Say Nothing

2001 "Think Fatal Attraction … in reverse!"
4.7| 1h34m| en
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Housewife Grace Needham (Nastassja Kinski) has a one-night stand with Julian Grant (William Baldwin), who then becomes obsessed with sinking her marriage to husband Matt (Hart Bochner). The twist here is that Julian is a millionaire global powerbroker, and Matt works for him! It's a titanic battle of testosterone as the guys duke it out while Grace simmers angrily.

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mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Kimberly I watched this movie today on TV and I'll say that it's not bad. It's not groundbreaking material or anything. The story has been done many times before, but the movie itself wasn't bad.I watched because I like Nastassja Kinski and the movie didn't sound boring. It wasn't. The beginning was actually pretty realistic. She is unhappy in her marriage because her husband is out of work and doesn't want to do things with her anymore. Her friends see she could use a break and send her on vacation to Miami where she meets William Baldwin. Even though she doesn't seem interested at first, she sleeps with him anyway.Of course, once she returns home, he insinuates himself into her life by hiring her husband for a job in his company, showing up at restaurants she's dining at, getting himself invited to her home, etc. He's obsessed with her and won't let her forget it. The husband doesn't know anything about the affair until it is revealed later on. Nastassja Kinski is a very good actress who makes every scene in the movie work. She's very believable as a woman who made a mistake and now much protect her family from a madman.At this point the movie becomes more interesting. The plot is somewhat involved, but not hard to follow. The movie sets itself apart from other Lifetime movies when certain unexpected things happen between the husband and wife, and the boss.One scene at the end I found extremely unrealistic. The movie tries to be an action thriller with a car chase scene that ends in an over the top fashion inconsistent with the style of the movie.This movie has it's flaws, but it works well as your typical Lifetime movie. The cast was very good, making it a little above average. The story isn't too cliché. It adds it's own twists to the kind of story that's been told many times. Not a bad way to kill an afternoon.
Movie Nuttball Say Nothing is a very different film that has a good cast which includes William Baldwin, Nastassja Kinski, and Hart Bochner. The acting by all of these actors is very good. Baldwin is really excellent in this film. I thought that he performed good in this movie. Fans of Kinski should like her in this movie. The mystery is really good and some of it is surprising. The movie is filmed very good. The music is good. The film is quite interesting and the movie really keeps you going until the last moment. This is a very good and thrilling film. If you like William Baldwin, Nastassja Kinski, and Hart Bochner and the rest of the cast in the film, Mysteriers, Thrillers, Dramas, and interesting films then I recommend this film!
sumrrain This film is not groundbreaking. I assume everyone was hired with the knowledge that they were shooting a story for Cinemax, and that they wanted quality in the production...but anything else was optional. It is not horribly bad, it just offers nothing new. Cut out the sex scenes and you have a Lifetime TV movie. But since this is Cinemax, we see a little more skin.I thought I read somewhere that Nastassja Kinski wasn't doing anymore nude scenes. Scratch that. Well...almost. There are some topless scenes with William Baldin, but I'm getting ahead of myself.Basically, this is Fatal Attraction in reverse. One difference is that nothing is as extreme as that film. No pets are boiled, etc. Kinski has a one night stand with Baldwin, who then sets out to wreck her marriage with Hart Bochner, who plays her husband. Baldwin plays a millionaire power player in a global corporation, and offers Bochner a prime position in his company. Of course the poor husband has no clue why he is being hired. This infuriates Kinski, and the manipulation continues. I was quite entertained by the first two thirds of this film. The last third simply gets a little dull. Nothing too drastic really happens, just a lot of power play by Baldwin's character, which threatens the Bochner/Kinski marriage. It fizzles out.The interesting thing about it is that Kinski plays an ex-model very close to her real life persona. Her past history as a top model is emphasized by showing her famous "Kinski and the serpent" pose by Avedon, her Andy Warhol tribute, etcetera. Kinski still looks fantastic as ever, does an okay job as the stalked wife. Her little girl voice is out of place at times, but there are a few instances where she overcomes that liability, and belts out her anger in a real woman's voice. My favorite scene is when she has an argument with Baldwyn in the men's room, he leaves, and a stranger who couldn't help but overhear walks out of a stall. She glares at him and yells, "WHAT!" I would have liked more of this. Baldwyn is properly snooty and oily, and Hart Bochner gives another unique performance as the betrayed husband.It's just too bad that it all added up to not a whole lot of anything in the end.
George Parker "Say Nothing" tells of a wealthy character disorder (Baldwin) who stalks a woman from the inside attempting to systematically dismantle her life after having a brief affair with her. An okay shoot with decent acting, "Say Nothing" runs lukewarm as its implausible psychodrama unfolds and then turns cold for a thrown together and anticlimactic ending. Kinski's performance is solid, Baldwin is always good as an evil doer, but Bochner seems out of place as a good guy. The films shows us nothing new and is marginal fodder for couch potatoes at best.