional moments and is well acted by Roxburgh, feels far too forced. The inevitable character deaths weren't memorable, obvious green screen is obvious (like really obvious) and Grierson's direction was rather lacklustre. The mediocrity kept pouring in.

Python Hyena Sanctum (2011): Dir: Alister Grierson / Cast: Richard Roxburgh, Rhys Wakefield, Ioan Gruffudd, Alice Parkinson, Daniel Wyllie: Overbearing and increasingly horrid cave diving film that uses the 3D gimmick to exhausted failure. It stars a host of little known actors who are introduced quickly before diving into the largest cave in the world. From there the place floods with a storm being no help to their quest. What is truly unfortunate is how this film claims to be inspired by true events yet it relies on stupid thriller clichés that mount towards one survivor. Director Alister Grierson does his best with the watery visuals and an overlong tunnel of caves but the cast do little more than shout over loud noise and die in accidents that might have been prevented had an common sense been used. Among the cast is Richard Roxburgh as the experienced explorer whom spends much time being right and fending off arguments. Rhys Wakefield plays his son who is an experienced climber. He spends much of the film arguing with his father and having to prove himself. This bickering is not half as entertaining as an episode of Jerry Springer. Ioan Gruffudd plays some outsider who takes video and pictures but how the screenplay handles his fate is total thriller bullshit. This all feels staged and phony from a narrative standpoint. Other characters are about as dull as the folks narrating their activities on fishing shows. Then there is the huge marketing regarding James Cameron as executive producer. It isn't like he directed it. Had he directed it then perhaps it might not have turned out to be the total toilet waste fiasco that it is. Score: 2 / 10

StuOz People are trapped in a cave.A disaster movie made in this century that is not totally swamped with CGI. Could it be? Yes...that makes this film a bit different and very welcome.This all seems rather human and well done. I was fine with all the actors involved. There were times when I was reminded of some 1970s disaster movie I saw decades ago.Filmed on a studio set rather than a real cave...but it fooled me. Perhaps this film will get the younger crowd running to DVDs stores wanting to see how the disaster movie genre first started in the 1970s. And that can only be a good thing.PS Most of the cast are in fact Australian

ExpendableMan For a film that goes so deep underground, Sanctum is a remarkably shallow experience. Playing out like The Descent with more water and no monsters, it's a beautifully shot survival flick but it's populated with characters so bland that you won't care one bit if they survive or not. And you'll probably be able to figure out what order they'll run out of oxygen in as well. In fact, it's not that surprising that as his sticky fingers are all over the post-production and cinematography, this feels like a James Cameron flick where the script never got past the first draft. So when Grrr, Aaargh (Frank MacGuire), Whinging Son (Rhys Wakefield), Millionaire Jerk (Ioan Gruffudd), Comic Relief (Dan Wylie), Woman (Alice Parkinson) and Expendable Foreigner (Cramer Cain) find themselves trapped underground, you'll be more interested in how they're going to die than in the clunky dialogue. That said, there's some eerily beautiful moments of utter horror to be found. From the ethereal splendour of a vast underwater cave to the pockets of air bubbling like mercury on the rocky ceiling, it's a feast for the eyes even when it leaves the brain starving. Yes, it's clunky. Yes, the cave is surprisingly well-lit and yes, saying "what could possibly go wrong" before abseiling into the bowels of the earth is utterly stupid. But it's pretty, has a couple of cool death scenes (the "hair" moment is horrible) and it's much, much shorter than The Abyss.