Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

albrechtcm In this screw loose screwball comedy, Mel Brooks is on a roll. Bernardo (Ezio Greggio) "opens" for Mel Brooks with his memorable parking lot shtick, then...Elderly Guido Puccini has a large "natural" foods factory in Italy. When he suffers a severe heart attack he summons his inept and browbeaten son, Bernardo, to his bedside. He tells Bernardo that in WWII, a statue fell on him, pinning him to the ground in battle. An American soldier, Jake Gorden, removed the statue and helped Puccini get away and survive. Now Puccini wants Bernardo to go to America, get Jake, and bring him back to Italy so Puccini can see him once more before he dies. He intends to give Jake half the company out of gratitude for Jake's having saved his life.Dutifully, Bernardo sets off to America. He finds Jake in a mental institution.That's only the start of the insanity as Bernardo tries to get Jake to Puccini's bedside before the old man dies.Okay, a number of the jokes and gags are pretty shopworn. We even swipe Herbert Lom's famous facial and eye tics. But what the heck! It's such a pleasure to watch Mel Brooks in action, and his buddy Ezio Greggio keeps up in excellent fashion. Between them, they came up with a sort of buddy film that will keep you rolling in laughter at the zaniness.

bobsunman First time I've seen Greggio, but I look forward to seeing him again. He possesses a strong comedic talent and has impeccable timing. Set against the character portrayed by Brooks, a spark was clearly struck, and I enjoyed the movie immensely. They were some intolerably silly bits, but I have always felt that about such genius comedians as the Goons, - in particular Peter Sellars, and Norman Wisdom, and no comedy can run on constant perfection, so I'm not moaning. From a purely selfish viewpoint, I would like to see more of, and find out more about, Simona D'Angelo who played the mother on the plane. Very pretty, very sexy. Ahhh!

rhettmann I disagree with Mr. Tiozzo. I am 20 year old male and I loved it. This is the first Greggio film I've seen, but it surely isn't the last. He reminds me a lot of Peter Sellers with his great facial gestures, physical jokes, and one liners. Brooks was his zany self, and even broke into song a couple of times in the picture. Miss Julie Condra is, of course, as beautiful and sparkling as always. We even get a couple of cameo appearances(attached to one liners, of course) All around I thought this is a great film. It was what I expected, and more. If you are looking for a heavy plot, go to the Drama section. If you are looking for a side splitting comedy, look no further.

Sheen-2 Written and starring Ezio Greggio, Mel Brooks as his sidekick in off-target comedy. If you've seen "Silence of the Hams", this Greggio movie is only a step higher on the laugh meter. Like the aforementioned picture, most of Greggio's jokes are recycled (some even from the Brooks arsenal) and the gags therefore get to be very predictable. The highlight of this film is Brooks himself, and (although his trademark, hilarious brand of humor is missing from this picture) it is an interesting vehicle in that he fills shoes under someone else's pen. It's refreshing to see Brooks in a newer picture, being that his most recent film was 1995's "Dracula: Dead & Loving It". But if you are looking for another hilarious Brooks satire, this is not the film to see. However, it is worth a look, and possibly a near-laugh or two.