TrueJoshNight Truly Dreadful Film

Stometer Save your money for something good and enjoyable

SpuffyWeb Sadly Over-hyped

Protraph Lack of good storyline.

RNMorton And thoroughly enjoyed pretty much every minute of it. Film follows a daisy chain of relationships until the circle is closed at the end. This is exactly what I hoped a movie like Sidewalks of New York would be (but definitely WAS NOT). A look at real-life-type relationships from many different points of view. My favorites were Tom Everett Scott (always a favorite for me, nobody underplays like him) and Azura Skye, their scenes together are precious. I know there's been other movies with a shfiting focus like this one but derivative or not it hit the spot. Worth checking out despite the risqué title.

gradyharp Writer/Director Ken Kwapis ('About a Boy', 'Sisterhood of the Traveling Pants', episodes on TV series 'ER', 'The Office', 'Malcolm in the Middle', etc) knows his ways around the ups and downs of contemporary relationships, weighing the importance of the physical aspect of the union against the para-physical benefits and makes no prescription for which is of more importance. SEXUAL LIFE explores several couples whose married or about to be married status receives the testing of infidelity.A wedding photographer is frustrated with his executive girlfriend's lack of intimacy and seeks physical satisfaction through an upscale prostitute who has her own rather solid ground views of her business. The photographer's girlfriend is finding physical satisfaction with her married architect boss who in turn is trying to hide his infidelity from his wife who in turn feels she must seek outside satisfaction with an old college flame who happens to be gay and she turns to a hotel clerk at the point of a fantasy liaison for gratification. The hotel clerk happens to be having an affair with an engaged African American girl and is frustrated about her impending marriage to a frustratedly 'correct' African American male who feels he is following a proscribed duty and seeks attention from the prostitute who opens the whole story. How these intersecting couples work out their dilemmas and resolve their individual needs for expanded physical needs in the presence of the safety of relationships is the clever puzzle Kwapis presents - with the conclusions primarily left up to us, the viewers.The cast is homogeneously fine and attractive - Eion Bailey, Elizabeth Banks, Fionnula Flanagan, Anne Heche, Dule Hill, Sam Jaeger, Kerry Washington, Steven Weber, Steven Williams, Shirley Knight, James LeGros, Tom Everett Scott, and Azura Skye along with the minor characters. Kwapis keeps the flow integrated so that the story does indeed seem like a series of coincidences. The sexual scenes are more suggested than graphic and should not offend even the most skeptical viewer. This was, after all, a movie made for Showtime TV, but it stands very well as a tightly conceived and acted lesson about relationships. Well worth watching. Grady Harp

Suzanne Licht This is an excellent, non-linear film of intimate social mores. The dialog is very well written, with completely believable characters. It is at times funny, heartbreaking, and on some levels disturbing. The acting is world-class, with a wonderful cast. It deals with the complexity of one's sexual life, which can take directions that are against one's overall health and integrity. Each scene was tight and spare, leading beautifully into the next. Human sexuality is probably one of the great mysteries, and it has been given a brilliant and unyielding observation here. The score was at times breathtakingly beautiful. I hope to see more from this writer, director and composer.

thesociety You follow a a person through their life highlighting the moments when they are concerned/talking about sex. After they have sex, you follow their partner until that person's next encounter, and so on. 7 or 8 people in all, seeing their sex life from their perspective. A lot of viewpoints, perspectives and situations. Its an enjoyable romp :) through these lives, frame-worked by time spent with the beginning and ending character "lorna", who makes the movie. The story and situations themselves lacked imagination. The dialog was smart, maybe the best part. The score was nice listening and went well with the brisk pace. Overall it was kind of stale. Cute and lame.