Evengyny Thanks for the memories!

Dorathen Better Late Then Never

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Ajtlawyer An adaptation of a stage play, "Secret Honor" is the tour de force performance of actor Philip Baker Hall. At the time he made it he'd had a distinguished stage career in New York but was barely known in movies and television. While he doesn't look or sound very much like Nixon he totally inhabits the character and rages around the set swilling Scotch and experiencing nearly every emotion you can think of.The story is of course totally fictional but in some respects Hall and the writers may have gotten closer to the core of who Nixon was than any other film ever did. Nixon is without a doubt the most enigmatic man ever to be President and "Secret Honor" is a fascinating study revealing what made the man tick.Even if you don't care for Nixon or political movies, this movie is worth watching for Hall's performance alone. There's never a moment in the movie, in which he's on screen every second, where he doesn't completely rivet the viewer's attention. The movie didn't make Hall a star but it started getting his name out. A young P.T. Anderson was a huge fan of the movie and later struck up a relationship with Hall which led to Hall appearing in a lot of Anderson's movies such as "Magnolia" and "Boogie Nights".

AdamKey **May Contain Spoilers**I just finished viewing this incredible, astoundingly intense motion picture for the very first time after hearing about it for 20 years. Philip Baker Hall (who played the character of "Library Cop" on "Seinfeld") essays the part of Richard Nixon in an unforgettable one actor performance. The film had been shot at the Univ. of Michigan, the crew composed largely of UM students, while director Robert Altman was doing a short hitch as filmmaker-in-residence there and has the interesting, "you are there" immediacy and intimacy of a filmed stage play or TV show.The set is a large, wood paneled office, apparently in Nixon's home in San Clemente, a few months after his August 1974 resignation from the Presidency. An angry and restless Nixon nervously paces back and forth with a glass of scotch whiskey in one hand and a loaded revolver lying on his desk, yelling angrily into a running tape recorder about the details of his childhood, adult life, controversial political career, his deep and unhealed resentments and miseries, repeatedly hurling a stream of caustic invective at portraits of Dwight Eisenhower, Jack Kennedy and Henry Kissinger, reserving most of his vitriolic (yet fascinating and perceptive) bile for Kissinger, rarely (typically) blaming himself for his own misdeeds, all the while intermittently and nervously scanning a battery of CCTV monitors whose cameras are already observing and recording him. Nixon on several occasions mentions the mysterious "Bohemian Grove" located in rural northern California (a subject of much "conspiracy theorizing" in recent years.) This film is a must see, if for no other reason to experience Hall's stunning and overwhelming performance as the desperate and doomed Tricky Dick, to appreciate Altman's unique cinematographic and directorial style and to vividly grasp the nature of an bafflingly influential human and cultural "focal point" in recent American history. Additionally, whether one is or isn't a Nixon hater, after finishing this film one may gain some understanding of and deeper insight into if not grudging respect or sympathy for this undoubtedly gifted and highly skilled yet incredibly tormented and angry man whose character, behavior and personality was a rare and corrosive but powerful and unforgettable blend of all of the tragic protagonists that had ever emerged from the works of Shakespeare, Dostoevski and Conrad to Fitzgerald, Beckett and Pirandello.Hall's Richard Nixon, like Marlon Brando's character of Col. Walter Kurtz in 1979's "Apocalypse Now" is a poignant and intense collage of what some might term a classic "American archetype;" a brooding and obsessive "failed overachiever" whose single-minded drive to reach that nebulous yet seductive goal of "being somebody" had been completely and irreparably derailed at the final bend by the same volatile forces that had also driven him relentlessly and vindictively toward that goal, leaving all sorts of tragic wreckage, human and political, in his wake. Was Nixon good, bad, both, neither or something else altogether? And finally, from the opening scene of "Secret Honor," a more specific and pointed question arises, one that persists all the way to the film's final two words: Is there a little bit of Dick Nixon in all of us?

glgehman (for the Laserdisc notes: aspect ratio is 4:3)It's interesting to know some background of the film. First, Secret Honor began as a stage play written by Donald Freed. Altman toured it around the country. These notes are derived form the commentary tracks on the laserdisc.The filming occurred while Altman was in residence at the University of Michigan. The set was constructed in a residence hall and video cameras were installed so that students could observe the production. Graduate students in the film program filled many of the technical positions.The play was shot on 16mm film, which was then enlarged to make 35mm release prints. Consequently, the photographic quality is rather flat. There's no denying the power and accomplishment of Philip Baker Hall's performance, however.

noel-1 Made 11 years before Oliver Stone's "Nixon", with Anthony Hopkins, Robert Altman's direction of Philip Baker Hall in his gritty portrayal of Richard Millhouse on his last night in the Whitehouse, rehashing out all his problems over a bottle of scotch. Fumbling and bumbling around the office with tape machines and casting vague hints into the real motives and players behind the whole debacle. A very watchable and interesting film for anyone interested in Nixon/Watergate. A better film than Oliver Stone's version in spite of a much smaller budget.