SpuffyWeb Sadly Over-hyped

GetPapa Far from Perfect, Far from Terrible

Beanbioca As Good As It Gets

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Horst in Translation ([email protected]) And this does not only refer to the order in the face that the plastic surgeons are restoring, but also about the order in society. This film is about ruthless people in the less civilized world using acid to disfigure people's faces. Or I should maybe not say "people's" but "females" as this documentary is about Mohammed Jawad and some of the patients he works with. All of them had to go through the horror I mentioned before and it was actually nice to see one of the offenders being sentenced to a double life jail sentence near the end. This shows that the legal system has progressed so much that there is hardly no sexual discrimination anymore or that such horrible acts can somewhat be justified by religion. Still I have a little criticism about these Academy-Award-winning 40 minutes. There is nothing I really learned from this documentary. Everything portrayed in there is good and the doctor is a very admirable man, but I am not sure how to rate this from the perspective of filmmaking. Maybe it would also have been better to not make this film in order to protect the doctor from barbaric acts himself as some people may not be happy at all with him touching women in one of their most sensitive areas. Sometimes anonymity isn't a bad thing. So all in all, I recommend this documentary and it is nice to see the two directors getting into a prolific career after this one. I am just not too enthusiastic about it like many other viewers.

Michael_Elliott Saving Face (2012)**** (out of 4)Shocking and depressing documentary taking a look at the acid attacks in Pakistan, which usually happen to women and by the hands of those closest to them. SAVING FACE is a terrific documentary and certainly one of the most shocking I've seen but at the same time it's hard to really recommend it because of how depressing it actually is. It's just so shocking to see a place where this type of thing happens on a regular basis but I'm sure the counter argument would be that certain places, ala America, have much more domestic murders than the acid attacks in Pakistan. Either way, seeing the aftermath of these attacks are pretty hard to watch and the documentary centers on a surgeon who tries to help some of the women by working on their faces. It's even more shocking to see that these type of attacks happen so much that there was a special hospital built just for these cases. We hear the stories of several women who were attacked by men, mainly their husbands for a wide range of reasons including the women wanting a divorce or the women simply not doing something the husband wanted. Hearing these stories are just downright scary and seeing how much pain the women must deal with by simply looking the way they do have having people constantly looking at them. SAVING FACE certainly tells a story that you won't forget and we even get to hear by a couple of the men accused of the crime and it's almost as shocking trying to hear their side of the story.

Steve Pulaski I doubt anything shown on TV in the month of March will be as haunting or as oppressing as Saving Face, which took home the award for Best Documentary Short at The 84th Academy Awards - the first award given to a film from Pakistan. The film's subject matter is touchy, but its delivery is more than commendable. It tells the depressing stories of women who have been victim to acid attacks in Pakistan, yet offers optimism and hope that justice will be served at one point in time.We're taken to Islamabad, where we are informed that hundreds of women are victim to acid attacks each year, and many are left unreported. One of the women, named Zakia, must resort to walking around town with her face wrapped in a sheet, with her eyes behind sunglasses. She states that her husband was a drug addict and an alcoholic who would suck up all her money. When there was no more money, she'd be abused and deemed lazy. It wasn't long until her husband dowsed her in acid leaving almost half of her face in unprecedented condition.Another woman, this one pregnant, by the name of Rukhsana, stated that her husband threw acid on her face, followed by being soaked with gasoline by her sister-in-law, before being lit on fire by her mother-in-law. The husband, now in prison, states that she lit herself aflame, and that half the women in the Islamabad burn unit have done such an act to themselves. It's more than unforgivable to commit a crime of this magnitude, and then to say that the victim committed an act of self-harm.The film not only follows the lives of these women, letting them tell their stories the way they want them to be told, but also focuses on Dr. Mohammad Jawad, a plastic surgeon working in London who travels back to his homeland to operate on victims of acid attacks. Jawad is an admirable figure, one who speaks softly and is clearly proud of his contribution to the women of Islamabad.So many Academy Award winning shorts are left unseen, and thanks to HBO, which will be airing this short all through the month of March, that will not be the case with Saving Face. This is a remarkable documentary, one that could've easily been of feature film status, depicting inequalities between men and women in separate countries. One of the most painful lines to hear in the film is when Rukhsana states that she hopes she gives birth to a boy so that his adult life won't be as ominous and as consumed with fear as one a woman must endure.Saving Face is inconceivable and brilliant in its efforts to document a crime largely unknown to Americans. Sadly, the attacks are starting to take place around the globe. I remember seeing a TV special talking about an English model named Katie Piper, whose acid attack left her face very rigid, rough, and irreversible. The thought of people resorting to the level of permanent facial damage to a woman is depressing to imagine, most likely immensely disheartening to experience, and impossible to justify. Thankfully, we have documentaries like this one to inform and enlighten us.Starring: Zakia, Rukhsana, and Dr. Mohammad Jawad. Directed by: Sharmeen Obaid Chinoy, and Daniel Junge.

Sadia Ashraf By Sadia Ashraf Sharmeen Obaid-Chinoy's Oscar Academy Award win for Pakistan last Sunday, a first for the country, is a bittersweet victory. While the country rejoices in the worldwide recognition of an Oscar for Saving Face as a Documentary Short, the topic of the film — women who are the victims of acid burning — highlights a dark problem in the struggle for female emancipation in Pakistan.Fitting then, that Obaid-Chinoy dedicated her Oscar to that effort in her acceptance speech: "All the women in Pakistan working for change, don't give up on your dreams, this one is for you."On one hand, while Pakistan produces educated, enlightened and talented females like Obaid-Chinoy, it also bears witness to victims of acid throwing, like 25-year-old Rukhsana, who is featured in the documentary. Two days before the Academy Awards, I interviewed Obaid-Chinoy, the film's director Daniel Junge and Dr. Mohammad Jawad, whose work is featured in the film, at a pre-Oscar celebration hosted by Pakistan's Los Angeles Consular General, Riffat Masood. Our conversation revealed the complexity of pessimism and hope in Pakistan."I have always felt that if you are educated and empowered you can become the voice for those that are marginalized and disenfranchised," said Obaid-Chinoy. The variations that can produce such juxtaposed lives — in a developing country like Pakistan—are the stratum of education, social milieu and background.Obaid-Chinoy said that despite the problems women in Pakistan face, she felt optimistic. "We have a strong feminine presence: female lawyers and legislators fighting on behalf of these women, who hear the testimonies, write the bills and get them passed in parliament. This shows no matter where we come from in Pakistan, there are people working to make it a more tolerant society," she said. In 2010, Junge heard British Pakistani plastic surgeon, Dr. Jawad talking to BBC Radio about surgery on acid victims. When Junge went to Pakistan to catalogue the doctor's story, the trip became the germination of collaboration between him and Obaid-Chinoy. Saving Face documents the reconstructive work of the Dr. Jawad on some of his patients who are victims of acid attacks in Pakistan. It also focuses on the stories of Rukhsana and Zakia and their efforts to overcome the legal, social and psychological repercussions of that violence.Obaid-Chinoy also won an Emmy award for her documentary, Taliban Generation (2010) and is the first non-American to win the prestigious Livingston Award for Young Journalists. She said that her "desire to help others" has guided her trajectory as a Pakistani filmmaker, adding that "wherever I have made films around the world, the topics I have chosen are all about giving a voice to the voiceless." Pakistan is Addressing Its Problems At a Saving Face film screening in Pomona College in Pomona, California one day after the Oscar win, Daniel Junge, the documentary's Colorado- based director, talked to me about the impact of the win as he held his golden statue. "Pakistan is a country too easily summed up by the international media in simple terms, it is by far the most complex place I have been to," he said.I asked him if this film would reinforce some of those narrow views. He said that he "felt people would come to the movie" with a "certain bias." But, film viewers "owe it to the documentary film genre to come with open eyes and realize the film is about Pakistanis addressing their problems, not just a showcase of problems."This reinforced what Obaid-Chinoy said earlier, that as an "emancipated woman" who enjoyed "liberties," she produced the documentary because it perturbed her that "many other women don't have that freedom." There are 100 reported cases of female acid attacks in Pakistan annually, yet it is a universal problem with pockets prevailing in South Asia, South America and Africa. Dr. Jawad initiated cutting edge techniques of burn treatment in the reconstruction of Katie Piper — a British model who had sulphuric acid thrown on her face by a stalker in 2008.I asked Dr. Jawad if female victimization is a social predicament spreading in developing countries — regardless of religion and culture. He said with characteristic British humor, "In Pakistan, this is a man- made disease — not a religious phenomenon. By addressing it and giving the idiotic perpetrators a swift kick in the rear, some hope can exist." He went on to clarify that the core causes of acid throwing are poverty, illiteracy and ignorance.Hope does exist amid the agony. Saving Face highlights the mêlée for women's rights in Pakistan by activists, lawyers, journalists and politicians like Marvi Memon. The movement led Pakistan's parliament to pass two bills — the Acid Control and Acid Crime Prevention Laws — in December of 2011. These bills enforce imprisonment and heavy fines on the perpetrators of these crimes. Obaid-Chinoy said that the passing of the bills is a testament that "the documentary is really a story about how educated women can help underprivileged women in Pakistan."At the Pomona College viewing of Saving Face, held one day after the film's Oscar win, the auditorium was bursting at the seams. The audience reacted visibly and verbally to the documentary: They gasped at the horrific stories of Rukhsana and Zakia; laughed at Dr. Jawad's flippant quips; snorted when the perpetrators were interviewed and cheered at the sentencing of one of the criminals, who received two consecutive life sentences for acid throwing. At one point in the film, there was a palpable lump-in-the-throat silence when Dr. Jawad stopped an interview with a victim of acid throwing, took off his foggy glasses and wiped his eyes. It was therapeutic and promising.Visit the Acid Prevention Foundation, a non-for-profit featured in Saving Face. Sadia Ashraf is a Los Angeles-based writer and public relations specialist. This article published in Patheos, Illume, All Voices & Latinoweekly Review.