Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Glatpoti It is so daring, it is so ambitious, it is so thrilling and weird and pointed and powerful. I never knew where it was going.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Uriah43 Having served a stint in the Marine Corp, "Johnny Martin" (Gary Kent) has returned from Vietnam to the United States and decides to hitchhike to Los Angeles to start life all over again. On the way a married couple by the names of "Charlie Baldwin" (Scott Brady) and "Nora Baldwin" (Evelyn Frank) pick him up and they drive through the barren California countryside and eventually stop at a small gas station in the middle of nowhere to get something to eat. While there a motorcycle gang called "Satan's Sadists" drive up and upon entering the café begin to give the few people there a hard time. One thing leads to another and after eventually killing Charlie, Nora and the owner of the café outside the gas station, the psychotic leader of the gang who goes by the name of "Anchor" (Russ Tamblyn) returns to the café to finish off both Johnny and the waitress named "Tracy" (Jackie Taylor). However, Johnny manages to overpower the men left behind to guard them and escapes with Tracy in a dune buggy out into the desert. Not long afterward, Anchor and his gang soon give pursuit with the intention of killing these two witnesses. What nobody in the gang counts on is the resourcefulness of Johnny or the mental instability of their leader. Now rather than reveal any more I will just say that I thought this was one of the grittier films of this particular sub-genre with a good dose of raw violence and a late-60's atmosphere that blended in quite nicely. That said, although it certainly wasn't an outstanding movie by any means, it still managed to keep my attention for the most part. For that reason I have rated this movie as slightly above average.

dbdumonteil I watched this dud just because Russ Tamblyn was in it :why on earth did he have to get involved in that business? Tamblyn plays the leader of a pack of Hell's Angel's who spread panic and bring death and destruction to the region.The prologue is particularly obnoxious : a scene of rape and the victim seems to appreciate bestiality.But the movie is outright reactionary: that long-haired youth is fatally dangerous ,but fortunately the clean cut kid,a former marine,is here to save the damsel in distress in miniskirt.THe hero utters this hilarious line :"in Vietnam,at least,I was paid when I killed someone".Russ Tamblyn sank really low :he's best remembered for " the last hunt" "west side story" and the extraordinary horror classic "the haunting" (1963)

Woodyanders This fabulously fetid flick may very well be the foulest, most offensive and utterly insalubrious hunk of disgusting biker exploitation junk to ever ooze its vile way onto celluloid. In fact, if this wonderfully rancid cheeseball was any more slimy and abhorrent, the negative would probably have fungus growing all over it. A thoroughly despicable gang of cheerfully repugnant Harley hounds led by a deliciously hammy Russ Tamblyn kill old geezers Kent Taylor and Scott Brady. They incur the wrath of take-charge, no-nonsense Vietnam veteran Gary Kent, spike a group of young girls' coffee with LSD and rape 'em while they're tripping, and generally conduct themselves in a rather distasteful, anti-social and unruly manner which could be most politely described as somewhat lacking in proper decorum. The remarkable Regina Carrol really ignites the screen with her searing portrayal of Tamblyn's delectable motorcycle mama Gina, "the freak-out girl" (Carrol's slutty tabletop dance at a grungy diner rates as a definite highlight). Future schlock movie director Greydon ("Without Warning") Clark also scores with his offbeat turn as Acid, a doped out of his skull biker whose brain has become irrevocably addled due to the ingestion of far too many sunshine tablets. Fellow future schlock movie director John "Bud" Cardos likewise impresses as Mohawk-sporting Native American biker Firewater. Gary Graver's chintzy cinematography captures the assorted sordid antics in all their ghastly glory. The opening credits theme song "Satan" smokes in no uncertain terms: "I was born mean/By the time I was twelve I was killin'/Killin' for Satan". This inarguable sludgewad masterpiece was made by the late, great Al Adamson, who also blessed us with such choice nickel'n'dime drive-in dross as "Dracula vs. Frankenstein," "The Female Bunch," and "Death Dimension."

Casey-52 Al Adamson is known for making horrendously bad movies (which I love), mostly biker action flicks or cheesy horror pics. "Satan's Sadists" is a nice departure from the predictably bad premises usually found in biker movies.Adamson's regular cast comes along for the ride (Robert Dix, Russ Tamblyn, Regina Carrol, Gary Kent, Greydon Clark, etc.) and delivers all they can. Unfortunately, Regina Carrol isn't given very much to do and since she's one of my favorite psychotronic actresses, she deserves more. Tamblyn is terrifically sadistic and would continue in a similar role in "Dracula vs. Frankenstein". Kent is a hollow hero (he has a cameo in "Dracula vs. Frankenstein") and Jackie Taylor is an okay heroine. Clark is fantastic as Acid, the pothead biker who wants nothing more than to get stoned. He was ALSO in "Dracula vs. Frankenstein". Dix is Willie, the newest member of the biker gang, and is not too memorable. John "Bud" Cardos is Firewater, the mohawked biker, and he is very good.Adamson fans will appreciate the hard work put into this film, but "outsiders" will consider it boring, cheap, and dated. Instead, I find it highly entertaining, action-packed, and one of the best biker films ever made. Still, take caution. If you've never seen an Adamson film before, this is probably where you should start. If you're only familiar with Adamson's VERY bad horror films, try this on for size. His real talent was in making action films. A sidenote: Jackie Taylor later changed her name to Jacqueline Cole and starred in "Satan's Cheerleaders" and MST3K fan favorite "Angels Revenge/Brigade". She's almost unrecognizable under disgustingly large fake eyelashes, overdone lipstick, and a huge bouffant hairdo, but her unmistakable voice and face is there. IMDB won't accept my information about Jackie Taylor (III) also being Jacqueline Cole, but the fans should know!