KnotMissPriceless
Why so much hype?
Nayan Gough
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Hattie
I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Francene Odetta
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Thy Davideth
Score rips off Reservoir Dogs, Hard Target and other action movies and it does it so blatantly it makes me puke from my rectum. It's stupid as hell. It does deserve some credibility for the action as it is bloody and fun but urgh. It is so annoying. Recommended if you like movies that devoid original thought.
squelcho
A cheap and cheerless heist movie with poor characterisation, lots of underbite style stoic emoting (think Chow Yun Fat in A Better Tomorrow) and some cheesy clichés thrown into an abandoned factory ready for a few poorly executed flying judo rolls a la John Woo. Even the squibs look awful. At no point in the proceedings does it look remotely like America. Three wonky old cars do not a country make.The Mustang even has a wobbly right front wheel. The plot, such as it is, is so derivative and predictable that the ending is like a mercy killing. It couldn't come soon enough. Even the jewellery from the robbery looks like the cheapest junk costume jewellery available. The awful dialogue and hopeless overacting by everyone who gets shot top off a real waste of space and time. Worth watching if you want to know how not to make a cliché-ridden low budget movie.
Joseph P. Ulibas
Score (1995) is a low budget gem from Japan. A film that aims for a certain crowd and it doesn't disappoint it's audience. A group of lowlife thugs are gathered together by a low level Yakuza boss so they can get their hands on some precious gems. This picture has more turns and twist than and old school crime novel.Caution this movie is very violent. The director showcases some of the biggest blood squibs I have ever seen in a movie. It's tightly edited and moves at a nice pace. The only draw backs are the budget ( at least it was shot on film) and the locations (the movie was filmed in the Phillipines even though it's suppose to take place in the U.S. I highly recommend this film (for the total carnage)
Brian Camp
SCORE (1995) is a derivative Japanese crime film, borrowing liberally from, among others, HARD-BOILED, HARD TARGET, RESERVOIR DOGS, TRESPASS, NATURAL BORN KILLERS and THE GETAWAY. It's a fast-paced, violent, old-fashioned (in a good way) caper thriller that makes up for an extremely low budget by fast-cutting, imaginative staging of action, judicious casting, and lots of shootouts, fights, chases, greed, betrayal and frenzied, bloody agony.SCORE is set in the U.S., but was largely shot in the Philippines (the police cars have `Manila's Finest' printed on them). The main character, Chance, looks like a Japanese Quentin Tarantino with his square face and bulldog features, and heads a team of jewel robbers waiting for their payoff in a massive abandoned factory. There is a psychotic highway robber and his crazy female accomplice (straight out of NATURAL BORN KILLERS) who dog the jewel robbers. The male psycho has a fixation on Doc Holliday and the O.K. Corral and insists on referring to the jewel thieves as the Clantons.Despite its budget limitations and blatant rip-offs of so many better films, SCORE boasts the kind of speed, grit, color, and imaginative violent outbursts that used to grace so many of the grade-B crime films that Hollywood (and Hong Kong) used to produce on a regular basis.
