AboveDeepBuggy
Some things I liked some I did not.
NekoHomey
Purely Joyful Movie!
Greenes
Please don't spend money on this.
Francene Odetta
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
MartinHafer
While a variety of color processes were developed before this film came out in 1934, they were either experimental and never really used in commercial films or they were primitive two-color processes. The two-color process made for a color-ish film. Since the color strips were orange-red and green-blue, the color tended to be mostly tones of greens and oranges...and many colors in the spectrum simply looked orange or green (or some shades similar to this). However, "Service With a Smile" is a true color film...using the newly developed Three-Color Technicolor...a color process licensed to only a few studios such as Disney (and no other full color cartoons could me made until this contract expired) as well as Warner Brothers/Vitaphone. While the colors are very intense and a tad garish, it does look color and has purples, yellows and other colors not possible with previous processes employed on commercial films. I think much of the garishness is actually NOT the fault of the film but the color choices--and the guy who developed this color process made the studios agree to employ his ex-wife as a color consultant...and she may well be the reason the colors are so intense.As for the film, Leon Errol stars in it as Walter Webb, a guy who owns a service station. It soon burns down and when Errol is asked by his insurance adjuster to describe his old business, he describes it in insanely lavish terms--and you see a HUGE ultra-modern station filled with gorgeous ladies in beautiful uniforms attending to customers. It's ludicrously fancy and deluxe! The overall effect is silly but also mesmerizing due to the color! This is a very important movie historically. While the studio's first Three-Color film, "La Cucharacha" came out first, this short has the distinction of being the second film using this process from Warner. It's also is more entertaining and looks a bit nicer than "La Cucharacha". Well worth seeing...especially for some of the nutty production numbers...especially the eye-popping one near the end with the ladies in bathing suits dancing about the Walter Webb sign!
ptb-8
Absolutely dazzling and delicious, this eye-popping 1934 Technicolor musical short made at Warner Bros is a must-see for any person and friends who love this vintage era of music and film. As with GOOD MORNING EVE made at the same time, this features Leon Errol and his corny vaudeville jokes wrapped around one singular idea, and - yippee! - is filmed in full spectrum Technicolor. What a treat. I insist you also read all the other comments on this site for SERVICE WITH A SMILE because they will say all the wonderful things I could repeat. I am not sure what disc from WB this features on but it is a treat beyond expectation. It makes you realize how sensational the Technicolor of the time was and also how hilarious was the WB style of chorus girl comedy. With snappy songs, snazzy deco design and delicious color, SERVICE WITH A SMILE is set in a roadside car service station run by girls and with facilities as risqué as the pre-code days would allow. Whoever said it is a vintage car lovers delight is also correct. I thank whoever has preserved and reissued this short; SERVICE WITH A SMILE is quite perfect. For technical buffs, it is a treat to see the overlapping color lines where some of the negative has shrunk, thus inadvertently allowing us 75 years later to get a glimpse of the technique used.
John Esche
With Broadway comedian Leon Erroll having found a tidy following in a series of minor Warner Brothers' comedies on the West Coast, Vitaphone used him in several fast filler items like this lavishly produced short.A great experiment in early three strip Technicolor (seldom have the colors lept off the screen in this kind of rich brilliance even in feature films), the only serious weakness in SERVICE WITH A SMILE is the "book" (a little morality tale/joke on the desirability of honesty in dealing with insurance companies). If stage musicals of the twenties and early thirties were *really* this vacuous - as popular imagination and Hollywood "history" would have it - we'd never have remembered any of them.The unexpected strength in the film however (aside from Errol himself - and he doesn't get to shine with his usual bluster and physical comedy) is the delightfully accessible music of Cliff Hess. It's a minor Hollywood tragedy that Hess didn't follow others who found success on the wrong coast back to stage success in the East. He might be better remembered today (or remembered at all). Hess had cut his teeth (and apparently learned a good deal about melody and lyrics) as a musical secretary to Irving Berlin from 1913 to 1918 and even served a term as chorus member in Berlin's Broadway cast of STOP, LOOK AND LISTEN in 1915! Hess's work on SERVICE WITH A SMILE is a consistently tuneful delight, well delivered by a cast that frequently has more enthusiasm than precision - but that seemed a hallmark of twenties and thirties choreography judging from earlier filmed stage musicals from the Marx Brothers' (and Irving Berlin's) COCOANUTS to Burt Lahr's (and Rodgers' and Hart's) HEADS UP!. Well worth a look and listen, but don't expect a lost masterpiece; just a bit of very enjoyable fluff.
boblipton
Someone was foolish enough to give Leon Erroll technicolor and a decent budget, so he spent it. You don't see chorines wearing purple any more, and more's the pity, say I. Erroll milks the gags for all they are worth.