Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Breakinger A Brilliant Conflict

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

BA_Harrison What I love about watching extremely obscure, low-budget movies is that, every once in a while, amidst all the garbage, a true gem is discovered; Screamplay is one such movie, a refreshingly original, wonderfully observed movie rich in style, with pitch-perfect performances from all involved.Screamplay tells the story of aspiring oddball screenwriter Edgar Allen (played with relish by the film's director Rufus Butler Seder) who arrives in Hollywood hoping to make it big. At a diner, Edgar has a close encounter with a roller-skating transvestite mugger, but is saved by Martin (George Kuchar), owner of a cheap apartment complex inhabited by a disparate collection of characters, including an ageing actress (M. Lynda Robinson), her beautiful student (the lovely Katy Bolger), a wannabe agent (Ed Callahan) and a hippie guitarist (Bob White).Martin offers Edgar a room to live in and a job as janitor; when not performing handyman tasks, Edgar continues his murder mystery screenplay, channelling his anger and frustration into his writing, using those around him as inspiration for his script's victims. But when the occupants of the complex start to turn up dead, killed in the same manner as in his script, Edgar becomes the prime suspect of Hollywood cop Sgt. Joe Blatz (George Cordeiro).Shooting in black and white, director Seder employs movie-making techniques from the age of the silent movie—vignettes, back projection and crude optical trickery—giving his film the look and feel of a German expressionist horror or an early Universal film, the effect heightened by the exaggerated mannerisms adopted by his cast. Seder, as Edgar, is redolent of Dwight Frye from Dracula (1931) while Bolger looks just like those dusky eyed damsels that used to get menaced by mustachioed villains in cliffhanger serials.Seder wraps up his mystery in great style, with Edgar writing himself into his script as the final victim as a way of finding out the identity of the killer. The best, however, is saved for the very end, the film closing with one of wittiest final lines I can remember (I won't spoil it for you—watch the film to find out!).

Leofwine_draca SCREAMPLAY is a very low budgeted, black and white comedy horror film about a horror writer called Edgar Allan (go figure) who finds, to his horror, that his fictional creations are coming very much to life. It's a film with a cult, old dark house-ish feel to it, similar to SPIDER BABY but nowhere near as good. In fact, I found it quite tiresome for the most part; it goes on and on, trying to be so quirky and so funny, and simply isn't. There are some engaging slapstick-infused moments and a lot of weirdness, but overall it's simply not that interesting.

uroskin Rufus Seder belongs to that extremely select club of film directors who have only made one film ever and a masterpiece at that. (The other one in that club being Charles Laughton for "The Night of the Hunter"). Screamplay is one of my all-time favourite movies. George Kuchar is his usual sweaty, smarmy, sleazy screen ego, but not as outrageously so as in Curt McDowell's "Thundercrack". Rarely have I been entertained so much during a film screening - the film works really well on the big screen despite scratchy and fading grays in the footage. The story rocks and the projected backgrounds in many scenes are gorgeous. Even went to see it twice in a row!

CatTales Sort of a "Sunset Boulevard" plot meets "Cabinet and Dr. Caligari". It works best with the stiff silent-film or expressionist acting, and the reusing of old-time "special effects" (such as scratches on the film to represent rain, or peculiar use of rear-screen projection to suggest depth). Gets a little slow in the middle but it's worth it to the hear the LAST LINE for the worlds worst/best pun, which sort of suggests the whole film was designed just for that. We gave it a standing ovation at the Brattle in Harvard square (the filmmaker lived in Brookline). This film was released on video by TROMA in 1999, but thank god is not like a Troma film.