Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Cody One of the best movies of the year! Incredible from the beginning to the end.

Woodyanders A rotten dysfunctional family of bitter, bickering, back-stabbing folks gather together to celebrate Christmas. The reunion naturally sets everybody against each other as everyone's worst secrets are exposed. The situation comes to a deadly head when a mysterious killer starts bumping people off. Notorious Do-It-Your indie exploitation filmmaker Andy Milligan lets his trademark misanthropy and debauchery run rampant in this movie: Leave it to Milligan to populate the seamy story with a rich array of horrible individuals who include a nasty crippled alcoholic matriarch (played with unsparing harshness by Maggie Rogers), a brother and sister who had an incestuous affair as kids, a shady overcharging doctor, a hypocritical pedophile priest (an excellent performance by Neil Flanagan), a pair of scheming live-in servants, a pathetic homosexual, a snarky stuck-up blonde, and a brazen strumpet. Milligan captures the anguish and suffering of these colorfully awful characters with such merciless acuity that in a way it's a relief that the bulk of them meet brutal untimely ends. Moreover, Milligan tosses in a handy helping of gratuitous female nudity and sordid soft-core sex for sleazy good measure. A deliciously depraved doozy.

The_Void I saw this film as it was the second feature on a disc containing the previously banned Video Nasty 'Blood Rites'. As Blood Rites was entirely awful, I really wasn't expecting much from this film; but actually, it would seem that trash director Andy Milligan has outdone himself this time as Seeds of Sin tops Blood Rites in style and stands tall as a more than adequate slice of sick sixties sexploitation. The plot is actually quite similar to Blood Rites, as we focus on a dysfunctional family unit, and of course; there is an inheritance at stake. The film is shot in black and white, and the look and feel of it reminded me a lot of the trash classic 'The Curious Dr Humpp'. There's barely any gore on display, and the director seems keener to focus on sex, with themes of incest and hatred seeping through. The acting is typically trashy, but most of the women get to appear nude at some point and despite a poor reputation, director Andy Milligan actually seems to have an eye for this sort of thing, as many of the sequences in this film are actually quite beautiful. The plot is paper thin, and most of the film is filler; but the music is catchy, and the director also does a surprisingly good job with the sex scenes themselves, as most are somewhat erotic. Overall, this is not a great film; but it's likely to appeal to the cult fan, and gets a much higher recommendation than the better known and lower quality 'Blood Rites'.

Flixer1957 **Possible Spoilers**A recently re-discovered black and white murder melodrama, shot in the same Staten Island house where THE GHASTLY ONES was made (I recognized the tacky wallpaper) and featuring it's star, Maggie Rogers. This time she plays an alcoholic old biddy whose twisted daughter (Candy Hammond) holds a family reunion without her permission. Come to think of it, I wouldn't want a family like this around either; they're the worst bunch of liars, thieves, arsonists, psychos, satyrs, nymphos and all-around perverts ever congregated under one roof. Various siblings lust for each other, even as they despise each other. One of them is also a killer and various victims are electrocuted, hacked, stabbed and strangled. One woman has her face eaten away by acid (no home should be without it) in one of Andy's goriest scenes ever. A victim in a wheelchair is rolled down a staircase–a startling scene, but Richard Widmark did it better in KISS OF DEATH. Milligan's sordid story on it's own should have been enough to please sleaze-hounds but it's prefaced and punctuated by near-hardcore sex scenes -- 21 minutes worth altogether--featuring actors not related to anything else in the picture. These inserts feature primitive Sixties "mod" music rather than Milligan's peculiar library music, are garishly lit and were obviously shot by someone else. They destroy whatever sense SEEDS OF SIN might have had and their only purpose, other than padding out this feature, is to demonstrate why the fast-forward button was invented. Milligan regular Neil Flanagan (GURU THE MAD MONK!) appeared in trailers to this film but not the padded, re-edited version just discovered by Something Weird Video. While I'm always grateful when one of Milligan's rarities surfaces, I would have liked to have seen this picture as he intended it. Previews for GURU THE MAD MONK, LOVE HUNGER and other obscurities appear at the end of the tape. There's even a trailer for SEEDS OF SIN, showing scenes that were cut out of the re-edited print. Talk about adding insult to injury..

MikeJackKearney Say what you want about Andy Milligan - but if his family was even 10% as deranged as the one in this film, well then I guess he could have turned out worse. Unfortunately, the video print of this film contains sex scene inserts originally shot by the distributor to boost the picture's box office appeal. Several times during the film Milligan's ugly camerawork and silent film music abruptly ends, and suddenly good-looking stand-ins for Milligan's homely actors take over and start doing it to psychedelic 60's guitar rock. It's pretty easy to fast-forward through if you're trying to pay attention to Milligan's original film, which, unfortunately, is missing quite a bit of action that was cut to make room for the added sex scenes. What remains, however, is still compelling stuff. I don't think I've ever seen a more hateful mother in any film before.