Perry Kate Very very predictable, including the post credit scene !!!

Laikals The greatest movie ever made..!

Comwayon A Disappointing Continuation

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Jonathon Dabell Relatively obscure as it is, I still had modest expectations from Shadow Of The Hawk - there are several positive reviews here on the IMDb, the idea is appealing, and the cast contains two of the unsung workhorses of 70s cinema in Chief Dan George and Jan Michael Vincent. A little part of me hoped that perhaps this might be one of those rare overlooked gems one is lucky enough to unearth from time to time. Sadly, the film does not live up to its potential - it has a couple of highlights, separated by long stretches of tedium; worse, for a horror flick, it commits the cardinal sin of being virtually scare-less for its entire duration.Mike (Jan Michael Vincent) has half-Indian ancestry, but has forsaken tribal life for a job in the big city as a computer executive. He is visited by his grandfather Old Man Hawk (Cheif Dan George), who wants him to come back to the old tribal community to help him fight the spirit of Dsonoqua, a vengeful old witch-woman who has previous history with Hawk's family. Mike is initially reluctant to turn his back on his high-tech city lifestyle to go chasing ghosts and goblins in the forest. However, a female journalist, Maureen (Marilyn Hassett), persuades him that he really should show enough respect to at least take his grandfather home and check out his claims. Maureen senses there may be a news story somewhere in all this, and that too motivates her. Mike, Hawk and Maureen begin the long, lonesome drive into the woodland but they are threatened by strange events en route. A menacing black car pursues them and forces them off the road; a masked figure continually observes them from the bushes; they are attacked by enchanted snakes and roving bears. As they near the tribal village, Old Man Hawk reveals that he has known Mike will be the one to face down Dsonoqua since he was a young baby. Now is the time for Mike to embrace his tribal roots and defeat the malevolent spirit of the enemy.The script trips up everyone here, lacking both drive and coherence. George is a wisened old pro, but he looks pretty indifferent here; Vincent was a rising young star at the time of release, but he too looks like his heart isn't really in it. Things are cursorily explained so there is very little interest or suspense in the events. A couple of scenes are neatly done - a snake bites Old Man Hawk while he sleeps; a car crashes into an 'invisible barrier'; a group of eerily masked worshippers emerge from the trees to terrorise Vincent while he stands in an enchanted circle... but these strong moments are separated by such long stretches of dullness that they cannot save the wider film. Too many scenes fizzle out without making much impression, and an air of dispiritedness hangs over the proceedings. 'Dreary' is the most apt description for it - 'Shadow Of A Movie' might have been a better title!

christopher-underwood A likable enough film that didn't really grab a hold of me. Chief Dan George, previously seen in Little Big Man, made earlier and Outlaw Josey Wales, made the same year was born in 1899 on a Canadian Indian reservation and here plays an old medicine man seeking to pass on his powers (and responsibilities) to his grandson as he makes his way back to his village for the last time. There are some amazing sequences, notably a hand to hand fight with a black bear and others involving a strange car and a rope and slat bridge high above the rapids. Indeed the Canadian location shooting is ever impressive and if the tale starts to drift towards the end there is enough here to engage those looking for something a little different.

Coventry What the hell are you supposed to do when suddenly one night, during your birthday celebration moreover, your old and physically exhausted grandfather shows up on your doorstep and begs of you to disregard everything and drive 300 miles to bring him back home? You could refuse and put him on a bus, seeing that he also managed to find his way there alone perfectly fine, but – like the cute woman accompanying him already pointed out – he is your grandfather and you just don't do a thing like that. So what other option is there but to politely offer a ride to both gramps and the lady? During the road trip, however, granddaddy reveals he's entangled in a spiritual battle with a ancient witch called Dsonqua and you are involved through your bloodline. A-ha! That immediately explains the eerie hallucinations you're having about wicked witch masks inside the pool and outside your bedroom window! All this is what's happening to Jan-Michael Vincent in "Shadow of the Hawk"; an above average compelling and atmospheric 70's thriller with a good cast and astonishing Canadian filming locations. Especially the first half of the film is more than fascinating to observe, what with all the mysterious Indian mythology and the genuinely creepy images of the witch's frightening mask. Unfortunately the film loses quite a lot of its pace and interest halfway and ends up being a rather dull and unmemorable supernatural hocus-pocus thriller. The most exciting moments of "Shadow of the Hawk" occur during the road trip, like for example the crash into an invisible wall, whereas the long-anticipated climax battle against the witch and her disciples is tedious and disappointing. George McGowan, known from the nature-revolts classic "Frogs", directs with a noticeable disinterest, but luckily the cast is excellent. Chief Dan George and Jan-Michael Vincent (one of my personal heroes of the 70's) are terrific and very believable as the Indian saviors. "Shadow of the Hawk" is quite difficult to track down these days, so make sure you only take the effort in case you're really interested in the film.

robespierre9 I would classify this as a horror/suspense movie. It deals with Native American black magic in the beautiful Canadian forests of British Columbia. Jan Michael Vincent plays Mike, or young "Hawk" (which is funny since in Airwolf he's HAWKE too!) who has to come to terms with an old Indian curse which is troubling his grandfather. Arriving in Vancouver(?), his grandfather persuades him and a journalist, Maureen, to drive him back to his Indian village. Meanwhile, Jan has been haunted by a really spooky, white-faced, grotesque mask that freaks him out at night and in the pool with his girlfriend. Apparently an ancient Indian witch is trying to destroy his grandfather, and now him! There are some really creepy moments in this movie. There's a Stephen King like 50's car with blackened windows that appears and reappears eerily. Weird things happen to Jan's 70's style SUV while driving - the breaks go out, a tire almost falls off. In the forest, a bear tries to kill JMV. Just a a lot of black magic evil abounds!! Anyway, Jan eventually comes to terms and confronts the evil in the Indian village after going through a 'ritual' of sorts. I think the scenery is the best part about this film. It has that 'X Files' look of spooky Canadian forests - just stunning mountain vistas. The movie is effective enough to keep you creep-ed out. This is a great Jan Michael Vincent role for his early career. I wouldn't call is great acting, but he does maintain his 'cool' while still showing skepticism and caution at all the strange happenings around him. Plus, he looks great! That's probably the best reason to see this movie - for JMV fans especially!