SpuffyWeb Sadly Over-hyped

Executscan Expected more

Konterr Brilliant and touching

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

morrison-dylan-fan Really getting into music in my late teens I started reading music mags for a few years (not NME!) With having read up a bit about the Armenian Genocide and also being a fan of the Alt-Metal band, I was interested to learn in a mag that System of a Down were making a doc on the subject. After the first reports,the doc appeared to completely disappear,with no sign of it at the cinema or on disc. Coming up to 1,500 IMDb reviews, (and having been meaning to try and track this movie down again) I went on an extensive search until I finally found the film at last,and could meet the "Screamers."The outline of the doc:With the 90th anniversary coming up, campaigns begin for the Israeli, US and UK governments to recognise the killing of 1.5 million Armenians from 1915-1918 as a Genocide. Highlighting their Armenian heritage and the events of the Genocide in their albums and live performances,the Alt-Metal band System of a Down join "Screamers" (campaigners) in their petitions for recognition on the anniversary. View on the doc:Interviewing lead singer Serj Tankian's grandfather Stepan Haytayan and fellow Genocide survivors Maritza Ohanesian and Verjin Mempreian, director Carla Garapedian goes into fascinating detail on the subject, with harrowing photos over the interviews showing the horrors which took place that the Armenian's continue to campaign for recognition. Featuring interviews with historians such as Hrant Dink, (who was killed for his comments on the Genocide in the film) Garapedian does very well at examining how the Nazis looked at the Armenian Genocide as they were planning the Holocaust.Following the band on their US & Europe tour, Garapedian mixes their peculiar performance style with the on-screen stage videos that detail the subject of their songs. Whilst the involvement of the band helps to make the film stand out, some of the song choices, (particularly ones heavy on swearing) sound ill-fitting to the serious atmosphere, with Tankian oddly deciding to wear sunglasses for most of the interviews. Whilst these are flaws,they don't distract from the Screamers.

bob the moo I tried not to prejudge this film from its IMDb entry because the whole page seemed loaded with politics rather than viewing the film as a film. The voted ratings appeared to be slanted all the way to the negative, while the comments are on the other extreme, and seem to be mostly written by the converted who the film was preaching to. Regardless I thought I would watch it despite not knowing what it was really going to be about.I found a film that was strong in some areas and weak in others. The strengthen is in its educational value as it discusses the secret genocide of the Armenian people by Turkey in the early twentieth century and how it also dovetails it into other genocides. Knowing almost nothing about this genocide I found these parts of the film to be quite fascinating and revealing as various experts contribution to the discussion of the past as well as the ongoing denials. The former is naturally shocking because of the diaries, stories and photographs paint a typically gutting view of how evil humans can be. However the latter sections are just as fascinating because it is very clear and critical about the powers that be that deny genocides (this one and modern ones); we know this of course but it is never less that shocking to see it.System of a Down deserve credit for using their fame to try and bring the subject to a wider audience by making this film but the problem is that they do actually achieve the opposite effect. At the start of the film there is far too much of a focus on the band and their music and, while this is fine for fans, I personally found it quite off-putting, mainly because I didn't really care for their music. This meant that I found myself struggling to get into the film in the first 15 minutes. After this though, the film steps back from them a bit and gets better at balancing the mix between documentary on the genocide and less of a rockumentary. The approach does rather mean though that marketing the film is difficult and it is most likely to be watched by those politically aware (the converted) and the band's fan base, which is certainly a smaller audience than the subject matter deserves.An interesting and informative documentary then thanks to the contributions of experts and the sense of history. Just a shame that it spends so much time on the band's performances because I imagine that would rather deter the casual viewer such as myself.

norko11 After the recent murder of the Turkish-Armenian journalist, Hrant Dink, who made an appearance in an interview in this documentary, I think more people should start seeing this film, which will further prove the point made in the documentary about the ongoing Genocide denial campaign in Turkey by prosecuting and eliminating outspoken intellectuals. He was shot dead on the 19th January 2007 for being outspoken about the Armenian Genocide on a number of occasions (which the Government perceives as insult of Turkishness under the Article 301), and the fact that he was murdered recently, may have something to do with his appearance in this recent documentary that had reached viewers and had made a statement on an international level.Moreover, the documentary not only raises awareness of an overlooked/forgotten tragedy (The Armenian Genocide), it also raises awareness of present-day atrocities such as the Genocide in Darfur.

hyegodfather818 In short, the film is a band documentary a la Scorsese's "The Last Waltz" except it is geared towards a specific subject matter with snippets of their touring.The concept of the film is unique in its nature. Incorporating concert footage that is relevant to the relative sequence (preceding or following) and maintaining its theme in bringing to light the politics behind the Armenian Genocide, "Screamers" consistently delivers. There is just the right amount of concert footage to keep System of a Down fans happy and just enough political characteristics to keep the moviegoers interested, with some added entertaining shots of fans that allows the ill-natured topics to be given a rest every once in a while.The beauty of the film lies in the fact that it provides feedback for the reasoning behind why Armenians still fight for recognition after 90 years. Discussing several modern genocides of the 20th and 21th Century (including the ongoing tragedy in Darfur), "Screamers" is able to relate the Armenian Genocide and its denial to contemporary accounts of why some may still think that they can get away with such atrocities.Some critiques of the film may come from politically motivated viewers, having not seen the film (as the currently ridiculous rating of 2.1/10 suggests). I am reviewing the film in a partial manner, regardless of my Armenian heritage and my views on the subject. As a film, "Screamers" is well worth your time, regardless of your political views. Whether you are Turkish, Armenian, or any ethnicity for that matter, please, watch the film before you judge it or review it.Combining music, politics, humor, and drama, this documentary will keep you entertained, provoke your thoughts on contemporary tragedies, and possibly, influence you to become a "Screamer" rather than live in your own little world, silently watching a tragedy unfold.